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Bathsheba (painting)
''Bathsheba'' is a 1636-37 painting by the Baroque painter Artemisia Gentileschi, with contributions by Viviano Codazzi (who painted the architecture at the top left of the painting) and Domenico Gargiulo (who painted the landscape). It shows the Hittites, Hittite woman Bathsheba being washed and tended to by her servants. At the top left of the painting, King David sees her from his palace. It was one of seven versions from the story of Bathsheba that Gentileschi painted. The painting is now in the collection of the Columbus Museum of Art, Ohio. Subject The subject, traditionally called ''Bathsheba at her Bath'', is drawn from the Books of Samuel, Second Book of Samuel, in , which recounts that while Bathsheba was being washed, she was seen by King David from his palace balcony. David was instantaneously smitten with Bathsheba - he invited her to his palace chambers and proceeded to seduce and impregnate her. At the time, Bathsheba was married to a soldier in David's army. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viviano Codazzi
Viviano Codazzi (c. 1604 – 5 November 1670) was an Italian architectural painter who was active during the Baroque period. He is known for his architectural paintings, capricci, compositions with ruins, and some ''vedute''. He worked in Naples and Rome. He is known in older sources as ''Viviano Codagora'' or ''il Codagora.'' Life Viviano Codazzi was born in Valsassina near Bergamo around 1604.Ludovica Trezzani. "Codazzi, Viviano." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 Apr. 2016 His family relocated to Rome by 1605. Viviano most likely trained in Rome. He had moved by 1633 to Naples where he worked on commissions at the Certosa di San Martino resulting from his connections with his fellow Bergamasque Cosimo Fanzago. A major commission in Naples was a series of four large canvases representing ancient Roman scenes (including one depicting gladiatorial combats in the Colosseum) for the Buen Retiro in Madrid, with figures by Domenico Gargiulo. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Gargiulo
Domenico Gargiulo called Micco Spadaro ( – ) was an Italian painter of the Baroque period, mainly active in Naples and known for his landscapes, genre scenes, and history paintings. Life Domenico Gargiulo was the son of a sword maker. This earned Domenico the nickname 'Micco Spadaro' ('spadaro' means 'sword maker'). He was trained in the workshop of the battle-painter Aniello Falcone, where he was a contemporary of Andrea di Leone and Salvator Rosa. He also worked with Viviano Codazzi, to whose architectural paintings he added the figures.Oreste Ferrari. "Spadaro, Micco." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 April 2016 His early works were influenced by Paul Bril whose works he must have known from Bril's 1602 landscape frescoes in the atrium of S Maria Regina Coeli in Naples. He was also influenced by Filippo Napoletano. Among his pupils were Pietro Pesce and Ignazio Oliva. He was patronized by collectors such as Gaspar Roomer. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbus Museum Of Art
The Columbus Museum of Art (CMA) is an art museum in downtown Columbus, Ohio. Formed in 1878 as the Columbus Gallery of Fine Arts (its name until 1978), it was the first art museum to register its charter with the state of Ohio. The museum collects and exhibits American and European modern and contemporary art, folk art, glass art, and photography. The museum has been led by Executive Director Nannette Maciejunes since 2003. History The CMA was founded in 1878 as the Columbus Gallery of Fine Arts. Beginning in 1919, it was housed in the Francis C. Sessions house, a founder of Columbus Art School (later known as Columbus College of Art and Design (CCAD). Sessions deeded the mansion and property to the art museum, which operated there until 1923. The house was demolished, with the current museum built on its site. CCAD's Beaton Hall includes elements from the entranceway of the Sessions house. The current building was built on the same site from 1929 to 1931, opening on January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hittites
The Hittites () were an Anatolian people who played an important role in establishing first a kingdom in Kussara (before 1750 BC), then the Kanesh or Nesha kingdom (c. 1750–1650 BC), and next an empire centered on Hattusa in north-central Anatolia (around 1650 BC). This empire reached its height during the mid-14th century BC under Šuppiluliuma I, when it encompassed an area that included most of Anatolia as well as parts of the northern Levant and Upper Mesopotamia. Between the 15th and 13th centuries BC, the Empire of Hattusa—in modern times conventionally called the Hittite Empire—came into conflict with the New Kingdom of Egypt, the Middle Assyrian Empire and the empire of Mitanni for control of the Near East. The Middle Assyrian Empire eventually emerged as the dominant power and annexed much of the Hittite Empire, while the remainder was sacked by Phrygian newcomers to the region. After BC, during the Late Bronze Age collapse, the Hittites splintered in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bathsheba At Her Bath
Bathsheba ( or ; he, בַּת־שֶׁבַע, ''Baṯ-šeḇaʿ'', Bat-Sheva or Batsheva, "daughter of Sheba" or "daughter of the oath") was the wife of Uriah the Hittite and later of David, according to the Hebrew Bible. She was the mother of Solomon, who succeeded David as king, making her the Gebirah (Queen mother). She is best known for the Biblical narrative in which she was summoned by King David, who had seen her bathing and lusted after her. Biblical narrative Bathsheba was the daughter of Eliam (, Ammiel in ). An Eliam is mentioned in as the son of Ahithophel, who is described as the Gilonite. Bathsheba was the wife of Uriah the Hittite. David's first interactions with Bathsheba are described in , and are omitted in the Books of Chronicles. David, while walking on the roof of his palace, saw a very beautiful woman bathing. He ordered enquiries and found out that she was Bathsheba, wife of Uriah. He desired her and later made her pregnant. David and Diana Garland reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Books Of Samuel
The Book of Samuel (, ''Sefer Shmuel'') is a book in the Hebrew Bible, found as two books (1–2 Samuel) in the Old Testament. The book is part of the narrative history of Ancient Israel called the Deuteronomistic history, a series of books (Joshua, Judges, Samuel, and Kings) that constitute a theological history of the Israelites and that aim to explain God's law for Israel under the guidance of the prophets. According to Jewish tradition, the book was written by Samuel, with additions by the prophets Gad and Nathan, who together are three prophets who had appeared within 1 Chronicles during the account of David's reign. Modern scholarly thinking posits that the entire Deuteronomistic history was composed ''circa'' 630–540 BCE by combining a number of independent texts of various ages. The book begins with Samuel's birth and Yahweh's call to him as a boy. The story of the Ark of the Covenant follows. It tells of Israel's oppression by the Philistines, which brought about Sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolognese School
The Bolognese School of painting, also known as the ''School of Bologna'', flourished between the 16th and 17th centuries in Bologna, which rivalled Florence and Rome as the center of painting in Italy. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggisti
The Caravaggisti (or the "Caravagesques") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were reascribed to his followers, such as ''The Taking of Christ'', which was attributed to the Dutch painter Gerrit van Honthorst until 1990. It wasn't until the 20th century that his importance to the development of Western art was rediscovered. In the 1920s Roberto Longhi once more pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
