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Basilique Notre-Dame De Marienthal
Notre-Dame de Marienthal (Our Lady of Marienthal) is a Catholic pilgrimage church dedicated to Mary, mother of Jesus. Located in Marienthal, in the Bas-Rhin department of France, it is administratively situated in the town of Haguenau. Pope Pius IX crowned the dolorous Marian image enshrined within in 1859. Pope Leo XIII elevated the status of the shrine to Minor basilica in 1892. The first sanctuary at this site was built around 1250 by the knight Albert of Haguenau (died in 1254), who had had a religious epiphany some ten years prior and had gathered a small community of faithful around him. This first sanctuary, called "Mary in the Valley", venerated a statue of the Madonna and Child which is not preserved today. The two statues that are venerated today, a Madonna and Child and a Pietà, date from the early 15th century. In the 18th century, the basilica also received precious gifts from queen consort Marie Leszczyńska. The current, spacious church was built in 1863–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haguenau
Haguenau (; Alsatian: or ; and historically in English: ''Hagenaw'') is a commune in the Bas-Rhin department of France, of which it is a sub-prefecture. It is second in size in the Bas-Rhin only to Strasbourg, some to the south. To the north of the town, the Forest of Haguenau (french: Forêt de Haguenau) is the largest undivided forest in France. Haguenau was founded by German dukes and has swapped back and forth several times between Germany and France over the centuries, with its spelling altering between "Hagenau" and "Haguenau" by the turn. After the French defeat in the Franco-Prussian War, Haguenau was ceded to the new German Empire. It was part of the German Empire for 48 years from 1871 to 1918, when at the end of World War I it was returned to France. This transfer was officially ratified in 1919 with the Treaty of Versailles. Haguenau is a rapidly growing town, its population having increased from 22,944 inhabitants in 1968 to 34,504 inhabitants in 2017. Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (the mother was standing). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Jesuit Sites
This list includes past and present buildings, facilities and institutions associated with the Society of Jesus. In each country, sites are listed in chronological order of start of Jesuit association. Nearly all these sites have been managed or maintained by Jesuits at some point of time since the Society's founding in the 16th century, with indication of the relevant period in parentheses; the few exceptions are sites associated with particularly significant episodes of Jesuit history, such as the Martyrium of Saint Denis, Montmartre, Martyrium of Saint Denis in Paris, site of the original Jesuit vow on . The Jesuits have built many new colleges and churches over the centuries, for which the start date indicated is generally the start of the project (e.g. invitation or grant from a local ruler) rather than the opening of the institution which often happened several years later. The Jesuits also occasionally took over a pre-existing institution and/or building, for ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steeple
In architecture, a steeple is a tall tower on a building, topped by a spire and often incorporating a belfry and other components. Steeples are very common on Christian churches and cathedrals and the use of the term generally connotes a religious structure. They might be stand-alone structures, or incorporated into the entrance or center of the building. Architecture Towers were not a part of Christian churches until about AD 600, when they were adapted from military watchtowers. At first they were fairly modest and entirely separate structures from churches. Over time, they were incorporated into the church building and capped with ever-more-elaborate roofs until the steeple resulted. Towers are a common element of religious architecture worldwide and are generally viewed as attempts to reach skyward toward heavens and the divine. Some wooden steeples are built with large wooden structural members arranged like tent poles and braced diagonally inside both with wood and stee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Von Feuerstein
Martin Feuerstein (after 1914, Martin Ritter von Feuerstein; 6 January 1856, Barr - 13 February 1931, Munich) was a German painter and art teacher. He was a late adherent of the Nazarene movement, but was also heavily influenced by impressionism and Art Nouveau. Life His father, Johann Martin Feuerstein, was a sculptor. By 1870, he was studying in Munich. He moved to Paris in 1878 for further studies with Luc-Olivier Merson, then worked as a painter of genre scenes in Alsace from 1880 to 1882. The following year, he took a study trip to Italy. His experiences there inspired him to devote himself to religious art when he returned to Munich. From 1898 to 1924, he was the Professor of Religious Painting at the Academy of Fine Arts; the last person to hold that chair. Among his best-known students were Theodor Baierl, Joseph Ehrismann, the church painter and Leo Götz. In 1914, he was knighted by King Ludwig III of Bavaria. His work can be found in churches throughout Germany an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boss (architecture)
In architecture, a boss is a knob or protrusion of wood, stone, or metal. Description Bosses can often be found in the ceilings of buildings, particularly at the keystones at the intersections of a rib vault. In Gothic architecture, such roof bosses (or ceiling bosses) are often intricately carved with foliage, heraldic devices or other decorations. Many feature animals, birds, or human figures or faces, sometimes realistic, but often Grotesque: the Green Man is a frequent subject. The Romanesque Norwich Cathedral in Norfolk, England, has the largest number of painted carved stone bosses in the world; an extensive and varied collection of over one thousand individual pieces. Many of these decorated bosses still bear the original gilt and pigments from the time of their creation. A different sense of boss was also an important feature of ancient and Classical construction. When stone components were rough-cut offsite at quarries, they were usually left with bosses (small ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Art
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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