Baldassare De Caro
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Baldassare De Caro
Baldassarre De Caro (Naples, 1689- 1750) was an Italian painter of still lifes, mainly of hunted game, but also of flowers. The mood of his paintings is often morbid. According to his biographer Bernardo de' Dominici, he was a pupil of Andrea Belvedere, where he trained alongside Tommaso Realfonso, Gaspare Lopez, Gaetano d'Alteriis, and Nicola Casissa. There had been an active school of still life painting in Naples, starting with Porpora via Ruoppolo to Belvedere. De Caro was also influenced by Spanish '' Bodegones'' and Flemish painters, including Frans Snyders, David de Coninck, Jan Fyt and the Neapolitan resident Abraham Brueghel. For some years, De Caro found patronage and favor with the Bourbon court of Naples. This success would not last as his style finally became too old fashioned and indebted to the Spanish "Bodegón" and he was repeating his works in too many copies. His sons Giuseppe and Lorenzo (not to be confused with the more successful Lorenzo De Caro) D ...
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Naples, Italy
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Jan Fyt
Jan Fijt or Johannes Fijt (or Fyt) (19 August 1609 – 11 September 1661) was a Flemish Baroque painter, draughtsman and etcher. One of the leading animaliers of the 17th century, he was known for his refined depictions of animals and his lush hunting pieces.Matthias Depoorter, ''Joannes Fijt''
at Barok in Vlaanderen


Life

Jan Fyt was born in Antwerp as the son of a wealthy merchantLiechtenstein, the Princely Collections, Metropolitan Museum of Art, 1985, pp. 295–296
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Painters From Naples
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Italian Baroque Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ...
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Italian Still Life Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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18th-century Italian Painters
The 18th century lasted from January 1, 1701 (Roman numerals, MDCCI) to December 31, 1800 (Roman numerals, MDCCC). During the 18th century, elements of Age of Enlightenment, Enlightenment thinking culminated in the American Revolution, American, French Revolution, French, and Haitian Revolution, Haitian Revolutions. During the century, History of slavery, slave trading and human trafficking expanded across the shores of the Atlantic Ocean, Atlantic, while declining in Russian Empire, Russia, Qing dynasty, China, and Joseon, Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that Proslavery, supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in Society, human society and the Natural environment, environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th cen ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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1689 Births
Events January–March * January 22 (January 12, 1688 O.S.) – Glorious Revolution in England: The Convention Parliament is convened to determine if King James II of England, the last Roman Catholic British monarch, vacated the throne when he fled to France, at the end of 1688. The settlement of this is agreed on 8 February. * January 30 – The first performance of the opera ''Henrico Leone'' composed by Agostino Steffani takes place in Hannover to inaugurate the new royal theatre in the Leineschloss. * February 23 (February 13, 1688 O.S.) – William III of England, William III and Mary II of England, Mary II are proclaimed co-rulers of England, Kingdom of Scotland, Scotland and Kingdom of Ireland, Ireland. * March 2 – Nine Years' War: As French forces leave, they set fire to Heidelberg Castle, and the nearby town of Heidelberg. * March 22 (March 12 O.S.) – Start of the Williamite War in Ireland: The deposed James II of England lands wit ...
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Francesco Solimena
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of Avellino. He received early training from his father, Angelo Solimena, with whom he executed a ''Paradise'' for the cathedral of Nocera (a place where he spent a big part of his life) and a ''Vision of St. Cyril of Alexandria'' for the church of San Domenico at Solofra. He settled in Naples in 1674, where he worked in the studio of Francesco di Maria.Pavone, Mario Alberto (2003, January 1). "Solimena family". Grove Art Online. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Lorenzo De Caro
Lorenzo de Caro (baptised 29 May 1719 – 2 December 1777) was an Italian painter, active in the late Baroque style in his native city of Naples. Biography Decaro's biographical information is sparse, and many canvases refer to painter of Neapolitan origin, active between 1740 and 1761. His name was known only from the autograph on the canvases. Decaro is known to have married the 22-year-old Anna Mariana Bozza on 28 February 1743. The couple had 10 children. According to a “census” of the local parish in 1757, the painter’s studio was in Vicolo della Porta piccola del Rosario, a narrow street between the areas of Chiaia and the Spanish Quarter. Decaro lived and worked at that address, according to recently discovered documentation in the archives of the Banco di Napoli, reflecting the “public banks of Naples”. The records of the Banco San Giacomo include receipts of rent payments made by the painter in 1768 and 1769 to his landlord, the Prince of Cannito, for “two ...
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