Baby Baby (Amy Grant Song)
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Baby Baby (Amy Grant Song)
"Baby Baby" is a pop song by American recording artist Amy Grant and it was issued as the first single from her eighth studio album, ''Heart in Motion'' (1991). The song was written by Keith Thomas and Grant. It was released on January 18, 1991, through A&M Records and topped the US ''Billboard'' Hot 100 chart for two consecutive weeks in April 1991, becoming the first in a string of hits from ''Heart in Motion''. At the 34th Annual Grammy Awards in 1992, the song received three Grammy Award nominations, including Song of the Year and Record of the Year. Background The music was written by Keith Thomas. Grant always knew the song would be a smash hit, and was begging Thomas to write the song. He agreed with the only condition that the song's title must be "Baby Baby". Grant had a hard time writing the lyrics, because her early attempts to write a romantic-sounding lyric to a song with such title came off sounding like "some overgrown football jock with no vocabulary tryin ...
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Amy Grant
Amy Lee Grant (born November 25, 1960) is an American singer, songwriter, and musician. She began in contemporary Christian music (CCM) before crossing over to pop music in the 1980s and 1990s. She has been referred to as "The Queen of Christian Pop". she had sold more than 30 million albums worldwide, won six Grammy Awards, 22 Gospel Music Association Dove Awards, and her album was the first Christian album to go platinum. She was honored with a star on Hollywood Walk of Fame in 2006 for her contributions to the entertainment industry and in 2022, she was announced as a recipient of the Kennedy Center Honors. Grant made her debut in her 20s gaining fame in Christian music during the 1980s with such hits as "Father's Eyes", " El Shaddai", and "Angels". In the mid-1980s, she began broadening her audience and soon became one of the first CCM artists to cross over into mainstream pop on the heels of her successful albums '' Unguarded'' and '' Lead Me On''. In 1986, she scored h ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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You're In Love (Wilson Phillips Song)
"You're in Love" is a song by American pop rock band Wilson Phillips. It was the fourth single released from the group's self-titled debut album (1990) and reached number one on the US ''Billboard'' Hot 100, becoming the group's 4th and final top ten hit in the United States. With this single, the group received a nomination at the 34th Annual Grammy Awards in the Best Pop Vocal Performance by a Duo or Group category, losing to R.E.M.'s "Losing My Religion". Chart performance "You're in Love" reached number one on the ''Billboard'' Hot 100 for the week ending April 20, 1991; it was their third number-one hit and fourth top-five single. It also spent four weeks atop the adult contemporary chart in 1991, the group's longest stay at number on this chart (both "Hold On" and " Release Me" reached number one on the AC chart for one week each). In Canada, the song reached number three on the ''RPM'' Top Singles chart and also became an adult contemporary number-one hit, spending two ...
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Wilson Phillips
Wilson Phillips is an American pop group formed in Los Angeles in 1989. The group consists of Carnie Wilson and Wendy Wilson, the daughters of Brian Wilson of the Beach Boys, and Chynna Phillips, the daughter of John and Michelle Phillips of the Mamas & the Papas. Their 1990 eponymous debut album sold over 10 million copies worldwide and included five major US hit singles, four of which went Top 10 (three of those to number one) on the ''Billboard'' Hot 100. In 1990, the group won the Billboard Music Award for Hot 100 Single of the Year for their song "Hold On", and was nominated for five Grammy Awards and two American Music Awards. History 1989–1991: Formation and ''Wilson Phillips'' The Wilson sisters and Phillips grew up together in the Los Angeles area in the 1970s and 1980s. The three shared a love of music, and developed their singing and vocal harmonies. In 1989, the trio landed a deal with SBK Records. All three are the offspring of prominent musicians; Chynna is t ...
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The Next Time I Fall
"The Next Time I Fall" is a song written by Bobby Caldwell and Paul Gordon and recorded as a duet by Peter Cetera and Amy Grant for Cetera's 1986 album '' Solitude/Solitaire''. It reached number one on ''Billboard'' magazine's Hot 100. and Adult Contemporary chart. and was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocals. In February 2020, 34 years after its release, it was listed on a ''Billboard'' pop music list of top 25 love song duets. Background Songwriter Paul Gordon recalled working on the project with Bobby Caldwell. "Bobby had just moved into a new apartment, and all he had was a drum machine and a chair. We spent a couple of inspired days knocking out that song. It was a lot of fun working with Bobby.". The feeling was mutual for Caldwell: "Yes, writing with Paul was a great experience. Sometimes these collaborations click and sometimes not, but this was a smooth and painless venture." Gordon explained that Caldwell did the vocals ...
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Peter Cetera
Peter Paul Cetera ( ; born September 13, 1944) is an American retired musician best known for being a lead vocalist and the bassist of the rock band Chicago from 1967 until his departure in 1985, before launching a successful solo career. His career as a recording artist encompasses 17 albums with Chicago and eight solo albums. With " If You Leave Me Now", a song written and sung by Cetera on the group's tenth album, Chicago garnered its first Grammy Award. It was also the group's first number one single. As a solo artist, Cetera has scored six Top 40 singles, including two that reached number one on ''Billboards Hot 100 chart in 1986, " Glory of Love" and "The Next Time I Fall". "Glory of Love", the theme song from the film ''The Karate Kid Part II'' (1986), was co-written by Cetera, David Foster, and Diane Nini, and was nominated for both an Academy Award and a Golden Globe Award for best original song from a motion picture. In 1987, Cetera received an ASCAP award for "Gl ...
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1988
File:1988 Events Collage.png, From left, clockwise: The oil platform Piper Alpha explodes and collapses in the North Sea, killing 165 workers; The USS Vincennes (CG-49) mistakenly shoots down Iran Air Flight 655; Australia celebrates its Australian Bicentenary, Bicentennial on January 26; The 1988 Summer Olympics are held in Seoul, South Korea; Soviet Union, Soviet troops begin their Soviet-Afghan War, withdrawal from Afghanistan, which is completed the 1989, next year; The 1988 Armenian earthquake kills between 25,000-50,000 people; The 8888 Uprising in Myanmar, led by students, protests the Burma Socialist Programme Party; A bomb explodes on Pan Am Flight 103, causing the plane to crash down on the town of Lockerbie, Scotland- the event kills 270 people., 300x300px, thumb rect 0 0 200 200 Piper Alpha rect 200 0 400 200 Iran Air Flight 655 rect 400 0 600 200 Australian Bicentenary rect 0 200 300 400 Pan Am Flight 103 rect 300 200 600 400 1988 Summer Olympics rect 0 400 200 600 8888 ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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Fade (audio Engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and crossfades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio is smooth, without any prominent glitches.Langford, S. 2014. Digital Audio Editing. Burlington: Focal Press. pp. 47-57. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the attack in vocals where very plosive (‘b’, ‘d’, and ‘p’) s ...
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Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ...
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Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ...
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A-flat Major
A-flat major (or the key of A-flat) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has four flats. The A-flat major scale is: : Its relative minor is F minor. Its parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor contains seven flats and G-sharp minor only contains five sharps, making A-flat minor rarely usable. Its enharmonic, G-sharp major, with eight sharps, including the F, has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor. (The same enharmonic situation also occurs with the keys of D-flat major and C-sharp minor.) Compositions in A-flat major Beethoven chose A-flat major as the key of the slow movement for most of his C minor works, a practice which Anton Bruckner imitated in his first two C minor symphonies and also Antonín Dvořák in his only C minor symphony. The second movement of Haydn's 43rd sym ...
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