By Your Side (Breakbot Album)
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By Your Side (Breakbot Album)
''By Your Side'' is the debut album by French DJ and producer Breakbot that includes the singles "Baby I'm Yours," "One Out of Two" and "Fantasy." It was released through Ed Banger Records on , and features collaborations with Irfane, Ruckazoid and Pacific!. The album charted at #19 in France and #160 in Belgium (Wallonia). Track listing Charts Album Cover The cover of the album features a stylised full-body illustration of Breakbot - a trademark of most of his albums. The figure being made of partially unwrapped chocolate seems to be in reference to the album cover of Chicago X ''Chicago X'' is the eighth studio album, and tenth album overall, by the American band Chicago. It was recorded at Caribou Ranch and it was released by Columbia Records on June 14, 1976. The album made it to number three on the ''Billboard'' .... In popular culture References External links * 2012 debut albums Breakbot albums Ed Banger Records albums 2012 collaborative albums
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Breakbot
Thibaut Jean-Marie Michel Berland (born October 5, 1981), known professionally as Breakbot, is a French musician, record producer and a DJ who has been signed with Ed Banger Records since May 2009. Career Breakbot studied at Supinfocom, a computer graphics university. He co-directed the short film ''Overtime'' with Oury Atlan and Damien Ferrié. The short won the Ottawa International Animation Festival award for "Best Graduate Film" in 2005 and the Internationales Trickfilmfestival Stuttgart "Young Animation Award" in 2006. Thibaut Berland also prepared advertisements and videos. In 2007, he participated in the graphic design of the spaceship present on the first album of the group Justice, ''Cross''. Through his involvement with the design, he was introduced to Pedro Winter, founder of the label Ed Banger Records, who signed him. Breakbot is most recognized for his remixes. His reworkings of songs by artists including Röyksopp, Digitalism, and Chromeo are among his most popu ...
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French House
French house, also known as French touch, filter house and tekfunk, is a style of house music originally produced by French musicians in the 1990s. It is a form of Euro disco and a popular strand of the late 1990s and 2000s European dance music scene. The defining characteristics of the sound are reliant on filter and phaser effects both on and alongside samples from late 1970s and early 1980s American or European disco tracks (or original hooks strongly inspired by such samples), causing thicker harmonic foundations than the genre's forerunners. Most tracks in this genre are in time and feature steady four on the floor beats in the tempo range of 110–130 beats per minute. French house is similar to future funk, although there are some key differences. Purveyors of French house include Daft Punk, Stardust, Cassius, The Supermen Lovers, Modjo and Étienne de Crécy. History and influences French house is greatly influenced by the lineage of American dance music fr ...
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Electro House
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki & Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute, usually 130. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds described the sound as being infl ...
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Disco House
French house, also known as French touch, filter house and tekfunk, is a style of house music originally produced by French musicians in the 1990s. It is a form of Euro disco and a popular strand of the late 1990s and 2000s European dance music scene. The defining characteristics of the sound are reliant on filter and phaser effects both on and alongside samples from late 1970s and early 1980s American or European disco tracks (or original hooks strongly inspired by such samples), causing thicker harmonic foundations than the genre's forerunners. Most tracks in this genre are in time and feature steady four on the floor beats in the tempo range of 110–130 beats per minute. French house is similar to future funk, although there are some key differences. Purveyors of French house include Daft Punk, Stardust, Cassius, The Supermen Lovers, Modjo and Étienne de Crécy. History and influences French house is greatly influenced by the lineage of American dance music fr ...
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Electro-funk
Electro (or electro-funk)Rap meets Techno, with a short history of Electro
Globaldarkness.com. Retrieved on July 18, 2011.
is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, a ...
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Boogie (genre)
Boogie (sometimes called post-disco and electro-funk) is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.Serwer, Jesse (2009XLR8R Jesse Serwer in an interview with Dam-Funk. Retrieved on 2-2-2010. Characteristics Boogie, following the example of post-disco, generally lacks the four-on-the-floor beat, the "traditional" rhythm of disco music; instead has a strong accent on the second and fourth beats, and tempo generally in the 110 to 116 beats-per-minute range. Aside from applying certain technological and promotional aspects of new wave music and having been fairly exposed to its subgenre synthpop, boogie is, however, R&B-rooted and predominantly draws from funk music. Other infl ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ...
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Ed Banger Records
Ed Banger Records (sometimes referred to as Ed Rec) is a French electronic music record label founded by Pedro Winter in 2003 as a division of Headbangers Entertainment. It focuses on house music, particularly French house, as well as alternative dance, electro, hip hop, nu disco, and synthpop, among other styles. The label is home to French acts Justice, SebastiAn, Breakbot, Cassius, DJ Mehdi, Mr. Oizo, Uffie, Myd, Krazy Baldhead, Mr. Flash, So Me, Feadz, DSL, Boston Bun, and Winter himself under the alias Busy P. Most videos and album art for Ed Banger releases are coordinated by So Me. History The label enjoyed a dramatic rise in fame in early 2007 when a number of the artists signed to its roster found mainstream success, most notably French electronic group Justice, whose rework of "Never Be Alone" by now defunct electro-rock band Simian, was a success in clubs worldwide, entering the UK charts at  20. The music video for the single won the award for best video a ...
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Still Waters (Breakbot Album)
''Still Waters'' is the second studio album by French DJ/Producer Breakbot. The album was co-produced by Breakbot and Christopher Irfane Khan-Acito; a member of the hip-hop group Outlines and a frequent collaborator of the French DJ. The album includes three singles: "Back For More", "Get Lost" and "2Good4Me". It was released on Ed Banger Records Ed Banger Records (sometimes referred to as Ed Rec) is a French electronic music record label founded by Pedro Winter in 2003 as a division of Headbangers Entertainment. It focuses on house music, particularly French house, as well as alterna ... on . Track listing References External links * 2016 albums Breakbot albums Ed Banger Records albums {{2010s-electronic-album-stub ...
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ITunes
iTunes () is a software program that acts as a media player, media library, mobile device management utility, and the client app for the iTunes Store. Developed by Apple Inc., it is used to purchase, play, download, and organize digital multimedia, on personal computers running the macOS and Windows operating systems, and can be used to rip songs from CDs, as well as play content with the use of dynamic, smart playlists. Options for sound optimizations exist, as well as ways to wirelessly share the iTunes library. Originally announced by Apple CEO Steve Jobs on January 9, 2001, iTunes' original and main focus was music, with a library offering organization and storage of Mac users' music collections. With the 2003 addition of the iTunes Store for purchasing and downloading digital music, and a version of the program for Windows, it became a ubiquitous tool for managing music and configuring other features on Apple's line of iPod media players, which extended to the iPh ...
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