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Boogie (genre)
Boogie (sometimes called post-disco and electro-funk) is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.Serwer, Jesse (2009XLR8R Jesse Serwer in an interview with Dam-Funk. Retrieved on 2-2-2010. Characteristics Boogie, following the example of post-disco, generally lacks the four-on-the-floor beat, the "traditional" rhythm of disco music; instead has a strong accent on the second and fourth beats, and tempo generally in the 110 to 116 beats-per-minute range. Aside from applying certain technological and promotional aspects of new wave music and having been fairly exposed to its subgenre synthpop, boogie is, however, R&B-rooted and predominantly draws from funk music. Other infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-disco
Post-disco (also called boogie, synth-funk, or electro-funk) is a term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro-funk
Electro (or electro-funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distributed Art Publishers
D.A.P./Distributed Art Publishers, Inc. is an American company that distributes and publishes books on art, photography, design, and visual culture. ARTBOOK website, March 10, 2011. Founding D.A.P./Distributed Art Publishers was founded in New York in 1990 (and incorporated in 1992) by Sharon Helgason Gallagher (B.A., Yale University; M.A. Columbia University), who had previously worked as rights director and managing editor at . It started out as a partnership between Gallagher and Daniel Power, with an office supplied by |
A History Of Electronic Music
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Shapiro (journalist)
Peter Shapiro is a freelance music journalist, who has written for '' Spin'', '' URB'', ''Music Week'', ''Uncut'', ''Vibe'', ''The Wire'' and ''The Times ''The Times'' is a British daily national newspaper based in London. It began in 1785 under the title ''The Daily Universal Register'', adopting its current name on 1 January 1788. ''The Times'' and its sister paper ''The Sunday Times'' (fou ...''. Literary works *''The Rough Guide to Hip-hop'' *''The Rough Guide to Soul and R'n'B'' *''The Rough Guide to Drum 'n' Bass *''Turn The beat around: The Secret History of Disco *'' Modulations A History of Electronic Music Throbbing Words on Sound'' (ed.) (2000) The Oxford Handbook of Computer Music - Page 352 0195331613 R. T. Dean - 2009 - Shapiro, P., ed. 2000. Modulations. A History of Electronic Music: Throbbing Words on Sound. New York: Caipirinha References External linksPeter Shapiro on the 'roots' of Euro-Disco [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four-on-the-floor (dance)
Four-on-the-floor (or four-to-the-floor) is a rhythm pattern used primarily in dance genres such as disco and electronic dance music. It is a steady, uniformly accented beat in time in which the bass drum is hit on every beat (1, 2, 3, 4)."The Dance Music Manual: Tools, Toys and Techniques," Rick Snoman (2004) This was popularized in the disco music of the 1970s and the term ''four-on-the-floor'' was widely used in that era, since the beat was played with the pedal-operated, drum-kit bass drum. Four on the floor was common in jazz drumming until bebop styles expanded rhythmic roles beyond the basics in the 1940s. Garage rock bands of the 1960s such as the Troggs and the Seeds used four-on-the-floor on some of their hits. Earl Young is seen as the inventor of the disco style of rock drumming (in Harold Melvin & the Blue Notes's "The Love I Lost" from 1973), as he was the first to make extensive and distinctive use of the hi-hat cymbal throughout the playing time of an R&B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Effect
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. Traditionally, in the twentieth century, they were created with foley. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point ''without'' the use of dialogue or music. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called "sound effects". This area and sound design have been slowly merged since the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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