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Butterfly (Kaela Kimura Song)
"Butterfly" is a wedding song by Japanese musician Kaela Kimura, released as a digital single on June 1, 2009, roughly a month before her fifth album, '' Hocus Pocus''. It was extremely successful, reaching downloads of over 2,000,000 just over six months after its release. It is Kimura's most successful single digitally. Columbia released a special instrumental version of the song on February 14, 2010. Writing and inspiration The song is a ballad, arranged with a harpsichord and piano backing. As the song progresses, a band arrangement with electric guitars and drums is introduced. Also present in the song are the sounds of church bells, a children's choir and a church organ. The lyrics describe a newly wed bride as a butterfly, who is "more wonderful today than any other time before" who "flaps white wings, together towards happiness." The verses deal with how the person writing the song met the wedding bride so long ago, and describes the wedding ceremony, and how happy the br ...
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Kaela Kimura
is a Japanese pop rock singer, lyricist, fashion model and television presenter. Career Born in Adachi, Tokyo, Japan to a Japanese mother and British father, Kimura started working as a model in 2002 for the Japanese magazine '' Seventeen''. She went on to host the morning television show ''Saku Saku'' from April 14, 2003 to March 31, 2006. Kimura released her only indie single, titled "Level 42", but it was later released as her major label debut single on June 23, 2004, after she signed with Columbia Music Entertainment. The song was used over the end credits of ''Saku Saku''. On October 27, Kimura released her second single, " Happiness!!!", which was followed by her debut album, ''Kaela'', on December 8, 2004. Following the release of her third single, " Rirura Riruha", on March 30, 2005, Kimura saw her fanbase grow considerably. The song was used in a series of Vodafone commercials in Japan and helped make her a household name. It sold over 100,000 copies, her best-selli ...
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RIAJ Digital Track Chart
The was a record chart that ranks the best selling digital singles in Japan, with data provided by the Recording Industry Association of Japan from April 2009. The chart measures cellphone downloads (着うたフル ''Chaku-Uta Full'') (not downloads from PCs, or ringtones (着うた ''Chaku-Uta'')). On July 27, 2012, the service that tracked the charts was shut down. History The RIAJ originally started certifying digital downloads in August 2006. At the same time, they began posting a monthly chart called the (officially the ). This now defunct chart ranked the highest Chaku-uta (ringtone) downloads for the month. The chart was disbanded in March 2009 (the final month's data being February 2009), and was replaced by the identically named weekly Chaku-Uta Full chart. Methodology The chart week runs from Wednesday to Tuesday and updated on every Friday at 11 a.m (Japan Standard Time, JST). The first number-one song on this chart was "It's All Love!" by Kumi Koda and Misono. At ...
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Songs About Marriage
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composer ...
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Japanese-language Songs
is spoken natively by about 128 million people, primarily by Japanese people and primarily in Japan, the only country where it is the national language. Japanese belongs to the Japonic or Japanese- Ryukyuan language family. There have been many attempts to group the Japonic languages with other families such as the Ainu, Austroasiatic, Koreanic, and the now-discredited Altaic, but none of these proposals has gained widespread acceptance. Little is known of the language's prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century AD recorded a few Japanese words, but substantial Old Japanese texts did not appear until the 8th century. From the Heian period (794–1185), there was a massive influx of Sino-Japanese vocabulary into the language, affecting the phonology of Early Middle Japanese. Late Middle Japanese (1185–1600) saw extensive grammatical changes and the first appearance of European loanwords. The basis of the standard dialect moved f ...
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RIAJ Digital Track Chart Number-one Singles
The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include promotion of music sales, enforcement of copyright law, and research related to the Japanese music industry. It publishes the annual ''RIAJ Year Book'', a statistical summary of each year's music sales, as well as distributing a variety of other data. Headquartered in Minato, Tokyo, the RIAJ has twenty member companies and a smaller number of associate and supporting members; some member companies are the Japanese branches of multinational corporations headquartered elsewhere. The association is responsible for certifying gold and platinum albums and singles in Japan. RIAJ Certification In 1989, the Recording Industry Association of Japan introduced the music recording certification systems. It is awarded based on shipment figures of com ...
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2009 Singles
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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Kaela Kimura Songs
''Kaela'' is the first album released by Japanese pop singer Kaela Kimura. It was released on December 8, 2004, and peaked at number seven on the Japanese charts. It features the singles, "Level 42 (song), Level 42" (released June 23, 2004) and "Happiness!!! (Kaela Kimura song), Happiness!!!" (released October 27, 2004). Track listing References

2004 albums Kaela Kimura albums Japanese-language albums {{japan-album-stub ...
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Japan Hot 100
The ''Billboard Japan'' Hot 100 is a record chart in Japan for songs. It has been compiled by ''Billboard Japan'' and '' Hanshin Contents Link'' since February 2008. The chart is updated every Wednesday at Billboard-japan.com ( JST) and every Thursday at Billboard.com ( UTC). The first number-one song on the chart was " Stay Gold" by Hikaru Utada on the issue dated January 16, 2008. The current number-one on the chart as of the issue dated December 21, 2022, is "Subtitle" by Official Hige Dandism. Methodology From the chart's inception in 2008, to December 2010, the chart combined CD single sales data from SoundScan Japan, tracking sales at physical stores across Japan, and radio airplay figures from Japan's then 32 AM and FM radio stations sourced from the Japanese company Plantech. In December 2010, the chart expanded to include sales from online stores, as well as sales from iTunes Japan. From December 2013, ''Billboard'' incorporated more digital music stores (such aRecochoku ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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RIAJ
The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include promotion of music sales, enforcement of copyright law, and research related to the Japanese music industry. It publishes the annual ''RIAJ Year Book'', a statistical summary of each year's music sales, as well as distributing a variety of other data. Headquartered in Minato, Tokyo, the RIAJ has twenty member companies and a smaller number of associate and supporting members; some member companies are the Japanese branches of multinational corporations headquartered elsewhere. The association is responsible for certifying gold and platinum albums and singles in Japan. RIAJ Certification In 1989, the Recording Industry Association of Japan introduced the music recording certification systems. It is awarded based on shipment figures of c ...
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Recording Industry Association Of Japan
The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include promotion of music sales, enforcement of copyright law, and research related to the Japanese music industry. It publishes the annual ''RIAJ Year Book'', a statistical summary of each year's music sales, as well as distributing a variety of other data. Headquartered in Minato, Tokyo, the RIAJ has twenty member companies and a smaller number of associate and supporting members; some member companies are the Japanese branches of multinational corporations headquartered elsewhere. The association is responsible for certifying gold and platinum albums and singles in Japan. RIAJ Certification In 1989, the Recording Industry Association of Japan introduced the music recording certification systems. It is awarded based on shipment figures of com ...
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Kōhaku Uta Gassen
, more commonly known simply as ''Kōhaku'', is an annual New Year's Eve television special produced by Japanese public broadcaster NHK. It is broadcast live simultaneously on television and radio, nationally and internationally by the NHK network and by some overseas (mainly cable) broadcasters who buy the program. The show ends shortly before midnight. Before the show began broadcasting on television in late 1953, the show was held on 3 January and only consisted of a radio broadcast. The program divides the most popular music artists of the year into competing teams of red and white. The "red" team or is composed of all female artists (or groups with female vocals), while the "white" team or is all male (or groups with male vocals). At the end of the show, judges and the audience vote to decide which group performed better. The honor of performing on ''Kōhaku'' is strictly by invitation, so only the most successful singing acts in the Japanese entertainment industry can pe ...
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