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Burgkmair
Hans Burgkmair the Elder (1473–1531) was a German painter and woodcut printmaker. Background Hans Burgkmair was born in Augsburg, the son of painter Thomas Burgkmair. His own son, Hans the Younger, later became a painter as well. From 1488, Burgkmair was a pupil of Martin Schongauer in Colmar. Schongauer died in 1491, before Burgkmair was able to complete the normal period of training. He may have visited Italy at this time, and certainly did so in 1507, which greatly influenced his style. From 1491, he worked in Augsburg, where he became a master and eventually opened his own workshop in 1498. Burgkmair was a Lutheran. Career German art historian Friedrich Wilhelm Hollstein ascribes 834 woodcuts to Burgkmair, the majority of which were intended for book illustrations. Slightly more than a hundred are “single-leaf” prints which were not intended for books. His work shows a talent for striking compositions which blend Italian Renaissance forms with the established German st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Burgkmair
Thoman Burgkmair, or Thomas Burgkmair (died 1523) was a German painter. Life The father of Hans Burgkmair, and the father-in-law of Hans Holbein the elder, he is mentioned in the records of the Painters' Guild at Augsburg in 1460, and in public documents there in 1479. In 1480 he painted a ''Christ with St. Ulric'' and a ''Virgin with St. Elizabeth of Thuringia'', both in the cathedral at Augsburg; the gallery of that city also possesses a picture by him of the ''Martyrdom of St. Stephen, St. Lawrence, and scenes from the Passion''. Burgkmair died at Augsburg in 1523. Gallery File:Thoman Burgkmair - Flügel eines Kreuzaltares, Kreuzauffindung durch Kaiserin Helena (Ehemals Rückseite, Inv.-Nr. 5366) - 5323 - Bavarian State Painting Collections.jpg, Finding of the cross by Empress Helena Flavia Julia Helena ''Augusta'' (also known as Saint Helena and Helena of Constantinople, ; grc-gre, Ἑλένη, ''Helénē''; AD 246/248– c. 330) was an ''List of Augustae, Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maximilian I, Holy Roman Emperor
Maximilian I (22 March 1459 – 12 January 1519) was King of the Romans from 1486 and Holy Roman Emperor from 1508 until his death. He was never crowned by the pope, as the journey to Rome was blocked by the Venetians. He proclaimed himself Elected Emperor in 1508 (Pope Julius II later recognized this) at Trent, thus breaking the long tradition of requiring a Papal coronation for the adoption of the Imperial title. Maximilian was the son of Frederick III, Holy Roman Emperor, and Eleanor of Portugal. Since his coronation as King of the Romans in 1486, he ran a double government, or ''Doppelregierung'' (with a separate court), with his father until Frederick's death in 1493. Maximilian expanded the influence of the House of Habsburg through war and his marriage in 1477 to Mary of Burgundy, the ruler of the Burgundian State, heir of Charles the Bold, though he also lost his family's original lands in today's Switzerland to the Swiss Confederacy. Through marriage of his son Phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schongauer
Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important printmaker north of the Alps before Albrecht Dürer, a younger artist who collected his work. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers. The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Vasari says that Michelangelo copied one of his engravings, in the '' Trial of Saint Anthony''. His style shows no trace of Italian influence, but a very clear and organised Gothic, which draws from both German and Early Netherlandish painting. Recent sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Schongauer
Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important printmaker north of the Alps before Albrecht Dürer, a younger artist who collected his work. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers. The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Vasari says that Michelangelo copied one of his engravings, in the '' Trial of Saint Anthony''. His style shows no trace of Italian influence, but a very clear and organised Gothic, which draws from both German and Early Netherlandish painting. Recent sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jost De Negker
Jost de Negker (c. 1485–1544) was a cutter of woodcuts and also a printer and publisher of prints during the early 16th century, mostly in Augsburg, Germany. He was a leading "formschneider" or blockcutter of his day, but always to the design of an artist. He is "closely tied to the evolution of the fine woodcut in Northern Europe". For Adam von Bartsch, although he did not usually design or draw, the quality of his work, along with that of Hans Lützelburger and Hieronymus Andreae, was such that he should be considered as an artist. Some prints where the designer is unknown are described as by de Negker, but it is assumed there was an artist who drew the design, although it has been suggested that de Negker might fill in a landscape background to a drawing of a figure. Born in Antwerp c.1485, he worked as a cutter in the Netherlands to 1508, when a print he cut by Lucas van Leyden was published. He probably moved in that year to Augsburg (certainly before 1512) and work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lukas Furtenagel
Lukas Furtenagel (1505–1546) was a German painter. Lukas (Laux) Furtenagel was born in Augsburg in 1505 to a family of artists. He began studying art at a young age and was a protégé of painter Hans Burgkmair. Furtenagel began his apprenticeship in 1515 at the age of 10. After leaving Augsburg, he briefly joined the workshop of Lucas Cranach the Elder in Wittenberg. Furtenagel was active in Halle from 1542 to 1546. In 1546, he was called to Eisleben to portray Martin Luther after the latter's death. In the fall of 1546, after returning to Augsburg, Furtenagel was awarded the title of master. Notable works Few of Furtenagel's works survive. One of his most notable is a double portrait of Hans Burgkmair with his wife Anna, ages 56 and 52 respectively. The work, a vanitas, shows the artist and his wife reflected in a hand-mirror as death's heads. The inscription on the mirror reads "Recognize thyself/o death/hope of the world". Prior to the discovery of Furtenagel's signature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triumphal Procession
The ''Triumphal Procession'' (in German, ''Triumphzug'') or ''Triumphs of Maximilian'' is a monumental 16th-century series of woodcut prints by several artists, commissioned by the Holy Roman Emperor Maximilian I. The composite image was printed from over 130 separate wood blocks; a total of 139 are known. Approximately long, it is one of the largest prints ever produced. It was designed to be pasted to the walls in city halls or the palaces of princes to create a decorative frieze, an expression of the Emperor's power and magnificence: a pictorial form of the contemporaneous royal entry, which like many Renaissance entries looked back to the Roman triumph. Maximilian's papers show that he intended the procession to "grace the walls of council chambers and great halls of the empire, proclaiming for posterity the noble aims of their erstwhile ruler". It was one of several works of propaganda in literary and print form commissioned by Maximilian, who was always drastical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quaternion Eagle
The Quaternion Eagle (german: Quaternionenadler; it, aquila quaternione), also known as the Imperial Quaternion Eagle (german: Quaternionen-Reichsadler) or simply Imperial Eagle (german: Reichsadler), was an informal coat of arms of the Holy Roman Empire. Introduced around 1510 by Hans Burgkmair, the Quaternion Eagle mixed two pre-existing concepts: the Imperial Quaternions and the Imperial Eagle (double-headed eagle). History Background The so-called imperial quaternions (german: Quaternionen der Reichsverfassung, , quaternions of the imperial constitution; from la, quaterniō, , group of four soldiers) were a conventional representation of the Imperial States of the Holy Roman Empire which first became current in the 15th century and was extremely popular during the 16th century. Apart from the highest tiers of the emperor, kings, prince-bishops and the prince electors, the estates are represented in groups of four. The number of quaternions was usually ten, in d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleanor Of Portugal, Holy Roman Empress
Eleanor of Portugal (18 September 1434 – 3 September 1467) was Empress of the Holy Roman Empire. A Portuguese ''infanta'' (princess), daughter of King Edward of Portugal and his wife Eleanor of Aragon, she was the consort of Holy Roman Emperor Frederick III and the mother of Holy Roman Emperor Maximilian I. Background Eleanor was born in Torres Vedras on 18 September 1434, one of the nine children of King Edward of Portugal and Eleanor of Aragon. She was the third eldest daughter, but her two older sisters died when they were young, leaving Eleanor as the eldest surviving daughter. When her father died five days before her fourth birthday, Eleanor's brother Afonso V succeeded him as king with her mother as regent. The following March, her mother gave birth to another daughter, Joan, who would become the notorious wife of Henry IV of Castile. In 1440, Eleanor's mother was forced to go into exile in Castile after losing litigation against her brother-in-law Peter, Duke o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick III, Holy Roman Emperor
Frederick III (German: ''Friedrich III,'' 21 September 1415 – 19 August 1493) was Holy Roman Emperor from 1452 until his death. He was the fourth king and first emperor of the House of Habsburg. He was the penultimate emperor to be crowned by the pope, and the last to be crowned in Rome. Prior to his imperial coronation, he was duke of the Inner Austrian lands of Styria, Carinthia and Carniola from 1424, and also acted as regent over the Duchy of Austria from 1439. He was elected and crowned King of Germany in 1440. His reign of 53 years is the longest in the history of the Holy Roman Empire or the German Monarchy. Upon his death in 1493 he was succeeded by his son Maximilian I. During his reign, Frederick concentrated on re-uniting the Habsburg " hereditary lands" of Austria and took a lesser interest in Imperial affairs. Nevertheless, by his dynastic entitlement to Hungary as well as by the Burgundian inheritance, he laid the foundations for the later Habsburg Em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucas Cranach The Elder
Lucas Cranach the Elder (german: Lucas Cranach der Ältere ; – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. Cranach had a large workshop and many of his works exist in different versions; his son Lucas Cranach the Younger and others continued to create versions of his father's works for decades after his death. He has been considered the most successful German artist of his time. Early life He was born at Kronach in uppe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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