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Schongauer
Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important printmaker north of the Alps before Albrecht Dürer, a younger artist who collected his work. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers. The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Vasari says that Michelangelo copied one of his engravings, in the '' Trial of Saint Anthony''. His style shows no trace of Italian influence, but a very clear and organised Gothic, which draws from both German and Early Netherlandish painting. Recent sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Temptation Of St Anthony (Schongauer)
''The Temptation of St. Anthony'' is an engraving, probably created c. 1470–75, by Martin Schongauer of this popular scene in 15th-century art. In it, grotesque demons swarm around Saint Anthony the Great, bursting with movement and energy as the saint calmly resists their temptations or blows. St. Anthony is shown with some of his signature attributes, dressed in a monk's religious habit and cowl, carrying a staff with a tau-shaped handle and his bound girdle book hanging from his belt. The literary source from which this image derives is debated. The image could depict chapter 65 from Athanasius's ''Life of St. Anthony'', where the hermit has a vision of himself floating through the air and undefined beings prevent him from ascending back to reality or it could show the ninth chapter of Athanasius's ''Life of St. Anthony'', where St. Anthony is attacked by the devil in the form of animals and beasts in the Egyptian desert and is levitated in the air by his practice of rigor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Torment Of Saint Anthony (Michelangelo)
''The Torment of Saint Anthony'' (or ''The Temptation of Saint Anthony'', c. 1487–88) is attributed to Michelangelo, who painted a close copy of the famous engraving by Martin Schongauer when he was only 12 or 13 years old. There is no evidence that this painting was done by Michelangelo.TheGuardian"Texas Museum Acquires Disputed Michelangelo"/ref> This painting is now in the Kimbell Art Museum in Fort Worth, Texas.Brown, Angela K.Texas museum acquires Michelangelo's 1st painting Associated Press 2009-05-13, retrieved 2009-05-13 It shows the common medieval subject, included in the ''Golden Legend'' and other sources, of Saint Anthony (AD 251 – 356) being assailed in the desert by demons, whose temptations he resisted; the '' Temptation of St Anthony'' (or "Trial") is the more common name of the subject. But this composition apparently shows a later episode where St Anthony, normally flown about the desert supported by angels, was ambushed in mid-air by devils. Ownership ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Schongauer
Ludwig Schongauer (c. 1440–1494) was a German painter and engraver. Schongauer was born in Augsburg into an Alsatian family of artists, later settling in Colmar. His father Caspard was a goldsmith, and he had three brothers. Two of his brothers Georg and Paul became goldsmiths themselves, while his third brother was the painter Martin Schongauer. Both Martin and Ludwig are thought to have been pupils of the painter Caspar Isenmann Caspar (or Kaspar) Isenmann (french: Gaspard Isenmann) was a Gothic painter from Alsace. As the municipal painter of his hometown Colmar and the creator of a major altarpiece for the prestigious St Martin's Church, he was an important represen .... Selected Known Works * ''Wing of an altarpiece: The Arrest of Christ'' * ''Christ before Pilate; The Resurrection'' References External links Wing of an altarpiece: The Arrest of ChristChrist before Pilate; The Resurrection 1440 births 1494 deaths 15th-century German painters German male p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colmar
Colmar (, ; Alsatian: ' ; German during 1871–1918 and 1940–1945: ') is a city and commune in the Haut-Rhin department and Grand Est region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it is the seat of the prefecture of the Haut-Rhin department and of the subprefecture of the Colmar-Ribeauvillé arrondissement. The city is renowned for its well-preserved old town, its numerous architectural landmarks, and its museums, among which is the Unterlinden Museum, which houses the ''Isenheim Altarpiece''. Colmar is situated on the Alsatian Wine Route and considers itself to be the "capital of Alsatian wine" ('). History Colmar was first mentioned by Charlemagne in his chronicle about Saxon wars. This was the location where the Carolingian Emperor Charles the Fat held a diet in 884. Colmar was granted the status of a free imperial city by Emperor Frederick II in 1226. In 1354 it joined the Décapole city league.G. Köbler, ''H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caspar Isenmann
Caspar (or Kaspar) Isenmann (french: Gaspard Isenmann) was a Gothic painter from Alsace. As the municipal painter of his hometown Colmar and the creator of a major altarpiece for the prestigious St Martin's Church, he was an important representative of the Upper Rhenish school of painting of the mid-15th century and a probable master of Martin Schongauer. Life and work Isenmann's dates of birth and death are uncertain. He may have been born around 1410. The Unterlinden Museum of his hometown indicates that he was active around 1430 and died between 1484 and 1490; however the Bibliothèque nationale de France states that Isenmann died on 18 January 1472. Isenmann was first recorded as a painter in 1432. He decorated the municipal counting board in 1433 and became a burgher of Colmar in 1435 or 1436. Nothing is known about his teachers but it is assumed that he may have been apprenticed either to Hans Hirtz of Strasbourg or Konrad Witz of Basel; his art also shows the infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alsace
Alsace (, ; ; Low Alemannic German/ gsw-FR, Elsàss ; german: Elsass ; la, Alsatia) is a cultural region and a territorial collectivity in eastern France, on the west bank of the upper Rhine next to Germany and Switzerland. In 2020, it had a population of 1,898,533. Alsatian culture is characterized by a blend of Germanic and French influences. Until 1871, Alsace included the area now known as the Territoire de Belfort, which formed its southernmost part. From 1982 to 2016, Alsace was the smallest administrative ''région'' in metropolitan France, consisting of the Bas-Rhin and Haut-Rhin departments. Territorial reform passed by the French Parliament in 2014 resulted in the merger of the Alsace administrative region with Champagne-Ardenne and Lorraine to form Grand Est. On 1 January 2021, the departments of Bas-Rhin and Haut-Rhin merged into the new European Collectivity of Alsace but remained part of the region Grand Est. Alsatian is an Alemannic dialect closely related ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rest On The Flight Into Egypt
The Rest on the Flight into Egypt is a subject in Christian art showing Mary, Joseph, and the infant Jesus resting during their flight into Egypt. The Holy Family is normally shown in a landscape. The subject did not develop until the second half of the fourteenth century, though it was an "obvious step" from depictions of the "legend of the palm tree" where they pause to eat dates and rest; palm trees are often included. It was a further elaboration of the long-standing traditions of incidents that embellished the story of the Flight into Egypt, which the New Testament merely says happened, without giving any details. The earliest known ''Rest'' is a panel in the large compartmented Grabow Altarpiece by the north German painter Meister Bertram, from about 1379, and the subject was mainly found north of the Alps until 1500 or later. Most depictions are made for wealthy homes rather than churches, and the subject only rarely forms part of cycles of the ''Life of Christ'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogier Van Der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influential Northern painter of the 15th century. Very few details of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breisach
Breisach (formerly Altbreisach; Low Alemannic: ''Alt-Brisach'') is a town with approximately 16,500 inhabitants, situated along the Rhine in the Rhine Valley, in the district Breisgau-Hochschwarzwald, Baden-Württemberg, Germany, about halfway between Freiburg and Colmar — 20 kilometres away from each — and about 60 kilometres north of Basel near the Kaiserstuhl. A bridge leads over the Rhine to Neuf-Brisach, Alsace. Its name is Celtic and means breakwater. The root ''Breis'' can also be found in the French word ''briser'' meaning to break. The hill, on which Breisach came into existence was — at least when there was a flood — in the middle of the Rhine, until the Rhine was straightened by the engineer Johann Gottfried Tulla in the 19th century, thus breaking its surge. History The seat of a Celtic prince was at the hill on which Breisach is built. The Romans maintained an auxiliary castle on Mons Brisiacus (which came from the Celtic word Brisger, which means water ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israhel Van Meckenem
Israhel van Meckenem (c.1445 – 10 November 1503), also known as Israhel van Meckenem the Younger, was a German printmaker and goldsmith, perhaps of a Dutch family origin. He was the most prolific engraver of the fifteenth century and an important figure in the early history of old master prints. In total, he produced over 620 engravings, most of which were copies of other prints; they represent about 20% of print production by all Northern European artists in the period of his working life. His career lasted long enough for him to copy Dürer prints. He was active from 1465 until his death, and continued to work as a goldsmith; there are some surviving pieces, and many documented commissions from the city of Bocholt. He probably trained in engraving with Master E. S. in South Germany, and may well have been with him at his death c. 1467, since he acquired and reworked forty-one of the master's plates. Another two hundred of van Meckenem's "own" prints were also copies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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