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Bryan Balkwill
Bryan Havell Balkwill (2 July 1922 – 24 February 2007) was an English orchestral conductor. Balkwill was born in London. He started to learn to play the piano at the age of four and was educated at Merchant Taylors' School. From there he won a scholarship to the Royal Academy of Music. After service in the Second World War in Italy he was appointed as répétiteur for the New London Opera Company in 1947 where he became its assistant conductor.Obituary
''Daily Telegraph'', 9 March 2007, accessed 12 March 2007
With them he made his debut at the conducting

WikiProject Classical Music
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organization ...
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Glyndebourne Festival Opera
Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England. History Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1941–45 during World War II and 1993 when the theatre was being rebuilt, for a 1994 reopening. Gus Christie, son of Sir George Christie and grandson of festival founder John Christie, became festival chairman in 2000. Since the company's inception, Glyndebourne has been particularly celebrated for its productions of Mozart operas. Recordings of Glyndebourne's past historic Mozart productions have been reissued. Other notable productions included their 1980s production of George Gershwin's ''Porgy and Bess'', directed by Trevor Nunn, and later expanded from the Glyndebourne stage and videotaped in 1993 for television, with Nunn again directing. While Mozart operas have continued to be the mainstay of its repertory, the compa ...
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Sadler's Wells Opera
English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English. The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and The Royal Ballet, respectively. Baylis acquired and rebuilt the Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the com ...
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Welsh National Opera
Welsh National Opera (WNO) ( cy, Opera Cenedlaethol Cymru) is an opera company based in Cardiff, Wales; it gave its first performances in 1946. It began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its early days the company gave a single week's annual season in Cardiff, gradually extending its schedule to become an all-year-round operation, with its own salaried chorus and orchestra. It has been described by ''The New York Times'' as "one of the finest operatic ensembles in Europe". For most of its existence the company lacked a permanent base in Cardiff, but in 2004 it moved into the new Wales Millennium Centre, Cardiff Bay. The company tours nationally and internationally, giving more than 120 performances annually, with a repertoire of eight operas each year, to a combined audience of more than 150,000 people. Its most frequent venues other than Cardiff are Llandudno in Wales and Bristol, Birmingham, Liverpool, Milton Keynes, Oxfo ...
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Charles Groves
Sir Charles Barnard Groves CBE (10 March 191520 June 1992) was an English conductor. He was known for the breadth of his repertoire and for encouraging contemporary composers and young conductors. After accompanying positions and conducting various orchestras and studio work for the BBC, Groves spent a decade as conductor of the Bournemouth Symphony Orchestra. His best-known musical directorship was of the Royal Liverpool Philharmonic Orchestra, beginning in 1963, with which he made most of his recordings. From 1967 until his death, Groves was associate conductor of the Royal Philharmonic Orchestra, and in the 1970s he was one of the regular conductors of the Last Night of the Proms. He also served as president of the National Youth Orchestra from 1977, and, during the last decade of his life, as guest conductor for orchestras around the world. Life and career Early years Groves was born in London, the only child of Frederick Groves and Annie (née Whitehead). Groves b ...
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A Midsummer Night's Dream (opera)
''A Midsummer Night's Dream'', Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, '' A Midsummer Night's Dream''. It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe. Performance history ''A Midsummer Night's Dream'' was first performed on 11 June 1960 at the Jubilee Hall, Aldeburgh, UK as part of the Aldeburgh Festival. Conducted by the composer, it was directed by the choreographer John Cranko. The work re ...
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Albert Herring
''Albert Herring'', Op. 39, is a chamber opera in three acts by Benjamin Britten. Composed in the winter of 1946 and the spring of 1947, this comic opera was a successor to his serious opera ''The Rape of Lucretia''. The libretto, by Eric Crozier, was based on Guy de Maupassant's novella '' Le Rosier de Madame Husson'', with the action transposed to an English setting. Composition history After having composed and staged ''The Rape of Lucretia'', Britten decided he should attempt a comedy, preferably set in England.Nigel Douglas. "Some personal memories of Benjamin Britten, the English Opera Group and ''Albert Herring''". Booklet note to Nimbus NI 5824/6 (2008). Crozier suggested adapting the Maupassant short story ''Le rosier de Madame Husson'' and transplanting it to the Suffolk landscape already familiar to Britten from his home in Snape. Britten composed ''Albert Herring'' at his home, The Old Mill at Snape, in the winter of 1946 and the spring of 1947. He scored the oper ...
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English Opera Group
The English Opera Group was a small company of British musicians formed in 1947 by the composer Benjamin Britten (along with John Piper, Eric Crozier and Anne Wood) for the purpose of presenting his and other, primarily British, composers' operatic works. The group later expanded to present larger-scale works, and was renamed the English Music Theatre Company. The organisation produced its last opera and ceased to run in 1980. English Opera Group Fleeing internal politics at Sadler's Wells Opera at the end of 1945, Britten and singers Joan Cross, Anne Wood, and Peter Pears joined with designer Piper and producer Crozier to found the English Opera Group. The new company's goal was to première Britten's operas, and to present other, mostly British, small-scale operas. Rosenthal, Harold. ''English Opera Group'' in Sadie, vol. 2, p. 52 The company's first project was to première Britten's chamber opera ''Albert Herring'' and give further performances of his opera ''The Rape of L ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Royal Philharmonic Orchestra
The Royal Philharmonic Orchestra (RPO) is a British symphony orchestra based in London, that performs and produces primarily classic works. The RPO was established by Thomas Beecham in 1946. In its early days, the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961, the RPO's fortunes declined steeply. The RPO battled for survival until the mid-1960s, when its future was secured after a report by the Arts Council of Great Britain recommended that it should receive public subsidy. A further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn. In 2004, the RPO acquired its first permanent London base, at Cadogan Hall in Chelsea. The RPO also gives concerts at the Royal Festival Hall, the Royal Albert Hall and venues around the UK and other countries. The current music dir ...
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Royal Festival Hall
The Royal Festival Hall is a 2,700-seat concert, dance and talks venue within Southbank Centre in London. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge, in the London Borough of Lambeth. It is a Grade I listed building, the first post-war building to become so protected (in 1981). The London Philharmonic Orchestra, the Philharmonia Orchestra, the Orchestra of the Age of Enlightenment, the London Sinfonietta, Chineke! and Aurora are resident orchestras at Southbank Centre. The hall was built as part of the Festival of Britain for London County Council, and was officially opened on 3 May 1951. When the LCC's successor, the Greater London Council, was abolished in 1986, the Festival Hall was taken over by the Arts Council, and managed together with the Queen Elizabeth Hall and Purcell Room (opened 1967) and the Hayward Gallery (1968), eventually becoming an independent arts organisation, now known as the Southbank Centre, in April 1998. ...
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Wexford Festival Opera
Wexford Festival Opera () is an opera festival that takes place in the town of Wexford in south-eastern Ireland during the months of October and November. The festival began in 1951 under Tom Walsh and a group of opera lovers who quickly generated considerable interest by programming unusual and rare works, a typical festival staging three operas. This concept has been maintained over the company's history under the direction of seven different artistic directors. From the beginning, the company embraced new and upcoming young singers, many of whom were Irish, but it also included new international names who made first appearances there. By the 1960s Czech and Russian operas entered the repertory, while the 1970s saw an interest in the operas of Jules Massenet under director Thomson Smillie, followed by an emphasis on Italian operas from the end of that decade. However, into the mix there appeared more modern operas by Benjamin Britten and Carlisle Floyd while Elaine Padmore's ...
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