Brazilian Gaucho Music
Brazilian gaucho music (in Portuguese ''música gaúcha brasileira'' or ''música nativista'') denotes the traditional music of Río Grande do Sul, Santa Catarina (state), Santa Catarina and Paraná (state), Paraná states, whose population has a strong ancestry of European countries like Portugal, Spain, Italy and Germany. The word ''gaucho'' refers to the countryside and farm people. History In the 19th century, in the north of the state of Rio Grande do Sul, Brazil, the tropeiros, men who led the cattle troops, often created music for fun, to sing while they stumbled, they were songs with simple lyrics, as the years, and the arrival of the accordion in Brazil, these songs gained their own dances, today they are gaúcho folkloric songs and dances, as there is no record of the composers of the songs and the creators of the dances. With the emergence of the Farroupilha Revolution, or also known as the Farrapos War, these dances ended up being forgotten for years, in the late nine ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Portugal
Portugal, officially the Portuguese Republic ( pt, República Portuguesa, links=yes ), is a country whose mainland is located on the Iberian Peninsula of Southwestern Europe, and whose territory also includes the Atlantic archipelagos of the Azores and Madeira. It features the westernmost point in continental Europe, and its Iberian portion is bordered to the west and south by the Atlantic Ocean and to the north and east by Spain, the sole country to have a land border with Portugal. Its two archipelagos form two autonomous regions with their own regional governments. Lisbon is the capital and largest city by population. Portugal is the oldest continuously existing nation state on the Iberian Peninsula and one of the oldest in Europe, its territory having been continuously settled, invaded and fought over since prehistoric times. It was inhabited by pre-Celtic and Celtic peoples who had contact with Phoenicians and Ancient Greek traders, it was ruled by the Ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carazinho
Carazinho is a city located 246 km from Porto Alegre, in the northwest portion of the Brazilian state of Rio Grande do Sul. Carazinho-RS was founded on 1931 and as of 2020 has a population of 62,265. Carazinho's primary economy is focused on agriculture. Soybeans, corn and wheat are the major products. Carazinho can be accessed via BR-285 or BR-386, which are major roads in Rio Grande do Sul. It has an elevation of 603 meters and an area of 676 km² A significant part of Carazinho's population is of German origin. References Municipalities in Rio Grande do Sul {{RioGrandedoSul-geo-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baitaca
Baitaca, artistic name of Antônio César Pereira Jacques (born December 23, 1965), is a Brazilian singer and songwriter known for his traditional "gaúcho" music style. In his compositions, some lyrics carry double meanings and tell stories about life in rural settings. He experienced a resurgence in 2019 with the song ''" Do Fundo da Grota,"'' which gained popularity through live performances by singers during the 2020 pandemic. His repertoire includes other hits like ''"A História do Tico Loco," "Baitaca Com Seu Jeito Simples,"'' and ''"Querido Encanta a Todos."'' Biography Baitaca was born in the locality of ''Rincão dos Pintos'', in the countryside of ''São Luiz Gonzaga''. He inherited the nickname from his grandfather, whose name refers to the ''"maitaca,"'' a bird from the parrot family. At the age of 14, he won first place in a ''trova'' competition in the children's category at CTG ''Sinos'' in '' São Miguel''. He started working as a ranch hand, and in his spare ti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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José Portella Delavy
José Portella Delavy (9 March 1930 – 28 May 2011) was a Brazilian singer and composer known for composing the song "Para Pedro" with José Mendes. The song is an exemplar of Brazilian gaucho music. Early life Delavy was born in Triunfo, in the state of Rio Grande do Sul, south of Brazil, on March 9, 1930. At the age of 17, he moved to Alvorada, in Greater Porto Alegre, where he was elected city councilor, a position he held between 1977 and 1989. Career In 1966, he began working at the radio station Farroupilha in Porto Alegre on the program ''Grande Rodeio Coringa'' where he met singer José Mendes. Delavy and Mendes began performing together, visiting many cities within the state. On one of these trips in 1967, their car broke down and they had to take a bus. Along the way, they overheard two other travelers arguing, saying: "Para Pedro, Para Pedro". The phrase inspired their first hit, "Pára Pedro," first broadcast on ''Grande Rodeio Coringa'', and later recorded b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gildo De Freitas
Gildo (died 398) was a Roman Berber general in the province of Mauretania Caesariensis. He revolted against Honorius and the Western Roman Empire ( Gildonic war), but was defeated and possibly committed suicide or was assassinated. Etymology The name "Gildo" means "king" in the Berber languages. The vocalisation of the Libyco-berber word GLD gives in modern Berber , "the chief, the king". History Gildo was probably born in the 340s in a Moorish environment which most likely was Mauretania Caesareans that was very much Romanized. Gildo was a Berber by birth. Being a son of King Nubel (''regulus per nationes Mauricas''), he was brother to Firmus. His other brothers were called Mascezel, Mazuca, Sammac, and Dius. He had a sister named Cyria. According to a hypothesis of Stéphane Gsell that was later resumed and developed by Gabriel Camps, Nubel should indeed be identified with Flavius Nuvel, officer of the Roman army, commander of a cavalry unit, the equites Armigeri junior, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Coração De Luto (song)
"Coração de Luto" is a song composed by the Brazilian singer and composer Teixeirinha, the song was recorded by him in 1959 and in 1960 it sold 1 million copies, an unprecedented event in the history of music, since at that time no other artist had sold 1 million copies from a single-song album, to this day "Coração de Luto" is one of the most played songs in Brazil. History The autobiographical lyrics of the song describe Teixeirinha's sad childhood, and speak mainly of the tragic death of her mother, Ledurina Mateus, who, suffering from epilepsy, fainted over a fire, made by her to burn dry leaves and branches, dying burned in the courtyard of the house. Teixeirinha composed the song in 1959, with the objective of showing the public what happened in his childhood, showing the importance of his mother in people's lives. Curiosities Because of the lyrics of this song, television presenter Flávio Cavalcanti said that Teixeirinha was making a success at his mother's expense ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Teixeirinha
Teixeirinha (March 3, 1927 - December 4, 1985), given name Vitor Mateus Teixeira, was a Brazilian musician. ''Teixeirinha'' is the diminutive form of the common Brazilian surname of ''Teixeira'', is one of the greatest Brazilian artists, Teixeirinha was the first artist in the world to sell 1 million copies of a disc of only one recorded song, called "O Rei do Disco" by this record sales, currently has sold 130 million copies. The song to sell 1 million copies was " Coração de Luto", was re-recorded by several Brazilian artists, including the duo Milionário and José Rico, and the singer Sérgio Reis, as well as a re-recording made by a Spanish singer named Chacho Santa Cruz. Teixeirinha is also the artist who composed the most songs in Brazil, he composed exactly 1,200 songs, recorded 758 in more than 50 albums, being one of the few artists to be successful outside America, arriving in Europe and Africa, an album by Teixeirinha was currently discovered released in Russia ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chamamé
Chamamé ( Guarani for: party, disorder) is a folk music genre from Northeast Argentina and Argentinian Mesopotamia. In 2020, Chamamé was inscribed in UNESCO's Intangible cultural heritage list after it was nominated by Argentina in 2018. Chamamé is also a traditional musical style appreciated in borders zone of South America, as Paraguay, Uruguay and Brazil, mainly in the South Region of Brazil (Rio Grande do Sul, Santa Catarina and Paraná) and Mato Grosso do Sul. Jesuit reductions in the area encouraged cultural growth that lasted until the Jesuits were expelled by the Spanish Crown in the late 18th century. Within this area, Yapeyú, Corrientes was a centre of musical culture that many point to as the birthplace of the original Chamamé. Further mixing with instruments such as the Spanish guitar, then the violin and the accordion, finally resulted in what is currently known as "Chamamé". There are recordings of Chamamé dating back to the early 20th century, and t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ranchera Music
Ranchera () or canción ranchera is a genre of traditional music of Mexico. It dates to before the years of the Mexican Revolution. Rancheras today are played in virtually all regional Mexican music styles. Drawing on rural traditional folk music, the ranchera developed as a symbol of a new national consciousness in reaction to the aristocratic tastes of the period. The classic "rancheras" songs usually talk about life in Mexico not only in rural areas, but also portray life in Mexico at the time of the bandits. That said, it refers to romanticizing canteens,charros "Mexican cowboy", firearms, love affairs and duels. Definitions The word ''ranchera'' was derived from the word ''rancho'' because the songs originated on the ranches and in the countryside of rural Mexico. Traditional themes in rancheras are about love, patriotism or nature. Rhythms can have a meter in (in slow tempo: '' ranchera lenta'' and faster tempo: ''ranchera marcha''), (''ranchera valseada''), or (' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tango Music
Tango is a style of music in or time that originated among European and African immigrant populations of Argentina and Uruguay (collectively, the " Rioplatenses"). It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the ''orquesta típica'', which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world. Origins Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain,José Luis Ortiz Nuevo ''El origen del tango americano'' Madrid and La Habana 1849 while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. All sources stress the influence of African communities and their rhyt ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |