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Brahmashirsha Astra
The Brahmashirā astra is the most destructive weapon described in the ancient Indian texts, capable to end the existence of gods or Devas. It is thought that the Brahmashirā astra is superior than the Brahmāstra, and causes chain reaction of massive explosions and waves to annihilate any desired entity of the Universe or even the Universe itself. The weapon manifests with the four heads of Lord Brahma as its tip. Sage Agnivesa, Parshurama, Arjuna and Ashwatthama possessed the knowledge to invoke this weapon. This weapon can be invoked into any object, even to a blade of grass. In the ''Mahabharata'', it is explained that when this weapon is invoked, "It blazes up with terrible flames within a huge sphere of fire. Numerous peals of thunder to be heard, fissures start on earth, rivers become dry, thousands of meteors fell and all living creatures became terrified with great dread. The entire sky seemed to be filled with noise and assumed a terrible aspect with flames of fire. ...
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Deva (Hinduism)
''Deva'' (; Sanskrit: , ) means "shiny", "exalted", "heavenly being", "divine being", "anything of excellence", and is also one of the Sanskrit terms used to indicate a deity in Hinduism.Monier Monier-Williams, A Sanskrit-English Dictionary” Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, page 492 ''Deva'' is a masculine term; the feminine equivalent is '' Devi''. In the earliest Vedic literature, all supernatural beings are called ''Devas''George Williams (2008), A Handbook of Hindu Mythology, Oxford University Press, , pages 90, 112 and ''Asuras''. The concepts and legends evolved in ancient Indian literature, and by the late Vedic period, benevolent supernatural beings are referred to as ''Deva-Asuras''. In post-Vedic Hindu texts, such as the Puranas and the Itihasas of Hinduism, the ''Devas'' represent the good, and the ''Asuras'' the bad. In some medieval works of Indian literature, ''Devas'' are also referred to ...
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Brahmāstra
In Hindu mythology, the ''Brahmastra'' (IAST: ''Brahmāstra'') is an '' astra'' (weapon) that is said to be able to destroy the whole universe, capable of destroying creation and vanquishing all beings. Only Parasurama, Rama, Meghnada, Bhisma, Drona, Karna, Ashwatthama, and Arjuna possessed the knowledge to invoke this weapon. It is one of the most destructive, powerful, and irresistible weapons mentioned in Hinduism. It was created by Lord Brahma along with its more powerful variants Brahmashirā astra, Brahmanda astra and Bhargavastra. It is termed as a fiery weapon that creates a fierce fireball, blazing up with terrible flames and countless horrendous thunder flashes. When discharged, all nature including trees, oceans, and animals tremble, and the sky surrounds with flame, glaciers melt and mountains shatter with copious noise all around. When used, the Brahmastra which is person-centric can destroy a powerful enemy if he does not possess an alternate counter weapon. If ...
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Brahma
Brahma ( sa, ब्रह्मा, Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.Jan Gonda (1969)The Hindu Trinity Anthropos, Bd 63/64, H 1/2, pp. 212–226. He is associated with creation, knowledge, and the ''Vedas''. Brahma is prominently mentioned in creation legends. In some ''Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, everything that is, owes its existence to Brahman. In this sense, Hinduism is ultimately monotheistic or m ...
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Agnivesa
Agnivesha ( sa, अग्निवेश, translit=Agniveśa) is a legendary rishi (sage) in Hinduism, reputedly one of the earliest authors on Ayurveda (Indian alternative medicine). He is described to have codified the knowledge of his preceptor, Atreya, and arranged it in the form of a treatise, named the Charaka Samhita. Legend Agnivesha is described to be the chief pupil of Punarvasu Atreya. The ''Agnivesha Samhita'', dated back to 1500 BCE, is based on Atreya's teachings, and is a lost text on Ayurveda. The Agniveśatantra, consisting of 12,000 verses, is stated to be the foundational text of the Agnivesha school, one of the six schools of early Ayurveda (others being Parashara, Harita, Bhela, Jatukarna, and Ksharpani). The text is mentioned in the Charaka Samhita: "the tantra (Agnivesha) as written by Agnivesha is compiled, edited and modified by Charaka" () Ram Karan Sharma and Vaidya Bhagran Dash, ''Agnivesa's Caraka Samhita,'' Varanasi, Chowkhamba Sanskrit Studies ...
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Parshurama
Parashurama (), also referred to as Rama Jamadagnya, Rama Bhargava and Veerarama, is the sixth avatar among the Dashavatara of the preserver god Vishnu in Hinduism. He is believed to be one of the ''Chiranjeevis'' (Immortals), who will appear at the end of the ''Kali Yuga'' to be the guru of Vishnu's tenth and last incarnation, Kalki. Born to Jamadagni and Renuka, the Brahmin Parashurama was foretold to appear at a time when overwhelming evil prevailed on the earth. The Kshatriya class, with weapons and power, had begun to abuse their power, take what belonged to others by force and tyrannise people. He corrected the cosmic equilibrium by destroying the Kshatriya warriors twenty-one times. He is married to Dharani, an incarnation of Lakshmi, the wife of Vishnu. He is present in the Ramayana due to the conflict with Rama (the protagonist of the Ramayana) over Shiva's broken bow. He is mentioned in the Mahabharata as the guru of Bhisma, Drona, Rukmi, and Karna. Legend A ...
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Arjuna
Arjuna (Sanskrit: अर्जुन, ), also known as Partha and Dhananjaya, is a character in several ancient Hindu texts, and specifically one of the major characters of the Indian epic Mahabharata. In the epic, he is the third among Pandavas, the five sons of Pandu. The family formed part of the royal line of the Kuru Kingdom. In the Mahabharata War, Arjuna was a key warrior from the Pandava side and slew many warriors including Karna and Bhisma. Before the beginning of the war, his mentor, Krishna, gave him the supreme knowledge of Bhagavad Gita to overcome his moral dilemmas. Arjuna was born when Indra, the god of rain, blessed Kunti and Pandu with a son. From childhood, Arjuna was a brilliant student and was favoured by his beloved teacher, Drona. Arjuna is depicted as a skilled archer, winning the hands of Draupadi, who married the five brothers because of Kunti's misunderstanding and Mahadeva boons. Arjuna is twice exiled, first for breaking a pact with his brothers; ...
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Ashwatthama
In the Hinduism, Hindu epic the ''Mahabharata'', Ashwatthama ( sa, अश्वत्थामा, Aśvatthāmā) or Drauni was the son of guru Drona and Kripi (sister of Kripa, Kripacharya). He was the grandson of the sage Bharadwaja. Ashwatthama ruled the northern region of Panchala, being subordinate to the rulers of Hastinapura. He was a Maharathi (warrior), Maharathi who fought on the Kaurava side against the Pandavas in the Kurukshetra War. He became a Chiranjivi (immortal) due to a curse given to him by Lord Krishna, Krishna. The deceptive plot of Ashwatthama's supposed death led to murder of his grieving father Drona, who was decapitated while meditating for his son's Ātman (Hinduism), soul. He was appointed as the final commander-in-chief of the Kauravas in the Kurukshetra War. Overcome with grief and rage, he slaughtered most of the Pandava camp in a single Night combat, night offensive. He was among the most prominent warriors of the Mahabharata epic, breaching mu ...
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Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ...
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Hindu Units Of Time
Hindu units of time are described in Hindu texts ranging from microseconds to trillions of years, including cycles of cosmic time that repeat general events in Hindu cosmology. Time ( ) is described as eternal. Various fragments of time are described in the Vedas, ''Manusmriti'', ''Bhagavata Purana'', ''Vishnu Purana'', ''Mahabharata'', ''Surya Siddhanta'' etc. Sidereal metrics Sidereal astrology maintains the alignment between signs and constellations via corrective systems of Hindu (Vedic)-origin known as ayanamsas (Sanskrit: '''ayana''' "movement" + '''aṃśa "component"), to allow for the observed precession of equinoxes, whereas tropical astrology ignores precession. This has caused the two systems, which were aligned around 2,000 years ago, to drift apart over the centuries. Ayanamsa systems used in Hindu astrology (also known as Vedic astrology) include the Lahiriayanamsa and the Raman ayanamsa. The Fagan-Bradley ayanamsa is an example of an ayanamsa system used in W ...
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Trillion
''Trillion'' is a number with two distinct definitions: * 1,000,000,000,000, i.e. one million million, or (ten to the twelfth power), as defined on the short scale. This is now the meaning in both American and British English. * 1,000,000,000,000,000,000, i.e. (ten to the eighteenth power), as defined on the long scale. This is one million times larger than the short scale trillion. This is the historical meaning in English and the current use in many non-English-speaking countries where ''trillion'' and ''billion'' (ten to the twelfth power) maintain their long scale definitions. Usage Originally, the United Kingdom used the long scale trillion. However, since 1974, official UK statistics have used the short scale. Since the 1950s, the short scale has been increasingly used in technical writing and journalism, although the long scale definition still has some limited usage. American English has always used the short scale definition. Other countries use the word ''trillio ...
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Indian Epic Poetry
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called ''Kavya'' (or ''Kāvya''; Sanskrit: काव्य, IAST: ''kāvyá''). The ''Ramayana'' and the ''Mahabharata'', which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written. Hindi epics In modern Hindi literature, ''Kamayani'' by Jaishankar Prasad has attained the status of an epic. The narrative of Kamayani is based on a popular mythological story, first mentioned in Satapatha Brahmana. It is a story of the great flood and the central characters of the epic poem are Manu (a male) and Shraddha (a female). Manu is representative of the human psyche and Shradha represents love. Another female character is Ida, who represents rationality. Some critics surmise that the three lead characters of Kamayani symbolize a synthesis ...
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Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ...
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