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Bracketing
In photography, bracketing is the general technique of taking several shots of the same subject using different camera settings. Bracketing is useful and often recommended in situations that make it difficult to obtain a satisfactory image with a single shot, especially when a small variation in exposure parameters has a comparatively large effect on the resulting image. Given the time it takes to accomplish multiple shots, it is typically, but not always, used for static subjects. Autobracketing is a feature of many modern cameras. When set, it will automatically take several bracketed shots, rather than the photographer altering the settings by hand between each shot. Types of bracketing Exposure bracketing Image:StLouisArchMultExpEV-4.72.JPG, –4 stops Image:StLouisArchMultExpEV-1.82.JPG, –2 stops Image:StLouisArchMultExpEV+1.51.JPG, +2 stops Image:StLouisArchMultExpEV+4.09.JPG, +4 stops Without further qualifications, the term ''bracketing'' usually refers to expos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
STF Function
Autobracketing is a feature of some more advanced cameras, whether film or digital cameras, particularly single-lens reflex cameras, where the camera will take several successive shots (often three) with slightly different settings. The images may be automatically combined, for example into one high-dynamic-range image, or they may be stored separately so the best-looking pictures can be picked later from the batch. When the photographer achieves the same result by changing the camera settings between each shot, this is simply called bracketing. Parameter altered The bracketing is typically for one specific parameter: Exposure Exposure autobracketing (often abbreviated to ''AEB'' for ''automatic exposure bracketing'' or ''BR'' for ''Bracketing'') is the most common form. In this, the camera is set to capture the same image several times with different exposure settings, both over-exposed and under-exposed (lighter and darker) compared to the current setting on the camera, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autobracketing
Autobracketing is a feature of some more advanced cameras, whether film or digital cameras, particularly single-lens reflex cameras, where the camera will take several successive shots (often three) with slightly different settings. The images may be automatically combined, for example into one high-dynamic-range image, or they may be stored separately so the best-looking pictures can be picked later from the batch. When the photographer achieves the same result by changing the camera settings between each shot, this is simply called bracketing. Parameter altered The bracketing is typically for one specific parameter: Exposure Exposure autobracketing (often abbreviated to ''AEB'' for ''automatic exposure bracketing'' or ''BR'' for ''Bracketing'') is the most common form. In this, the camera is set to capture the same image several times with different exposure settings, both over-exposed and under-exposed (lighter and darker) compared to the current setting on the camera, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-dynamic-range Imaging
In photography and videography, multi-exposure HDR capture is a technique that creates extended or high dynamic range (HDR) images by taking and combining multiple exposures of the same subject matter at different exposure levels. Combining multiple images in this way results in an image with a greater dynamic range than what would be possible by taking one single image. The technique can also be used to capture video by taking and combining multiple exposures for each frame of the video. The term "HDR" is used frequently to refer to the process of creating HDR images from multiple exposures. Many smartphones have an automated HDR feature that relies on computational imaging techniques to capture and combine multiple exposures. A single image captured by a camera provides a finite range of luminosity inherent to the medium, whether it is a digital sensor or film. Outside this range, tonal information is lost and no features are visible; tones that exceed the range are "burned o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposure Compensation
Exposure compensation is a technique for adjusting the exposure indicated by a photographic exposure meter, in consideration of factors that may cause the indicated exposure to result in a less-than-optimal image. Factors considered may include unusual lighting distribution, variations within a camera system, filters, non-standard processing, or intended underexposure or overexposure. Cinematographers may also apply exposure compensation for changes in shutter angle or film speed (as exposure index), among other factors. Many digital cameras have a display setting and possibly a physical dial whereby the photographer can set the camera to either over or under expose the subject by up to three f-stops (f-numbers) in 1/3 stop intervals. Each number on the scale (1,2,3) represents one f-stop, decreasing the exposure by one f-stop will halve the amount of light reaching the sensor. The dots in between the numbers represent 1/3 of an f-stop.Exposure Compensation"By Geoff Lawrence"/ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focus Stacking
Focus stacking (also known as focal plane merging and z-stacking or focus blending) is a digital image processing technique which combines multiple images taken at different focus distances to give a resulting image with a greater depth of field (DOF) than any of the individual source images. Focus stacking can be used in any situation where individual images have a very shallow depth of field; macro photography and optical microscopy are two typical examples. Focus stacking can also be useful in landscape photography. Focus stacking offers flexibility: since it is a computational technique, images with several different depths of field can be generated in post-processing and compared for best artistic merit or scientific clarity. Focus stacking also allows generation of images physically impossible with normal imaging equipment; images with nonplanar focus regions can be generated. Alternative techniques for generating images with increased or flexible depth of field include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiple Exposure
In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be identical to each other. Overview Ordinarily, cameras have a sensitivity to light that is a function of time. For example, a one-second exposure is an exposure in which the camera image is equally responsive to light over the exposure time of one second. The criterion for determining that something is a double exposure is that the sensitivity goes up and then back down. The simplest example of a multiple exposure is a double exposure without flash, i.e. two partial exposures are made and then combined into one complete exposure. Some single exposures, such as "flash and blur" use a combination of electronic flash and ambient exposure. This effect can be approximated by a Dirac delta measure (flash) and a constant finite rectangular window, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shutter Speed
In photography, shutter speed or exposure time is the length of time that the film or digital sensor inside the camera is exposed to light (that is, when the camera's shutter (photography), shutter is open) when taking a photograph. The amount of light that reaches the Photographic film, film or image sensor is proportional to the exposure time. of a second will let half as much light in as . Introduction The camera's shutter speed, the lens's aperture or f-stop, and the scene's luminance together determine the amount of light that reaches the film or sensor (the exposure (photography), exposure). Exposure value (EV) is a quantity that accounts for the shutter speed and the f-number. Once the sensitivity to light of the recording surface (either film or sensor) is set in numbers expressed in "Film speed#ISO, ISOs" (ex: 200 ISO, 400 ISO), the light emitted by the scene photographed can be controlled through aperture and shutter-speed to match the film or sensor sensitivity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ISO Speed
Film speed is the measure of a photographic film's sensitivity to light, determined by sensitometry and measured on various numerical scales, the most recent being the ISO system. A closely related ISO system is used to describe the relationship between exposure and output image lightness in digital cameras. Relatively insensitive film, with a correspondingly lower speed index, requires more exposure to light to produce the same image density as a more sensitive film, and is thus commonly termed a ''slow film''. Highly sensitive films are correspondingly termed ''fast films''. In both digital and film photography, the reduction of exposure corresponding to use of higher sensitivities generally leads to reduced image quality (via coarser film grain or higher image noise of other types). In short, the higher the sensitivity, the grainier the image will be. Ultimately sensitivity is limited by the quantum efficiency of the film or sensor. Film speed measurement systems Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minolta Maxxum 7
The Minolta A-mount camera system was a line of photographic equipment from Minolta introduced in 1985 with the world's first integrated autofocus system in the camera body with interchangeable lenses. The system used a lens mount called A-mount, with a flange focal distance 44.50 mm, one millimeter longer, 43.5 mm, than the previous SR mount from 1958. The new mount was wider, 49.7 mm vs. 44.97 mm, than the older SR-mount and had a longer flange focal distance making old manual lenses incompatible with the new system. Minolta bought the autofocus technology of Leica Correfot camera which was partly used on the a-mount autofocus technology. The mount is now used by Sony, who bought the SLR camera division from Konica Minolta, Konica and Minolta having merged a few years before. The Minolta A-mount system was at first marketed as Maxxum in North America and α (Alpha) in Japan and the rest of Asia. In Europe, early Minolta A-mount cameras were initially ident ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apodization
In signal processing, apodization (from Greek "removing the foot") is the modification of the shape of a mathematical function. The function may represent an electrical signal, an optical transmission or a mechanical structure. In optics, it is primarily used to remove Airy disks caused by diffraction around an intensity peak, improving the focus. Apodization in electronics Apodization in signal processing The term apodization is used frequently in publications on Fourier-transform infrared (FTIR) signal processing. An example of apodization is the use of the Hann window in the fast Fourier transform analyzer to smooth the discontinuities at the beginning and end of the sampled time record. Apodization in digital audio An apodizing filter can be used in digital audio processing instead of the more common brickwall filters, in order to avoid the pre-ringing that the latter introduces. Apodization in mass spectrometry During oscillation within an Orbitrap, ion transie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bokeh
In photography, bokeh ( or ; ) is the aesthetic quality of the blur produced in out-of-focus parts of an image. Bokeh has also been defined as "the way the lens renders out-of-focus points of light". Differences in lens aberrations and aperture shape cause very different bokeh effects. Some lens designs blur the image in a way that is pleasing to the eye, while others produce distracting or unpleasant blurring ("good" and "bad" bokeh, respectively). Photographers may deliberately use a shallow focus technique to create images with prominent out-of-focus regions, accentuating their lens's bokeh. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas. However, bokeh is not limited to highlights; blur occurs in all regions of an image which are outside the depth of field. The opposite of bokeh—an image in which multiple distances are visible and all are in focu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Depth-of-field
The depth of field (DOF) is the distance between the nearest and the furthest objects that are in acceptably sharp focus in an image captured with a camera. Factors affecting depth of field For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus. "Acceptably sharp focus" is defined using a property called the "circle of confusion". The depth of field can be determined by focal length, distance to subject, the acceptable circle of confusion size, and aperture. Limitations of depth of field can sometimes be overcome with various techniques and equipment. The approximate depth of field can be given by: : \text \approx \frac for a given circle of confusion (c), focal length (f), f-number (N), and distance to subject (u). As distance or the size of the acceptable circle of confusion increases, the depth of field increases; however, increasing the size of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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