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Autobracketing
Autobracketing is a feature of some more advanced cameras, whether film or digital cameras, particularly single-lens reflex cameras, where the camera will take several successive shots (often three) with slightly different settings. The images may be automatically combined, for example into one high-dynamic-range image, or they may be stored separately so the best-looking pictures can be picked later from the batch. When the photographer achieves the same result by changing the camera settings between each shot, this is simply called bracketing. Parameter altered The bracketing is typically for one specific parameter: Exposure Exposure autobracketing (often abbreviated to ''AEB'' for ''automatic exposure bracketing'' or ''BR'' for ''Bracketing'') is the most common form. In this, the camera is set to capture the same image several times with different exposure settings, both over-exposed and under-exposed (lighter and darker) compared to the current setting on the camera ...
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Depth-of-field Bracketing
In photography, bracketing is the general technique of taking several shots of the same subject using different camera settings, typically with the aim of combining the images in postprocessing. Bracketing is useful and often recommended in situations that make it difficult to obtain a satisfactory image with a single shot, especially when a small variation in exposure parameters has a comparatively large effect on the resulting image. Given the time it takes to accomplish multiple shots, it is typically, but not always, used for static subjects. Autobracketing is a feature of many modern cameras. When set, it will automatically take several bracketed shots, rather than the photographer altering the settings by hand between each shot. Types of bracketing Exposure bracketing Image:StLouisArchMultExpEV-4.72.JPG, –4 stops Image:StLouisArchMultExpEV-1.82.JPG, –2 stops Image:StLouisArchMultExpEV+1.51.JPG, +2 stops Image:StLouisArchMultExpEV+4.09.JPG, +4 stops Without furth ...
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Compensated Exposure
Exposure compensation is a technique for adjusting the exposure indicated by a photographic exposure meter, in consideration of factors that may cause the indicated exposure to result in a less-than-optimal image. Factors considered may include unusual lighting distribution, variations within a camera system, filters, non-standard processing, or intended underexposure or overexposure. Cinematographers may also apply exposure compensation for changes in shutter angle or film speed (as exposure index), among other factors. Many digital cameras have a display setting and possibly a physical dial whereby the photographer can set the camera to either over or under expose the subject by up to three f-stops (f-numbers) in 1/3 stop intervals. Each number on the scale (1,2,3) represents one f-stop, decreasing the exposure by one f-stop will halve the amount of light reaching the sensor. The dots in between the numbers represent 1/3 of an f-stop.
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Camera
A camera is an instrument used to capture and store images and videos, either digitally via an electronic image sensor, or chemically via a light-sensitive material such as photographic film. As a pivotal technology in the fields of photography and videography, cameras have played a significant role in the progression of visual arts, media, entertainment, surveillance, and scientific research. The invention of the camera dates back to the 19th century and has since evolved with advancements in technology, leading to a vast array of types and models in the 21st century. Cameras function through a combination of multiple mechanical components and principles. These include exposure control, which regulates the amount of light reaching the sensor or film; the lens, which focuses the light; the viewfinder, which allows the user to preview the scene; and the film or sensor, which captures the image. Several types of camera exist, each suited to specific uses and offering unique cap ...
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Exposure Latitude
Exposure latitude is the extent to which a light-sensitive material can be exposed (overexposed or underexposed) and still achieve an acceptable result. It is relevant to both digital and analogue processes such as photolithography and photography. Applications In the case of optical microlithography this value statistically describes the response of a photoresist to radiation and defines the process window where the photolithographic process can vary within (e.g. how well it compensates for spatial non-uniformities of the illumination). In the case of photography, an artistic case, the measurement of exposure latitude is, by definition dependent on both personal aesthetics and artistic intentions, somewhat subjective. However, the relative differences between media are generally agreed upon: reversal film tends to have very little latitude, while colour negative film has considerably more. Digital sensors vary. It is not to be confused with dynamic range, the range of light int ...
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Bokeh
In photography, bokeh ( or ; ) is the aesthetic quality of the blur produced in out-of-focus parts of an image, whether foreground or background or both. It is created by using a wide aperture lens. Some photographers incorrectly restrict use of the term bokeh to the appearance of bright spots in the out-of-focus area caused by circles of confusion. Bokeh has also been defined as "the way the lens renders out-of-focus points of light". Differences in lens aberrations and aperture shape cause very different bokeh effects. Some lens designs blur the image in a way that is pleasing to the eye, while others produce distracting or unpleasant blurring ("good" and "bad" bokeh, respectively). Photographers may deliberately use a shallow focus technique to create images with prominent out-of-focus regions, accentuating their lens's bokeh. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is ofte ...
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Minolta Maxxum 7
The Minolta A-mount camera system was a line of photographic equipment from Minolta introduced in 1985 with the world's first integrated autofocus system in the camera body with interchangeable lenses. The system used a lens mount called A-mount, with a flange focal distance 44.50 mm, one millimeter longer, 43.5 mm, than the previous SR mount from 1958. The new mount was wider, 49.7 mm vs. 44.97 mm, than the older Minolta SR-mount, SR-mount and due to the longer flange focal distance, old manual lenses were incompatible with the new system. Minolta bought the autofocus technology of Leica Correfot camera which was partly used on the a-mount autofocus technology. The mount is now used by Sony, who bought the SLR camera division from Konica Minolta, Konica and Minolta having merged a few years before. The Minolta A-mount system was at first marketed as Maxxum in North America and α (Alpha) in Japan and the rest of Asia. In Europe, early Minolta A-mount camer ...
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Focus Stacking Tachinid Fly
Focus (: foci or focuses) may refer to: Arts * Focus or Focus Festival, former name of the Adelaide Fringe arts festival in East Australia Film *Focus (2001 film), ''Focus'' (2001 film), a 2001 film based on the Arthur Miller novel *Focus (2015 film), ''Focus'' (2015 film), a 2015 film about con artists Music * Focus (music), a musical technique also known as modal frame * Focus..., American music producer * Focus (band), Dutch progressive rock band Albums * Focus (Stan Getz album), ''Focus'' (Stan Getz album), 1961 jazz album * Focus (Bill Hardman album), ''Focus'' (Bill Hardman album), 1984 jazz album * Focus (Jan Akkerman & Thijs van Leer album), ''Focus'' (Jan Akkerman & Thijs van Leer album), 1985 * Focus (Cynic album), ''Focus'' (Cynic album), 1993 metal album * Focus (Chico Freeman album), ''Focus'' (Chico Freeman album), 1994 jazz album * Focus (Souls of Mischief album), ''Focus'' (Souls of Mischief album), 1998 alternative hip-hop album * Focus (Holly Starr album), ' ...
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Raw Image Format
A camera raw image file contains unprocessed or minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner. Raw files are so named because they are not yet processed, and contain large amounts of potentially redundant data. Normally, the image is processed by a raw converter, in a wide- gamut internal color space where precise adjustments can be made before conversion to a viewable file format such as JPEG or PNG for storage, printing, or further manipulation. There are dozens of raw formats in use by different manufacturers of digital image capture equipment. Rationale Raw image files are sometimes described as "digital negatives". Like transparency film and unlike negative film, raw image pixels contain positive exposure measurements. The raw datasets are more like undeveloped film: a raw image can be developed by software in a non-reversible manner to reach a complete image that resolves ev ...
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Color Temperature
Color temperature is a parameter describing the color of a visible light source by comparing it to the color of light emitted by an idealized opaque, non-reflective body. The temperature of the ideal emitter that matches the color most closely is defined as the color temperature of the original visible light source. The color temperature scale describes only the ''color'' of light emitted by a light source, which may actually be at a different (and often much lower) temperature. Color temperature has applications in lighting, photography, videography, publishing, manufacturing, astrophysics, and other fields. In practice, color temperature is most meaningful for light sources that correspond somewhat closely to the color of some black body, i.e., light in a range going from red to orange to yellow to white to bluish white. Although the concept of correlated color temperature extends the definition to any visible light, the color temperature of a green or a purple light rar ...
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White Balance
In photography and image processing, color balance is the global adjustment of the intensities of the colors (typically red, green, and blue primary colors). An important goal of this adjustment is to render specific colors – particularly neutral colors like white or grey – correctly. Hence, the general method is sometimes called gray balance, neutral balance, or white balance. Color balance changes the overall mixture of colors in an image and is used for color correction. Generalized versions of color balance are used to correct colors other than neutrals or to deliberately change them for effect. White balance is one of the most common kinds of balancing, and is when colors are adjusted to make a white object (such as a piece of paper or a wall) appear white and not a shade of any other colour. Image data acquired by sensors – either film or electronic image sensors – must be transformed from the acquired values to new values that are appropriate for color reproduct ...
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