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Bottle It Up And Go
"Bottle Up and Go" or "Bottle It Up and Go" is a song that is a standard of the blues. Based on earlier songs, Delta bluesman Tommy McClennan recorded "Bottle It Up and Go" in 1939. The song has been interpreted and recorded by numerous artists, sometimes using alternate titles, such as "Step It Up and Go", "Shake It Up and Go", etc. Memphis Jug Band and Sonny Boy Williamson versions In 1932, the earliest version of "Bottle It Up and Go", a hokum blues with jug band accompaniment, was recorded by the Memphis Jug Band, a loose musical collective led by Will Shade and Charlie Burse. Although it has been said to be based on a "traditional piece known in the South", it was very much a modern concoction, for the lyrics refer directly to women driving automobiles, a theme that was continued in later versions by almost all other artists. A second version of the song was recorded and released by the Memphis Jug Band in 1934. In 1937, John Lee "Sonny Boy" Williamson recorded the song as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy McClennan
Tommy McClennan (January 4, 1905 – May 9, 1961) was an American Delta blues singer and guitarist. Life and career McClennan was born in Durant, Mississippi, and grew up in the town. He played and sang blues in a rough, energetic style. He made a series of recordings for Bluebird Records from 1939 through 1942. He regularly played with his friend Robert Petway. His voice is heard in the background on Petway's recording of "Boogie Woogie Woman" (1942). McClennan's singles in this period included " Bottle It Up and Go", "New Highway No. 51", " Shake 'Em on Down", and "Whiskey Head Woman". Several of his songs have been covered by other musicians, including " Cross Cut Saw Blues" (covered by Albert King) and "My Baby's Gone" (Moon Mullican). McClennan's "I'm a Guitar King" was included in the 1959 collection ''The Country Blues'', issued by Folkways Records. McClennan died of bronchopneumonia in Chicago, Illinois, on May 9, 1961. Citation "He had a different style of pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Duck's Yas-Yas-Yas
"The Duck Yas-Yas-Yas" or "The Duck's Yas Yas Yas" is a hokum jazz- blues song, originally recorded by James "Stump" Johnson, but the most well known version was recorded by Oliver Cobb and his Rhythm Kings. The song is perhaps best known for the lyrics: Background The song is a "whorehouse tune", "a popular St. Louis party song." The song's title is explained by quoting the lyrics more fully: "Shake your shoulders, shake 'em fast, if you can't shake your shoulders, shake your yas-yas-yas". Recordings "The Duck's Yas Yas Yas" was originally recorded in St. Louis by pianist James "Stump" Johnson in late 1928 or January 1929. He recorded the tune at least three times during his career. Blues singer Tampa Red and Thomas A. Dorsey also recorded a version on May 13, 1929. Oliver Cobb recorded the song on August 16, 1929, before he died suddenly the next year. Eddie Johnson and The Crackerjacks recorded a cover of the song in 1932. In 1939, Tommy McClennan used some of the lyrics in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hooker 'n Heat
''Hooker 'n Heat'' is a double album released by blues musician John Lee Hooker and the band Canned Heat in early 1971. It was the last studio album to feature harmonica player, guitarist and songwriter Alan Wilson, who died in from a drug overdose. The photo on the album cover was taken after Wilson's death, but his picture can be seen in a frame on the wall behind John Lee Hooker. Guitarist Henry Vestine was also missing from the photo session. The person standing in front of the window, filling in for Henry, is the band's manager, Skip Taylor. Careful examination of the photo reveals that Henry's face was later added by the art department. Although featured on the cover, vocalist Bob Hite does not sing on the album. It was the first of Hooker's albums to chart, reaching number 78 in the Billboard charts. Hooker plays unaccompanied on side one and "Alimonia Blues"; on the remainder of side two and "The World Today" and "I Got My Eyes on You" Hooker is accompanied by Wilson o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Serve You Right To Suffer
''It Serve You Right to Suffer'' (later retitled ''It Serves You Right To Suffer'' on some reissues) is an album by blues singer, songwriter, and guitarist John Lee Hooker, released on the Impulse Records label in early 1966 (catalogue no. 9103). It was part of the short-lived Impulse folk music division, with the slogan adapted from their jazz promotion, "the new wave of folk is on Impulse!" Signed to Impulse's parent label ABC Records, it is the only album Hooker made for the jazz label. Producer Bob Thiele partnered Hooker with session musicians all possessing jazz pedigree, presenting a unique setting for his music. The released songs are a mix of new compositions and re-working of ones Hooker had previously recorded, and includes a cover of the Barrett Strong 1959 Motown hit "Money (That's What I Want)." The album was reissued for compact disc by MCA Records on July 27, 1999. Track listing ''All songs by John Lee Hooker except "Money" by Berry Gordy and Janie Bradford. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lee Hooker On Campus
''John Lee Hooker on Campus'' is an album by blues musician John Lee Hooker, released by the Vee-Jay label in 1963. Reception AllMusic reviewer Al Campbell wrote: "''John Lee Hooker on Campus'' is titled to sound like a live recording but it isn't... these 12 tracks originally tried to capitalize on Hooker's emergence on the coffeehouse/college tours he was involved in at the time. This is an electric album that contains excellent material from Hooker, even though the occasional background singers get in the way, attempting to modernize his gritty blues with a smoother soul sound." Track listing Album details are taken from the original VeeJay album liner notes. All compositions credited to John Lee Hooker; no other recording information is listed. Side one # "I'm Leaving" – 2:07 # "Love Is a Burning Thing" – 2:56 # "Birmingham Blues" – 2:50 # "I Want to Shout" – 2:28 # " Don't Look Back" – 2:54 # "I Want to Hug You" – 2:17 Side two # "Poor Me" – 3:21 # "I Want t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galaxy Records
Galaxy Records was a record label founded in 1964 by Max and Sol Weiss in Berkeley, California. It was a division of Fantasy Records. History Galaxy Records was officially launched in 1964 in Berkeley, California. In 1967 Galaxy and Fantasy were sold. After ten years of inactivity, Galaxy released albums by Art Pepper, Chet Baker, Stanley Cowell, Nat Adderley, Tommy Flanagan, Red Garland, Johnny Griffin, Roy Haynes, Hank Jones, Philly Joe Jones, Shelly Manne, and Ira Sullivan Ira Sullivan (May 1, 1931 – September 21, 2020) was an American jazz trumpeter, flugelhornist, flautist, saxophonist, and composer born in Washington, D.C., United States. An active musician since the 1950s, he often worked with Red Rodn .... Galaxy Records was closed down for good around 1990's due to conflict problems. Discography Galaxy Records first album series, the G-200/8200 series consisted of nine, primarily R&B, albums released between 1963 and 1968. In 1977 Galaxy started the G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Country Blues Of John Lee Hooker
''The Country Blues of John Lee Hooker'' (also known as ''The Folk Blues of John Lee Hooker'') is an album by blues musician John Lee Hooker recorded in Detroit in 1959 and released by Riverside Records in January 1960. Reception The Penguin Guide to Blues Recordings said "Riverside required Hooker to play only acoustic guitar. What motivated this redirection, and in particular the 'classic blues' repertoire on the first album was a view of the blues - you might say a politics of the blues - very much of its time... though, as always with Hooker the result is not exact commemoration so much as highly personalised allusion". AllMusic reviewer Richie Unterberger stated: "John Lee Hooker was still churning out R&B-influenced electric blues with a rhythm section for Vee Jay when he recorded ''The Country Blues of John Lee Hooker'', his first album packaged for the folk/traditional blues market. He plays nothing but acoustic guitar, and seems to have selected a repertoire with old-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Shaar Murray
Charles Shaar Murray (born Charles Maximillian Murray; 27 June 1951) is an English music journalist and broadcaster. He has worked on the ''New Musical Express'' and many other magazines and newspapers, and has been interviewed for a number of television documentaries and reports on music. Biography Murray grew up in Reading, Berkshire, England, where he attended Reading Grammar School and learnt to play the harmonica and guitar. His first experience in journalism came in 1970, when he was one of a number of schoolchildren who responded to an invitation to edit the April issue of the satirical magazine '' Oz''. He thus contributed to the notorious Schoolkids OZ issue and was involved in the consequent obscenity trial. He then wrote for '' IT (International Times)'', before moving to the ''New Musical Express'' in 1972 for which he wrote until around 1986. He subsequently worked for a number of publications including '' Q magazine'', '' Mojo'', '' MacUser'', '' New Statesman'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lee Hooker
John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in ''Rolling Stone''s 2015 list of 100 greatest guitarists. Some of his best known songs include " Boogie Chillen'" (1948), "Crawling King Snake" (1949), " Dimples" (1956), " Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966). Several of his later albums, including '' The Healer'' (1989), '' Mr. Lucky'' (1991), '' Chill Out'' (1995), and '' Don't Look Back'' (1997), were album chart successes in the U.S. and UK. ''The Healer'' (for the song "I'm In The Mood") and ''Chill Out'' (for the album) bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCA Records
RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Arista Records, and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. Its name is derived from the initials of its defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records is the corporate successor of the Victor Talking Machine Company, founded in 1901, making it the second-oldest record label in American his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Bill Broonzy
Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century. Broonzy copyrighted more than 300 songs, including adaptations of traditional folk songs and original blues songs. As a blues composer, he was unique in writing songs that reflected his rural-to-urban experiences.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 301–303. . Life and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Da Capo Press
Da Capo Press is an American publishing company with headquarters in Boston, Massachusetts. It is now an imprint of Hachette Books. History Founded in 1964 as a publisher of music books, as a division of Plenum Publishers, it had additional offices in New York City, Philadelphia, Los Angeles, and Emeryville, California. The year prior, Da Capo Press had net sales of over $2.5 million. Da Capo Press became a general trade publisher in the mid-1970s. It was sold to the Perseus Books Group in 1999 after Plenum was sold to Wolters Kluwer. In the last decade, its production has consisted of mostly nonfiction titles, both hardcover and paperback, focusing on history, music, the performing arts, sports, and popular culture. In 2003, Lifelong Books was founded as a health and wellness imprint. When Marlowe & Company became part of the imprint in 2007, Lifelong's range was expanded to include the New Glucose Revolution series and numerous diabetes titles, as well as books on healthf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
