|
Borgosatollo Stazione Ferroviaria 20110122
Borgosatollo (Brescian: ) is a ''comune'' in the province of Brescia, in Lombardy, Italy. It is bounded by other communes of Brescia, Castenedolo, Montirone, Poncarale and San Zeno Naviglio, and situated directly south of Brescia, in the plain. Borgosatollo's area include also two frazioni, Gerole and Piffione. Symbol The coat of arms of the town was established by Royal Decree of August 28, 1931 following a request made last year by the municipal administration to the Heraldic Florence on the basis of a representation in stone placed on the arch of the entrance of the municipal building. The shield is an sannitico type, stamped by the crown of Italian municipalities regulate, and depicts a sheep rampant on blue. The two branches are in decusse laurel, left, and oak, right, both presented with fruits. Bosio (2006) reports the popular tradition according to which the original coat of arms had a boar rampant on green background, as demonstrated by some versions of the banner mun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lombardy
Lombardy ( it, Lombardia, Lombard language, Lombard: ''Lombardia'' or ''Lumbardia' '') is an administrative regions of Italy, region of Italy that covers ; it is located in the northern-central part of the country and has a population of about 10 million people, constituting more than one-sixth of Italy's population. Over a fifth of the Italian gross domestic product (GDP) is produced in the region. The Lombardy region is located between the Alps mountain range and tributaries of the Po river, and includes Milan, the largest metropolitan area in the country, and among the largest in the European Union (EU). Of the fifty-eight UNESCO World Heritage Sites in Italy, eleven are in Lombardy. Virgil, Pliny the Elder, Ambrose, Gerolamo Cardano, Caravaggio, Claudio Monteverdi, Antonio Stradivari, Cesare Beccaria, Alessandro Volta and Alessandro Manzoni; and popes Pope John XXIII, John XXIII and Pope Paul VI, Paul VI originated in the area of modern-day Lombardy region. Etymology The name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mairano
Mairano (Brescian: ) is a town and ''comune'' in the province of Brescia, in Lombardy Lombardy ( it, Lombardia, Lombard language, Lombard: ''Lombardia'' or ''Lumbardia' '') is an administrative regions of Italy, region of Italy that covers ; it is located in the northern-central part of the country and has a population of about 10 .... References Cities and towns in Lombardy {{Brescia-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brescia–Parma Railway
The Brescia–Parma railway is a railway line between Lombardy and Emilia-Romagna, Italy. It was opened from 1884 to 1893. Services are operated by Trenord. For most of the day there is an hourly service in each direction. Journey time is approximately 2 hours. See also * List of railway lines in Italy This is a list of all railway lines in Italy. Active lines Managed by Ferrovie dello Stato High–speed lines * Turin–Milan * Milan–Verona (under construction) * Verona–Venice (under construction) * Venice–Trieste (planning p ... References Footnotes Sources * * {{DEFAULTSORT:Brescia-Parma railway Railway lines in Emilia-Romagna Railway lines in Lombardy Railway lines opened in 1893 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borgosatollo Stazione Ferroviaria 20110122
Borgosatollo (Brescian: ) is a ''comune'' in the province of Brescia, in Lombardy, Italy. It is bounded by other communes of Brescia, Castenedolo, Montirone, Poncarale and San Zeno Naviglio, and situated directly south of Brescia, in the plain. Borgosatollo's area include also two frazioni, Gerole and Piffione. Symbol The coat of arms of the town was established by Royal Decree of August 28, 1931 following a request made last year by the municipal administration to the Heraldic Florence on the basis of a representation in stone placed on the arch of the entrance of the municipal building. The shield is an sannitico type, stamped by the crown of Italian municipalities regulate, and depicts a sheep rampant on blue. The two branches are in decusse laurel, left, and oak, right, both presented with fruits. Bosio (2006) reports the popular tradition according to which the original coat of arms had a boar rampant on green background, as demonstrated by some versions of the banner mun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frescoes
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Plague Of 1629–31
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leper Hospital
A leper colony, also known by many other names, is an isolated community for the quarantining and treatment of lepers, people suffering from leprosy. '' M. leprae'', the bacterium responsible for leprosy, is believed to have spread from East Africa through the Middle East, Europe, and Asia by the 5th century before reaching the rest of the world more recently. Historically, leprosy was believed to be extremely contagious and divinely ordained, leading to enormous stigma against its sufferers. Other severe skin diseases were frequently conflated with leprosy and all such sufferers were kept away from the general public, although some religious orders provided medical care and treatment. Recent research has shown ''M. leprae'' has maintained a similarly virulent genome over at least the last thousand years, leaving it unclear which precise factors led to leprosy's near elimination in Europe by 1700. A growing number of cases following the first wave of European colonization, how ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Scalvini
Pietro Scalvini (1718–1792) was an Italian painter of the late-Baroque and Neoclassic period, active in Brescia. He was inspired by TiepoloFigure della storia e della cronaca - Volume 26 - Page 819, by Paolo Guerrini - 1986. and active in fresco painting of churches. His works include '' Sant'Apollonia Altarpiece''. Gallery File:Pala di sant'apollonia (pietro scalvini).jpg, ''Altarpiece with Madonna and Child and Saints'' File:San luigi gonzaga adora il crocifisso (pietro scalvini).jpg, ''Saint Aloysius de Gonzaga Adores the Cross'' File:Scalvini Nuvolera.jpg, Apotheosis of San Lorenzo Martire, central dome, 1786, Church of San Lorenzo Martire, Nuvolera Nuvolera (Brescian: ) is a town and ''comune'' in the province of Brescia, in Lombardy Lombardy ( it, Lombardia, Lombard language, Lombard: ''Lombardia'' or ''Lumbardia' '') is an administrative regions of Italy, region of Italy that covers ; it .... File:Nuvolera, cupola dello Scalvini.jpg, Apoteosi di San Lorenzo Martire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Della Vecchia
Pietro della Vecchia, Pietro della Vècchia or Pietro Vècchia, formerly incorrectly called Pietro MuttoniBernard Aikema. "Vecchia, Pietro della."Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 March 2018 (Vicenza, 1603 – Venice, 8 September 1678) was a versatile Italian painter who worked in many genres and created altarpieces, portraits, genre scenes and grotesques. He also created pastiches of the work of leading Italian painters of the 16th century. He designed cartoons for mosaics and worked as an art restorer. Della Vecchia was also sought after as an art expert and did expert valuations of artworks. He worked most of his life in Venice and its environs except for a brief stay in Rome.Bernard Aikema, ''Pietro Della Vecchia'' in: Dizionario Biogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sante Cattaneo
Sante Cattaneo or Santo Cattaneo (8 August 1739 – 1819) was an Italian painter of the Neoclassic period, mainly active in Brescia. He was also called ''Santino''. He was born at Salò, Italy. His parents traveled away and consigned him at age three to thirteen to his aunt. He then moved to Brescia to live with his mother, who worked in wool looms. He at first practised wood-engraving, but afterwards studied painting under Antonio Dusi of Brescia and then, with Francesco Monti (Bologna). He studied in 1776 at the Accademia Clementina of Bologna. He settled at Brescia in 1773, and in 1810 became professor of drawing in the Art academy of that city. He died in Brescia. Among Cattaneo's pupils are Domenico Vantini, Luigi Basiletti, Antonio Manenti, and Carlo Frigerio. Professor Romualdo Turini of Salò was a pupil and his biographer.G. Brunati, page 56. Works * Altarpiece for parish church of San Vincenzo Diacono in Calcinato. * ''Crucifixion of Apostole Peter'' (1783) altarpie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Marchetti
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Frescoes")
