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Border Radio (song)
''The Blasters'' is the second album by American rock band The Blasters. Originally released in the United States by the independent label Slash Records, its later strong sales performance required a deal for wider distribution with Warner Bros. Records. The album was well received, being ranked among the top 10 albums of 1982 by ''Time'' magazine and peaking at number 36 on ''Billboard'''s Pop Albums chart. The album was issued in the United Kingdom via F-Beat Records. The British album featured different artwork from the American version, which depicts lead singer Phil Alvin in what was later described as "the way he contorts his face between almost every verse in his trademark grinning-skull grimace." Critical reception ''The Blasters'' was critically well received. Reviewing the album in 1982 for ''The Village Voice'', Robert Christgau said that Phil Alvin has "easily the most expressive vocal style in all of nouveau rockabilly", while "Dave Alvin's originals introduce a ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blasters
The Blasters are an American rock band formed in 1979 in Downey, California, by brothers Phil Alvin (vocals and guitar) and Dave Alvin (guitar), with bass guitarist John Bazz and drummer Bill Bateman. Their self-described " American Music" is a blend of rockabilly, early rock and roll, punk rock, mountain music, and rhythm and blues and country. Band history Origins and heyday (1979–1985) The Alvin brothers grew up in a household filled with music and parents who exposed their sons to different kinds of American music. They made friends with Bazz and Bateman, and together the boys were brave enough to go into Los Angeles blues clubs to watch their musical idols. They learned firsthand from the likes of Joe Turner and T-Bone Walker. Phil Alvin recalled how his mother would drive the boys anywhere, and around 1965 or 1966, she took Phil to see Sonny Terry and Brownie McGhee. At Phil's request, Big Joe Williams introduced him to Terry, and Phil wound up taking a number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book features essays and reviews from a number of prominent critics on albums, artists, and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds, and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped revive the career of folk artist John Fahey, whose music was covered in the guide. Content Spanning 468 pages, the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Toombs
Rudolph Toombs (1914 – November 28, 1962) was an American performer and songwriter. He wrote "Teardrops from My Eyes", Ruth Brown's first number one R&B song, and other hit songs for her, including " 5-10-15 Hours". He also wrote "One Mint Julep" for The Clovers. History Toombs was born in Monroe, Louisiana. He began as a vaudeville-style song-and-dance man and later became a productive lyricist and composer of doo-wop songs and rhythm-and-blues standards in the 1950s and 1960s. Some of his work was done at Atlantic Records, writing and arranging songs for Ahmet Ertegun. Toombs was murdered by robbers in the hallway of his apartment house in Harlem in 1962. Ruth Brown credited Toombs as a major reason for her success. She describes him as joyful, exuberant man, so full of life that he passed that ebullience on to her. He taught her how to take a moody blues ballad and make it into a bouncy jump blues. Songs Some of Toombs best known songs are listed below. * "Teardrops fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Marie
"Marie Marie" is a song by American rock and roll band the Blasters. It became an international success after being covered by Welsh rock and roll singer Shakin' Stevens. Composition and releases The song was originally released in 1980 on the Blaster's debut album '' American Music'' on the small independent label Rollin' Rock. It was then re-recorded a year later for the Blaster's second album ''The Blasters'', released by Slash Records and distributed by Warmer Bros. This album had much better distribution than their first album and "Marie Marie" was released as a single in Australia in 1981 and France and the Netherlands in 1982. Dave Alvin has said "Marie Marie" was "the third or fourth song I wrote with the Blasters". After joining the Blasters, Alvin came up with the melody, thinking "this would be a great Cajun Balfa Brothers kind of song, and then if you put it to a Chuck Berry beat, this might be pretty cool". However, he couldn't think of any lyrics and the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Orleans Rhythm And Blues
New Orleans rhythm and blues is a style of rhythm and blues that originated in New Orleans. It was a direct precursor to rock and roll and strongly influenced ska. Instrumentation typically includes drums, bass, piano, horns, electric guitar, and vocals. The style is characterized by syncopated " second line" rhythms, a strong backbeat, and soulful vocals. Artists such as Roy Brown, Dave Bartholomew, and Fats Domino are representative of the New Orleans R&B sound.McKnight Mark, "Researching New Orleans Rhythm and Blues," ''Black Music Research Journal'' 8/1 (1988), p. 115 Characteristics New Orleans rhythm and blues can be characterized by predominant piano, "singing" horns, and call-and-response elements.Jason Berry, Jonathon Foose, and Tad Jones, ''Up From the Cradle of Jazz'' (Athens: University of Georgia Press, 1986), p. 5, Clear influences of Kansas City Swing bands can be heard through the extensive use of trumpet and saxophone solos.Gérard Herzhaft, ''Encyclopedia of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Music
Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboy Western music styles of Hawaiian, New Mexico, Red Dirt, Tejano, and Texas country. Country music often consists of ballads and honky-tonk dance tunes with generally simple form, folk lyrics, and harmonies often accompanied by string instruments such as electric and acoustic guitars, steel guitars (such as pedal steels and dobros), banjos, and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history. The term ''country music'' gained popularity in the 1940s in preference to '' hillbilly music'', with "country music" being used today to describe many styles and subgenres. It came to encomp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazine w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Bateman (drummer)
Bill Bateman is an American drummer best known for his long service in the Blasters. He has also played for the Flesh Eaters, the Red Devils, and the Cramps. In writing of the talent that the Blasters contained, Henry Rollins singled out Bateman as "one of the best drummers there is." A peer drummer, Dennis Diken of the Smithereens, called Bateman in 1987 "one of the most electrifying drummers I've ever heard. His intensity and spirit make your jaw drop." Early life Bateman was born on December 16, 1951 in Orange, California. He grew up in Downey, California, where he was neighbors with his future bandmates in the Blasters: Phil Alvin, Dave Alvin, and John Bazz. As Dave Alvin recalled in 2014, they were all like brothers - and fought like brothers too. From boyhood, the quartet shared a deep and abiding love of all forms of American music, and they ventured together into Los Angeles blues clubs, learning from veterans. With the Blasters In ''Make the Music Go Bang!'' (1997), Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fogerty
John Cameron Fogerty (born May 28, 1945) is an American singer, songwriter and guitarist. Together with Doug Clifford, Stu Cook, and his brother Tom Fogerty Thomas Richard Fogerty (November 9, 1941 – September 6, 1990) was an American musician, best known as the rhythm guitarist for Creedence Clearwater Revival. He was posthumously inducted into the Rock and Roll Hall of Fame in 1993. Biography ..., he founded the band Creedence Clearwater Revival (CCR), for which he was the lead singer, lead guitarist, and principal songwriter. CCR had nine top-10 singles and eight gold albums between 1968 and 1972, and was inducted into the Rock and Roll Hall of Fame in 1993. Since CCR parted ways in 1972, Fogerty has had a successful solo career, which continues. He was listed on ''Rolling Stone'' magazine's list of 100 Greatest Songwriters (at No. 40) and the list of 100 Greatest Singers (at No. 72). His songs include "Proud Mary", "Bad Moon Rising", "Fortunate Son", "Green River ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Alvin
David Albert Alvin (born November 11, 1955) is an American singer-songwriter, guitarist and producer. He is a former and founding member of the roots rock band the Blasters. Alvin has recorded and performed as a solo artist since the late 1980s and has been involved in various side projects and collaborations. He has had brief stints as a member of the bands X and the Knitters. Early life Alvin grew up in Downey, California. He and his older brother, Phil Alvin, as teenagers attended rockabilly and country music venues.Deming, MarkDave Alvin: Biography AllMusic Dave attended Long Beach State University. Career With the Blasters In 1979, Alvin and his brother Phil formed the roots-rock band The Blasters with fellow Downey residents Bill Bateman and John Bazz. Alvin served as the group's lead guitarist and chief songwriter. ''The Rough Guide to Rock'' noted the ever-increasing numbers of originals that Alvin wrote for the Blasters, along with his maturation into a great so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rockabilly
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the Southern United States, South. As a genre it blends the sound of Western music (North America), Western musical styles such as country music, country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass music, bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" (from "rock 'n' roll") and "hillbilly", the latter a reference to the country music (often called "Hillbilly#Music, hillbilly music" in the 1940s and 1950s) that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues. Defining features of the rockabilly sound included strong rhythms, boogie woogie piano riffs, vocal twangs, doo-wop acapella singing, and common use of the tape echo; bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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