Boraspati Ni Tano
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Boraspati Ni Tano
Boraspati ni Tano or Boraspati, also known as Ilik, is the earth deity in Batak mythology. Boraspati ni Tano is represented as a tokay gecko. Images of Boraspati (or Beraspati in Karo culture) can be found decorating the door of a Batak Karo and Batak Toba buildings as well as other Batak objects e.g. the cover of the pustaha or the pupuk container naga morsarang. Mythology Boraspati ni Tano is the Earth deity in Batak mythology representing fertility, wealth and the underworld. The name Boraspati ni Tano is borrowed from Sanskrit Brihaspati, a Hindu astrological representation of Jupiter and the day of the week Thursday. Boraspati ni Tano is one of the most important personification of natural forces of Batak's cosmology, together with Boru Saniang Naga (water deity). While Boraspati ni Tano is a male god of the earth and the underworld, Boru Saniang Naga is a serpentine female water deity who personified the storm, the sea, the spring water and other weather elements that are ...
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Section Of A Granary Facade, Sumatra, Toba Batak, Honolulu Museum Of Art
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Porhalaan
The Porhalaan is the traditional calendar of the Batak people of North Sumatra, Indonesia. The Batak Calendar is a lunisolar calendar consisting of 12 months divided to 30 days with an occasional leap month. The Batak calendar is derived from Hindu calendar. The Batak people do not use the porhalaan as a mean to tell time, but rather to determine auspicious day, which is only used by the Batak shaman. Ritual The name porhalaan came from the word ''hala'', which is derived from Sanskrit ''kala'', "scorpion". The porhalaan is used by the Batak people for divination. Batak people did not use the porhalaan for telling time. The responsibility of interpreting the porhalaan fell solely to the chief male ritualist known as the datu. The datu would read the porhalaan to determine which day is considered auspicious or inauspicious to hold a certain ritual. In order to minimize the risk of accidentally selecting an unfavorable day due to errors in calendar management, days are often chosen ...
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Pustaha
Pustaha ( Toba Batak: ᯇᯮᯘ᯲ᯖᯂ) is the magic book of the Toba Batak people of North Sumatra, Indonesia. The book contains magical formulas, divinations, recipes, and laws. The pustaha is written and compiled by a Batak magician-priest (datu). Etymology The name ''pustaha'' is borrowed from the Sanskrit word ''pustaka'' (Sanskrit पुस्तक) meaning "book" or "manuscript". This indicates an earlier influence of Hinduism on the culture of Batak Toba. Form and material Physically, a pustaha consists of two hardcovers (''lampak'') and pages made of softened tree bark (''laklak'') for the writings. The hardcover is usually carved with motifs of an ilik, a gecko which represents the deity Boraspati ni Tano, a beneficial earth deity of the Toba Batak people. The pages are made of the bark of the ''alim'' tree or the agarwood (Aquilaria malaccensis). The bark is softened in rice water, folded and secured between the two hardcovers. Alim tree can be found growing in the ...
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Rangkiang
Rangkiang (also lumbuang) is a granary or rice barn of the Minangkabau people used to keep rice. The rangkiang is a distinctive feature of Minangkabau architecture. The structure is traditionally found in the courtyard of a '' rumah gadang'', the traditional house of Minangkabau people. Etymology The word ''rangkiang'' is a shortened version from the Minangkabau word ''"ruang hyang (Dewi Sri)"'' ("room of goddess (Dewi Sri)"), the goddess of rice. Architecture A ''rangkiang'' is a structure built over a raised pile foundation, an Austronesian legacy that can be found anywhere else in Indonesia. It has a distinguished roof shape known as ''gonjong'' ("spired") roofs, similar to a Minangkabau traditional house, the rumah gadang. The ''gonjong'' roof symbolically identifies it with buffalo horns. Similar to the rumah gadang, the roof of a rangkiang is traditionally a thatched roof made of palm fibre (''ijuk''), and it is also similarly decorated. The only opening to a rangkiang i ...
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Sopo (structure)
A sopo is a treasury structure in the architecture of the Toba Batak people from North Sumatra, Indonesia. Its form is similar to that of a Batak traditional house with the exception of being smaller in size and a construction ritual that is the opposite of a Batak house. Sopo is used as a repository for various items, e.g. rice, magical items, or trophies. Sopo can also be used as a meeting point for social activities. Description The word ''sopo'' is a Batak word which indicates a structure which is used to store items, whether it is to store rice (''sopo eme'', ''eme'' means "rice"), to store war trophies (e.g. wild boar or human skulls, or the smoked and dried hands of the enemies), or to store magic ritual items (e.g. the pustahas or magic batons) The sopo generally has similar appearance with the house of Batak Toba (''ruma''), but in the case of sopo, it is designed as an open structure as opposed to the closed structure of a house. The pavilion-like open space is used as ...
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Gorga (art)
''Gorga'' is a form of artistic decoration found in the culture of Batak Toba in North Sumatra, Indonesia. The ''gorga'' motif is in the shape of flourishes and undulations. The motif is either painted or carved onto wood using three colors: white, red, black; each corresponds with different realms in the Batak Toba cosmology. ''Gorga'' motif is often found in Batak Toba architecture e.g. a Batak Toba house or objects e.g. music instruments. They are meant to protect the building or object from spiritual harm e.g. evil spirits sent from neighboring village. Pattern and color ''Gorga'' motif often decorates the surfaces of traditional houses and figural carvings. ''Gorga'' engravings are believed to protect the house against flood, earthquakes, and fire; and to repel the house against harm from the evil spirits. ''Gorga'' carving is made by outlining the floral or undulation motif onto the wood, and then the knife edge is placed at a cant, with the mallet tapping it along the lin ...
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Hindu Calendar
The Hindu calendar, Panchanga () or Panjika is one of various lunisolar calendars that are traditionally used in the Indian subcontinent and Southeast Asia, with further regional variations for social and Hindu religious purposes. They adopt a similar underlying concept for timekeeping based on sidereal year for solar cycle and adjustment of lunar cycles in every three years, but differ in their relative emphasis to moon cycle or the sun cycle and the names of months and when they consider the New Year to start. Of the various regional calendars, the most studied and known Hindu calendars are the Shalivahana Shaka (Based on the King Shalivahana, also the Indian national calendar) found in the Deccan region of Southern India and the Vikram Samvat (Bikrami) found in Nepal and the North and Central regions of India – both of which emphasize the lunar cycle. Their new year starts in spring. In regions such as Tamil Nadu and Kerala, the solar cycle is emphasized and this is calle ...
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Brihaspati
Brihaspati ( sa, बृहस्पति, ), also known as Guru, is a Hindu deity. In the ancient Vedic scriptures of Hinduism, Brihaspati is a deity associated with fire, and the word also refers to a rishi (sage) who counsels the devas (gods). In some later texts, the word refers to the largest planet of the solar system, Jupiter, and the deity is associated with the planet as a Navagraha. Sage Brihaspati appears in the Rigveda (pre-1000 BCE), such as in the dedications to him in the hymn 50 of Book 4; he is described as a sage born from the first great light, the one who drove away darkness, is bright and pure, and carries a special bow whose string is ''Rta'' or "cosmic order" (basis of dharma). His knowledge and character is revered, and he is considered Guru (teacher) by all the Devas. In the Vedic literature and other ancient texts, sage Brihaspati is also called by other names such as Bramanaspati, Purohita, Angirasa (son of Angiras) and Vyasa; he is sometimes identifie ...
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Batak
Batak is a collective term used to identify a number of closely related Austronesian ethnic groups predominantly found in North Sumatra, Indonesia, who speak Batak languages. The term is used to include the Karo, Pakpak, Simalungun, Toba, Angkola, and Mandailing which are related groups with distinct languages and traditional customs ('' adat''). Prehistory Linguistic and archaeological evidence indicates that Austronesian speakers first reached Sumatra from Taiwan and the Philippines through Borneo or Java about 2,500 years ago, and the Batak probably descended from these settlers. While the archaeology of southern Sumatra testifies to the existence of neolithic settlers, it seems that the northern part of Sumatra was settled by agriculturalists at a considerably later stage. Although the Batak are often considered to be isolated peoples thanks to their location inland, away from the influence of seafaring European colonials, there is evidence that they have been i ...
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Naga Morsarang
The naga morsarang, also known as sahan, is a container which is used to store medicine in the culture of Toba Batak people of North Sumatra, Indonesia. The naga morsarang is created out of the horn of the water buffalo. Description Naga morsarang is one of several types of container in which the ''datu'' (Batak people's ritual specialist) kept a supernaturally powerful potion. The naga morsarang is made of horn of a water buffalo. A large naga morsarang vessel measures long and wide. As a container of a powerful potion, the naga morsarang is extensively decorated with complex patterns. The outer surface is incised thoroughly with complex designs. The pointed end of the horn is carved into the shape of a seated figure of a man, or sometimes more. The opening of the horn is plugged with a wooden stopper. This wooden stopper is always shaped into a figure of the Singa (mythology), singa, a Nāga, Naga-like underground figures. Many additional figures are sometimes carved as mounting ...
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Pustaha
Pustaha ( Toba Batak: ᯇᯮᯘ᯲ᯖᯂ) is the magic book of the Toba Batak people of North Sumatra, Indonesia. The book contains magical formulas, divinations, recipes, and laws. The pustaha is written and compiled by a Batak magician-priest (datu). Etymology The name ''pustaha'' is borrowed from the Sanskrit word ''pustaka'' (Sanskrit पुस्तक) meaning "book" or "manuscript". This indicates an earlier influence of Hinduism on the culture of Batak Toba. Form and material Physically, a pustaha consists of two hardcovers (''lampak'') and pages made of softened tree bark (''laklak'') for the writings. The hardcover is usually carved with motifs of an ilik, a gecko which represents the deity Boraspati ni Tano, a beneficial earth deity of the Toba Batak people. The pages are made of the bark of the ''alim'' tree or the agarwood (Aquilaria malaccensis). The bark is softened in rice water, folded and secured between the two hardcovers. Alim tree can be found growing in the ...
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