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Book Of Dimma
The Book of Dimma (Dublin, Trinity College, MS.A.IV.23) is an 8th-century Irish pocket Gospel Book originally from the Abbey of Roscrea, founded by St. Crónán in County Tipperary, Ireland. In addition to the Gospels of Luke and John, it has an order for the Unction and Communion of the Sick. The surviving illumination of the manuscript contains a number of illuminated initials, three Evangelist portrait pages, and one page with an Evangelist's symbol. The pocket gospel book is a distinctively Insular format, of which the Stowe Missal and Book of Mulling are other leading examples. The gospels other than John are "written for the most part in a rapid cursive script", while John is "by a different scribe, in neat minuscule bookhand". It was signed by its scribe, Dimma MacNathi, at the end of each of the Gospels. This Dimma has been traditionally identified with a bishop who was later Bishop of Connor, mentioned by Pope John IV in a letter on Pelagianism in 640. This ide ...
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Cursive
Cursive (also known as script, among other names) is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and modern-day usage across languages and regions; being used both publicly in artistic and formal documents as well as in private communication. Formal cursive is generally joined, but casual cursive is a combination of joins and pen lifts. The writing style can be further divided as "looped", "italic script, italic" or "connected". The cursive method is used with many alphabets due to infrequent pen lifting and beliefs that it increases writing speed. Despite this belief, more elaborate or ornamental styles of writing can be slower to reproduce. In some alphabets, many or all letters in a word are connected, sometimes making a word one single complex stroke. A study of gradeschool children in 2013 discovered that the speed of their cu ...
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Royal Irish Academy
The Royal Irish Academy (RIA; ga, Acadamh Ríoga na hÉireann), based in Dublin, is an academic body that promotes study in the sciences, humanities and social sciences. It is Ireland's premier List of Irish learned societies, learned society and one its leading List of Irish cultural institutions, cultural institutions. The Academy was established in 1785 and granted a royal charter in 1786. the RIA has around 600 members, regular members being Irish residents elected in recognition of their academic achievements, and Honorary Members similarly qualified but based abroad; a small number of members are elected in recognition of non-academic contributions to society. Until the late 19th century the Royal Irish Academy was the owner of the main national collection of Irish antiquities. It presented its collection of archaeological artefacts and similar items, which included such famous pieces as the Tara Brooch, the Cross of Cong and the Ardagh Chalice to what is now the Na ...
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King's Inns
The Honorable Society of King's Inns ( ir, Cumann Onórach Óstaí an Rí) is the "Inn of Court" for the Bar of Ireland. Established in 1541, King's Inns is Ireland's oldest school of law and one of Ireland's significant historical environments. The Benchers of King's Inns award the degree of barrister-at-law necessary to qualify as a barrister be called to the bar in Ireland. As well as training future and qualified barristers, the school extends its reach to a diverse community of people from legal and non-legal backgrounds offering a range of accessible part-time courses in specialist areas of the law. King's Inns is also a centre of excellence in promoting the use of the Irish language in the law. History The society was granted a royal charter by King Henry VIII in 1541, 51 years before Trinity College Dublin was founded, making it one of Ireland's oldest professional and educational institutions. The founders named their society in honour of King Henry VIII of England a ...
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Nenagh
Nenagh (, ; or simply ''An tAonach'') meaning “The Fair of Ormond” or simply "The Fair", is the county town and second largest town in County Tipperary in Republic of Ireland, Ireland. Nenagh used to be a market town, and the site of the East Munster Ormond Fair. Geography Nenagh, the largest town in northern County Tipperary, lies to the west of the Nenagh River, which empties into Lough Derg (Shannon), Lough Derg at Dromineer, 9 km to the north-west, a centre for sailing and other watersports. The Silvermine Mountains, Silvermine Mountain range lies to the south of the town, with the highest peak being Keeper Hill ( ga, Sliabh Coimeálta) at 694 m. The Silvermines have been intermittently mined for silver and base metals for over seven hundred years. Traces of 19th century mine workings remain. The area has a mild climate, with the average daily maximum in July of 19 °C and the average daily minimum in January of 3 °C. History Nenagh is loc ...
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Jacob S
Jacob (; ; ar, يَعْقُوب, Yaʿqūb; gr, Ἰακώβ, Iakṓb), later given the name Israel, is regarded as a patriarch of the Israelites and is an important figure in Abrahamic religions, such as Judaism, Christianity, and Islam. Jacob first appears in the Book of Genesis, where he is described as the son of Isaac and Rebecca, and the grandson of Abraham, Sarah, and Bethuel. According to the biblical account, he was the second-born of Isaac's children, the elder being Jacob's fraternal twin brother, Esau. Jacob is said to have bought Esau's birthright and, with his mother's help, deceived his aging father to bless him instead of Esau. Later in the narrative, following a severe drought in his homeland of Canaan, Jacob and his descendants, with the help of his son Joseph (who had become a confidant of the pharaoh), moved to Egypt where Jacob died at the age of 147. He is supposed to have been buried in the Cave of Machpelah. Jacob had twelve sons through four women, his ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Viking Art
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are ofte ...
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Openwork
Openwork or open-work is a term in art history, architecture and related fields for any technique that produces decoration by creating holes, piercings, or gaps that go right through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie ...
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Reliquary
A reliquary (also referred to as a ''shrine'', by the French term ''châsse'', and historically including ''wikt:phylactery, phylacteries'') is a container for relics. A portable reliquary may be called a ''fereter'', and a chapel in which it is housed a ''feretory''. Relics may be the purported or actual physical remains of saints, such as bones, pieces of clothing, or some object associated with saints or other religious figures. The authenticity of any given relic is often a matter of debate; it is for that reason, some churches require documentation of the relic's provenance. Relics have long been important to Buddhism, Buddhists, Christianity, Christians, Hinduism, Hindus and to followers of many other religions. In these cultures, reliquaries are often presented in shrines, churches, or temples to which the faithful make pilgrimages in order to gain blessings. The term is sometimes used loosely of containers for the body parts of non-religious figures; in particular the ...
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Cumdach
A (, in Irish "cover"Joynt (1917), p. 186) or book shrine is an elaborate ornamented metal reliquary box or case used to hold Early Medieval Irish manuscripts or relics. They are typically later than the book they contain, often by several centuries. In most surviving examples the book comes from the peak age of Irish monasticism before 800, and the extant cumdachs date from after 1000, although it is clear the form dates from considerably earlier. The majority are of Irish origin, with most surviving examples now in the National Museum of Ireland (NMI). The usual form is a design based on a cross on the main face, with use of large gems of rock crystal or other semi-precious stones, leaving the spaces between the arms of the cross for more varied decoration. Several were carried on a metal chain or leather cord, often worn off the belt, or suspended around the neck, placing them next to the heart and thus offering spiritual and perhaps medical benefits (the same was done wit ...
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