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Boleros (Tete Montoliu Album)
''Boleros'' is an album by pianist Tete Montoliu recorded in 1977 and originally released on the Spanish label, Ensayo. accessed June 19, 2017 Reception Ken Dryden of AllMusic said "Tete Montoliu, a native of the Catalonian region of Spain, was best-known for his interpretations of standards from the Great American Songbook; he was equally familiar with popular works by jazz greats. This release has a different focus, emphasizing the works of Spanish composers. ... Recommended".Track listing # "Somos" (Mario Clavel) – 4:22 # " Adoro" ([...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tete Montoliu
Vicenç Montoliu i Massana, better known as Tete Montoliu (28 March 1933 – 24 August 1997) was a Spanish jazz pianist from Catalonia, Spain. Born blind, he learnt braille music at age seven. His styles varied from hard bop, through afro-Cuban, world fusion, to post bop. He recorded with Lionel Hampton in 1956 and played with saxophonist Roland Kirk in 1963. He also worked with leading American jazz musicians who toured in, or relocated to Europe including Kenny Dorham, Dexter Gordon, Ben Webster, Lucky Thompson, and Anthony Braxton. Tete Montoliu recorded two albums in the US, and recorded for Enja, SteepleChase Records, and Soul Note in Europe. Biography Montoliu was born blind, in the Eixample district of Barcelona, Spain, and died in the same city. He was the only son of Vicenç Montoliu (a professional musician) and Àngela Massana, a jazz enthusiast, who encouraged her son to study piano. Montoliu's earliest piano teaching took place under the tutelage of Enric Mas at the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Capó
Félix Manuel "Bobby" Rodríguez Capó (January 1, 1922 – December 18, 1989) was a Puerto Rican singer and songwriter. He usually combined ballads with classical music and was deeply involved in Puerto Rican folk elements and even Andalusian music, as to produce many memorable Latino pop songs which featured elaborate, dramatic lyrics. Félix Manuel Rodríguez Capó was born in the barrio of Pedro García in Coamo, Puerto Rico to Celso Quiterio Rodríguez Rivera, a salesman, and Arsenia Capó Canevaro, a housekeeper. He adopted "Bobby" as his first name and, as Rodríguez is a common Hispanic surname, he reportedly opted to use his mother's less common one, Capó, instead. He then migrated to New York City early in the 1940s. Initially, he replaced Pedro Ortiz Dávila, " Davilita", in a quartet, the Cuarteto Victoria of Rafael Hernández Marín. He then joined Xavier Cugat's orchestra. Apart from his work as a singer, he was also a television host, as well as technical an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Bernier
Henry 'Buddy' Bernier (April 21, 1910 – June 18, 1983) was an American lyricist born in Watertown, New York, who was mainly active during the 1940s and 1950s. He came from a show business family and had two sisters, Daisy and Peggy who were each a singer and actress respectively. His mother Margaret was also a singer and dancer. He was enlisted into the armed forces in April 1941 and served a corporal of the Lincoln Army Air Field before his discharge in March 1946. He died in June 1983 at the age of 73 due to alcoholic cardiomyopathy. Career Songwriter Among his earliest successes came in 1935, when he had a hit with the song "I Haven't Got A Hat". In 1937, he was credited with being responsible for a sudden dance craze named the "Big Apple", after being inspired by reading a newspaper clipping which mentioned a southern dance type around the floor in an apple shape. Bernier wrote a song about it, naming it "The Big Apple", which shot to the top of the Hit parade and "engulfed th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Simon
Nat Simon (6 August 1900, in Newburgh, New York – 1979) was an American composer, pianist, bandleader and songwriter. From the 1930s to 1950s his songs were used in over 20 films. Between 1931 and 1940 he also took part in the musical Vaudeville revue '' Songwriters on Parade'', which featured hit songwriters of the day. It was considered one of the last Vaudevillian forays of this type. Nat's daughter, Sally Simon Meisel, who sang vocals was an integral part of his live performances as heard on this 1945 session from New York Public Radio. https://www.wnyc.org/story/the-music-of-tin-pan-alley/ Songs * Poinciana, 1936 * "The Old Lamp-Lighter", 1946 * "The Mama Doll Song", 1954? * "Sandy's Tune" (from ''That Bad Eartha''), 1954 * "Istanbul (Not Constantinople)", 1930s? 1953?Composer-Song-Little Curley Hair in the High Chair-1950 * "No Can Do" from the Copacabana Revue with Charlie Tobias 1945, recorded by Guy Lombardo, Erwin Halletz Erwin Halletz (Vienna, 12 July 1923 – 27 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poinciana (song)
"Poinciana" is a song by Nat Simon with lyrics by Buddy Bernier written in 1936. Background The song has been identified as a development of a Cuban folk song entitled "La Canción del Árbol" whose title translates as "the song of the tree", the royal poinciana being a favorite Caribbean flowering plant. However composer Nat Simon would claim the song's tune came to him while he was dining at Manhattan Theater District restaurant Leone's, and that he jotted down a rough draft of the melody on his table's cloth which - with Leone's permission - he took home to work out the completed melody at his piano. Lyrics for the song were completed in about thirty minutes by Buddy Bernier, who cited as his inspiration a postcard of a royal Poinciana tree he'd recently received from Florida. Reportedly "Poinciana" was largely overlooked for several years being somewhat longer than a typical contemporary song. Orchestra leader Jerry Wald was a rare early aficionado of the song, and Wald's sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernesto Lecuona
Ernesto Lecuona y Casado (; August 7, 1896 – November 29, 1963) was a Cuban composer and pianist, many of whose works have become standards of the Latin, jazz and classical repertoires. His over 600 compositions include songs and zarzuelas as well as pieces for piano and symphonic orchestra. In the 1930s, he helped establish a popular band, the Lecuona Cuban Boys, which showcased some of his most successful pieces and was later taken over by Armando Oréfiche. In the 1950s, Lecuona recorded several LPs, including solo piano albums for RCA Victor. He moved to the United States after the Cuban Revolution and died in Spain in 1963. Early years Lecuona was born in Guanabacoa, Havana, Cuba, Kingdom of Spain, to a Cuban mother and a Canarian father. There are inconsistencies surrounding his birthdate, with some sources indicating the year 1895, and others still giving the day as August 6. He started studying piano at the age of five, under the tuition of his sister Ernestina Lecu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Álvaro Carrillo
Álvaro Carrillo Alarcón (2 December 1921 - 3 April 1969) was a Mexican popular music composer and songwriter, born in San Juan Cacahuatepec, Oaxaca. He wrote over 300 songs, mostly boleros, including the great hits ''Amor mío'', ''Sabor a mí'', ''Como se lleva un lunar'', ''El andariego'', ''Luz de luna'', ''Sabrá Dios'', ''Seguiré mi viaje'' and '' La mentira''. Early life and education Álvaro Carrillo Alarcón was born in 1921 to a father of Spanish European descent and a mother of both Indigenous Mixtec and African descent. He came from a very humble family as they lived in extreme poverty. His father owned three cows which he believed made him a "rich" man and at that time it did, just to get an idea of the picture. Since his father was a country man who came from a long line of farmers he was eagerly set on keeping all his sons stuck to his family's business on the field. A very young Alvaro was not interested in obeying his father at all and would hide, instead of doi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
