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Blue Rose (art Group)
Blue Rose (Голубая роза - Blaue Rose) was a Symbolist artist association in Moscow from 1906 to 1908. Characteristics The group emphasised color as a 'tonal' medium to construct rhythm in a painting and the elimination of shape and contour. Members Members included Anatolii Arapov, Petr Bromirsky, V. Drittenpreis, Nikolai Feofilaktov, Artur Fonvizen, Nikolai Krymov, Pavel Kuznetsov, Ivan Knabe, Nikolai Milioti, Vasilii Milioti, Aleksandr Matveev, Nikolai Ryabushinsky, Nikolai Sapunov, Martiros Saryan, Serge Sudeikin and Petr Utkin. Inspiration Their style was inspired by the Russian Impressionist, Viktor Borisov-Musatov, the name of the group was used for their exhibition in 1906 and was derived from the poem Blue Flower by the poet Novalis. Vladimir Mayakovsky, the poet/critic said of the group in 1907 "The artists are in love with the music of colour and line." Wassily Kandinsky was an associate of the group, being greatly taken with their artistic viewpoint he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolist
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavel Kuznetsov
Pavel Varfolomevich Kuznetsov (1878–1968) was a Russian painter and graphic artist. Life and career He studied at Saratov at Bogolyubov Art School (1891–1896), then Moscow School of Painting, Sculpture and Architecture (1897–1904) and for a year in Paris (1905). His early paintings were exhibited by the Mir Iskusstva group, and he was closely associated with the Russian Symbolists. He helped to organize the Crimson Rose exhibition (1904) and was a founder and leader of the Blue Rose in 1907. He taught at the Stroganov Institute (1917–18; 1945-8) and at the Moscow Institute of Fine Arts (1918–37). He headed the painting section of Narkompros until 1921, but fell out of official favour with the advent of Socialist Realism. Kuznetsov's early paintings are typical of the Blue Rose group's poetic explorations of an interior, imaginative world through archetypal symbols. After 1910 he drew increasingly on folk culture, continuing to draw on the rich colours and harmoniou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martiros Saryan
Martiros Saryan ( hy, Մարտիրոս Սարյան; russian: Мартиро́с Сарья́н; – 5 May 1972) was a Soviet Armenian painter, the founder of a modern Armenian national school of painting. Biography He was born into an Armenian family in Nakhichevan-on-Don (now part of Rostov-on-Don, Russia). In 1895 at the age of 15, he completed the Nakhichevan school and from 1897 to 1904 studied at the Moscow School of Arts, including in the workshops of Valentin Serov and Konstantin Korovin. He was heavily influenced by the work of Paul Gauguin and Henri Matisse. He exhibited his works in various shows. He had works shown at the Blue Rose Exhibit in Moscow. He first visited Armenia, then part of the Russian Empire, in 1901, visiting Lori, Shirak, Echmiadzin, Haghpat, Sanahin, Yerevan and Sevan. He composed his first landscapes depicting Armenia: ''Makravank'', 1902; ''Aragats'', 1902; ''Buffalo. Sevan'', 1903; ''Evening in the Garden'', 1903; ''In the Armenian vil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Sudeikin
Sergey Yurievich Sudeikin, also known as Serge Soudeikine (19 March 1882 in Smolensk – 12 August 1946 in Nyack, New York), was a Russian artist and set-designer associated with the Ballets Russes and the Metropolitan Opera. Biography Having been banned from the Moscow School of Painting, Sculpture and Architecture for his "obscene drawings", Sudeikin joined the Mir Iskusstva movement. His close friends included the poet Mikhail Kuzmin and the impresario Serge Diaghilev, at whose invitation he came to Paris in 1906 for the Salon d'Automne Exhibition, where his work was first shown abroad. From 1907 to 1918 he was married to actress Olga Glebova (1885–1945), one of the famed beauties of St Petersburg and the closest friend of Anna Akhmatova. Glebova-Sudeikina is the principal character and addressee of Akhmatova's longest work, ''The Poem Without Hero'' (1940–65). Sudeikin designed the sets and costumes for Diaghilev's production of ''La tragédie de Salomé'' by Florent S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viktor Borisov-Musatov
Victor Elpidiforovich Borisov-Musatov (russian: Ви́ктор Эльпидифо́рович Бори́сов-Муса́тов), ( – ) was a Russian painter, prominent for his unique Post-Impressionistic style that mixed Symbolism, pure decorative style and realism. Together with Mikhail Vrubel he is often referred as the creator of ''Russian Symbolism'' style. Biography Victor Musatov was born in Saratov, Russia (he added the last name Borisov later). His father was a minor railway official who had been born as a serf. In his childhood he suffered a spinal injury, which made him humpbacked for the rest of his life. In 1884 he entered Saratov real school, where his talents as an artist were discovered by his teachers Fedor Vasiliev and Konovalov. He was enrolled in the Moscow School of Painting, Sculpture and Architecture in 1890, transferring the next year to the Imperial Academy of Arts in Saint-Petersburg, where he was a pupil of Pavel Chistyakov. The damp clima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novalis
Georg Philipp Friedrich Freiherr von Hardenberg (2 May 1772 – 25 March 1801), pen name Novalis (), was a German polymath who was a writer, philosopher, poet, aristocrat and mystic. He is regarded as an idiosyncratic and influential figure of Jena Romanticism. Novalis was born into a minor aristocratic family in Electoral Saxony. He was the second of eleven children; his early household observed a strict Pietist faith. He studied law at the University of Jena, the University of Leipzig, and the University of Wittenberg. While at Jena, he published his first poem and befriended the playwright and fellow poet Friedrich Schiller. In Leipzig, he then met Friedrich Schlegel, becoming lifetime friends. Novalis completed his law degree in 1794 at the age of 22. He then worked as a legal assistant in Tennstedt immediately after graduating. There, he met Sophie von Kühn. The following year Novalis and Sophie became secretly engaged. Sophie became severely ill soon after the engagem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Mayakovsky
Vladimir Vladimirovich Mayakovsky (, ; rus, Влади́мир Влади́мирович Маяко́вский, , vlɐˈdʲimʲɪr vlɐˈdʲimʲɪrəvʲɪtɕ məjɪˈkofskʲɪj, Ru-Vladimir Vladimirovich Mayakovsky.ogg, links=y; – 14 April 1930) was a Russian and Soviet poet, playwright, artist, and actor. During his early, pre-Revolution period leading into 1917, Mayakovsky became renowned as a prominent figure of the Russian Futurist movement. He co-signed the Futurist manifesto, ''A Slap in the Face of Public Taste'' (1913), and wrote such poems as "A Cloud in Trousers" (1915) and "Backbone Flute" (1916). Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal ''LEF'', and produced agitprop posters in support of the Communist Party during the Russian Civil War of 1917–1922. Though Mayakovsky's work regularly demonstrated ideological and patriotic support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wassily Kandinsky
Wassily Wassilyevich Kandinsky (; rus, Василий Васильевич Кандинский, Vasiliy Vasilyevich Kandinskiy, vɐˈsʲilʲɪj vɐˈsʲilʲjɪvʲɪtɕ kɐnʲˈdʲinskʲɪj; – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art, possibly after Hilma af Klint. Born in Moscow, he spent his childhood in Odessa, where he graduated at Grekov Odessa Art School. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Blaue Reiter
''Der Blaue Reiter'' (The Blue Rider) is a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name, first published in mid-May 1912. The editorial team organized two exhibitions in Munich in 1911 and 1912 to demonstrate their art-theoretical ideas based on the works of art exhibited. Travelling exhibitions in German and other European cities followed. The Blue Rider disbanded at the start of World War I in 1914. The artists associated with ''Der Blaue Reiter'' were important pioneers of modern art of the 20th century; they formed a loose network of relationships, but not an art group in the narrower sense like ''Die Brücke'' (The Bridge) in Dresden. The work of the affiliated artists is assigned to German Expressionism. History The forerunner of The Blue Rider was the Neue Künstlervereinigung München (N.K.V.M; New Artists' Association Munich), instigated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Green Flower
Green Flower ( Latvian: ''Zaļā puķe'') was an association of young Latvian avant-garde artists which lasted from 1914 to 1919. The group was centred around Jāzeps Grosvalds, who had visited Munich and Paris whilst travelling around Europe since 1909. The group also included Alexander Drevin who, however, left Riga shortly after the group was founded. Other members include Karlis Johansons, Valdemars Tone and Konrāds Ubāns. In 1919 he was dissolved but provided the basis for the Riga group of artists. The name was chosen in reference to the Blue Rose art group in Russia and the Der Blaue Reiter ''Der Blaue Reiter'' (The Blue Rider) is a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name, first published in mid-May ... (the Blue Rider) group in Munich, which consisted of both German and Russian artists. References {{reflist Avant-garde art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
