|
Blockbooks
Block books or blockbooks, also called xylographica, are short books of up to 50 leaves, block printed in Europe in the second half of the 15th century as woodcuts with blocks carved to include both text (usually) and illustrations. The content of the books was nearly always religious, aimed at a popular audience, and a few titles were often reprinted in several editions using new woodcuts. Although many had believed that block books preceded Gutenberg's invention of movable type in the first part of the 1450s, it now is accepted that most of the surviving block books were printed in the 1460s or later, and that the earliest surviving examples may date to about 1451. They seem to have functioned as a cheap popular alternative to the typeset book, which was still very expensive at this stage. Single-leaf woodcuts from the preceding decades often included passages of text with prayers, indulgences and other material; the block book was an extension of this form. Block books ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Printing
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD. Woodblock printing existed in Tang China by the 7th century AD and remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century. ''Ukiyo-e'' is the best-known type of Japanese woodblock art print. Most European uses of the technique for printing images on paper are covered by the art term woodcut, except for the bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Block Printing
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD. Woodblock printing existed in Tang China by the 7th century AD and remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century. ''Ukiyo-e'' is the best-known type of Japanese woodblock art print. Most European uses of the technique for printing images on paper are covered by the art term woodcut, except for the bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Of Death
The ''Danse Macabre'' (; ) (from the French language), also called the Dance of Death, is an artistic genre of allegory of the Late Middle Ages on the universality of death. The ''Danse Macabre'' consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and laborer. The effect was both frivolous, and terrifying; beseeching its audience to react emotionally. It was produced as ''memento mori'', to remind people of the fragility of their lives, and how vain were the glories of earthly life. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425. Background Historian Francis Rapp (1926–2020) writes that "''Christians were moved by the sight of the Infant Jesus playing on his mother's knee; their hearts were touched by the Pietà; and patr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speculum Humanae Salvationis
The ''Speculum Humanae Salvationis'' or ''Mirror of Human Salvation'' was a bestselling anonymous illustrated work of popular theology in the late Middle Ages, part of the genre of encyclopedic speculum literature, in this case concentrating on the medieval theory of typology, whereby the events of the Old Testament prefigured, or foretold, the events of the New Testament. The original version is in rhyming Latin verse, and contains a series of New Testament events each with three Old Testament ones that prefigure it. It is one of the most common books found as an illuminated manuscript, and also in early printing in both blockbook and incunabulum forms. Contents After a short Prologue (two pages) and Prohemium (four), both unillustrated, the first two chapters deal with the Creation, the Fall of Satan, the story of Adam and Eve and the Deluge in four pages. Then follow forty more double-page chapters where a New Testament event is compared with three from the Old Testament, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord's Prayer
The Lord's Prayer, also called the Our Father or Pater Noster, is a central Christian prayer which Jesus taught as the way to pray. Two versions of this prayer are recorded in the gospels: a longer form within the Sermon on the Mount in the Gospel of Matthew, and a shorter form in the Gospel of Luke when "one of his disciples said to him, 'Lord, teach us to pray, as John the Baptist, John taught his disciples. Regarding the presence of the two versions, some have suggested that both were original, the Matthean version spoken by Jesus early in his ministry in Galilee, and the Lucan version one year later, "very likely in Judea". The first three of the seven petitions in Matthew address God; the other four are related to human needs and concerns. Matthew's account alone includes the "Your will be done" and the "Rescue us from the evil one" (or "Deliver us from evil") petitions. Both original Greek language, Greek texts contain the adjective ''epiousios'', which does not appear in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biblia Pauperum
The (Latin for "Paupers' Bible") was a tradition of picture Bibles beginning probably with Ansgar, and a common printed block-book in the later Middle Ages to visualize the typological correspondences between the Old and New Testaments. Unlike a simple "illustrated Bible", where the pictures are subordinated to the text, these Bibles placed the illustration in the centre, with only a brief text or sometimes no text at all. Words spoken by the figures in the miniatures could be written on scrolls coming out of their mouths. To this extent one might see parallels with modern cartoon strips. The tradition is a further simplification of the ''Bible moralisée'' tradition, which was similar but with more text. Like these, the ''Biblia pauperum'' was usually in the local vernacular language, rather than Latin. History Originally Paupers' Bibles took the form of colourful hand-painted illuminated manuscripts on vellum, though in the fifteenth century printed examples with woodcuts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ars Moriendi
The ''Ars moriendi'' ("The Art of Dying") are two related Latin texts dating from about 1415 and 1450 which offer advice on the protocols and procedures of a good death, explaining how to "die well" according to Christian precepts of the late Middle Ages. It was written within the historical context of the effects of the macabre horrors of the Black Death 60 years earlier and consequent social upheavals of the 15th century. The earliest versions were most likely composed in southern Germany. It was very popular, translated into most West European languages, and was the first in a western literary tradition of guides to death and dying. About 50,000 copies were printed in the ''incunabula'' period before 1501 and further editions were printed after 1501. Its popularity reduced as Erasmus's treatise on preparing for death (''de praeparatione ad mortem'', 1533) became more popular. There was originally a "long version" and a later "short version" containing eleven woodcut picture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Totentanz Blockbook D
The ''Danse Macabre'' (; ) (from the French language), also called the Dance of Death, is an artistic genre of allegory of the Late Middle Ages on the universality of death. The ''Danse Macabre'' consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and laborer. The effect was both frivolous, and terrifying; beseeching its audience to react emotionally. It was produced as ''memento mori'', to remind people of the fragility of their lives, and how vain were the glories of earthly life. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425. Background Historian Francis Rapp (1926–2020) writes that "''Christians were moved by the sight of the Infant Jesus playing on his mother's knee; their hearts were touched by the Pietà; and patron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwaben
Swabia ; german: Schwaben , colloquially ''Schwabenland'' or ''Ländle''; archaic English also Suabia or Svebia is a cultural, historic and linguistic region in southwestern Germany. The name is ultimately derived from the medieval Duchy of Swabia, one of the German stem duchies, representing the territory of Alemannia, whose inhabitants interchangeably were called ''Alemanni'' or ''Suebi''. This territory would include all of the Alemannic German area, but the modern concept of Swabia is more restricted, due to the collapse of the duchy of Swabia in the thirteenth century. Swabia as understood in modern ethnography roughly coincides with the Swabian Circle of the Holy Roman Empire as it stood during the Early Modern period, now divided between the states of Bavaria and Baden-Württemberg. Swabians (''Schwaben'', singular ''Schwabe'') are the natives of Swabia and speakers of Swabian German. Their number was estimated at close to 0.8 million by SIL Ethnologue as of 2006, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augsburg
Augsburg (; bar , Augschburg , links=https://en.wikipedia.org/wiki/Swabian_German , label=Swabian German, , ) is a city in Swabia, Bavaria, Germany, around west of Bavarian capital Munich. It is a university town and regional seat of the ''Regierungsbezirk'' Schwaben with an impressive Altstadt (historical city centre). Augsburg is an urban district and home to the institutions of the Landkreis Augsburg. It is the third-largest city in Bavaria (after Munich and Nuremberg) with a population of 300,000 inhabitants, with 885,000 in its metropolitan area. After Neuss, Trier, Cologne and Xanten, Augsburg is one of Germany's oldest cities, founded in 15 BC by the Romans as Augsburg#Early history, Augusta Vindelicorum, named after the Roman emperor Augustus. It was a Free Imperial City from 1276 to 1803 and the home of the patrician (post-Roman Europe), patrician Fugger and Welser families that dominated European banking in the 16th century. According to Behringer, in the sixteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Dance Of Death")
