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Blaschka
Leopold Blaschka (27 May 1822 – 3 July 1895) and his son Rudolf Blaschka (17 June 1857 – 1 May 1939) were glass artists from Dresden, Germany, native to the Bohemian (Czech)–German borderland, and known for the production of biological models such as the glass sea creatures and Harvard University's Glass Flowers. Family background The Blaschka family traces its roots to Josefův Důl (Josefsthal) in the Jizera Mountains, Bohemia, a region known for processing glass, metals, and gems. Members of the Blacschka family had worked in Venice, Bohemia, and Germany. Leopold referred to this history in an 1889 letter to Mary Lee Ware: Born in Český Dub, Bohemia, and one of Joseph Blaschke's three sons, Leopold was apprenticed to a goldsmith and gemcutter in Turnov, a town in the Liberec Region of today's Czech Republic. He then joined the family business, which produced glass ornaments and glass eyes. It was there that Leopold developed a technique which he termed "glass-spi ...
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Glass Sea Creatures
The glass sea creatures (alternately called the Blaschka sea creatures, glass marine invertebrates, Blaschka invertebrate models, and Blaschka glass invertebrates) are works of glass artists Leopold and Rudolf Blaschka. The artistic predecessors of the Glass Flowers, the sea creatures were the output of the Blaschkas' successful mail-order business of supplying museums and private collectors around the world with sets of glass models of marine invertebrates. Between 1863 and 1880, the Blaschkas – working in Dresden – executed at least 10,000 of these highly detailed glass models, representing some 700 different species. A number of large collections of the models are held by museums and other academic institutions. Harvard's Museum of Natural History exhibits many of the Blaschka's glass creations, and its Museum of Comparative Zoology hold 430 items in the Blaschka Glass Invertebrate Collection and display about 60 at any given time.
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Blaschka Glass Models At Nat Hist Museum Pisa University
Leopold Blaschka (27 May 1822 – 3 July 1895) and his son Rudolf Blaschka (17 June 1857 – 1 May 1939) were glass artists from Dresden, Germany, native to the Bohemian (Czech)–German borderland, and known for the production of biological models such as the glass sea creatures and Harvard University's Glass Flowers. Family background The Blaschka family traces its roots to Josefův Důl (Josefsthal) in the Jizera Mountains, Bohemia, a region known for processing glass, metals, and gems. Members of the Blacschka family had worked in Venice, Bohemia, and Germany. Leopold referred to this history in an 1889 letter to Mary Lee Ware: Born in Český Dub, Bohemia, and one of Joseph Blaschke's three sons, Leopold was apprenticed to a goldsmith and gemcutter in Turnov, a town in the Liberec Region of today's Czech Republic. He then joined the family business, which produced glass ornaments and glass eyes. It was there that Leopold developed a technique which he termed "glass-s ...
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Blaschka 4
Leopold Blaschka (27 May 1822 – 3 July 1895) and his son Rudolf Blaschka (17 June 1857 – 1 May 1939) were glass artists from Dresden, Germany, native to the Bohemian (Czech)–German borderland, and known for the production of biological models such as the glass sea creatures and Harvard University's Glass Flowers. Family background The Blaschka family traces its roots to Josefův Důl (Josefsthal) in the Jizera Mountains, Bohemia, a region known for processing glass, metals, and gems. Members of the Blacschka family had worked in Venice, Bohemia, and Germany. Leopold referred to this history in an 1889 letter to Mary Lee Ware: Born in Český Dub, Bohemia, and one of Joseph Blaschke's three sons, Leopold was apprenticed to a goldsmith and gemcutter in Turnov, a town in the Liberec Region of today's Czech Republic. He then joined the family business, which produced glass ornaments and glass eyes. It was there that Leopold developed a technique which he termed "glass-spi ...
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Blaschka 1
Leopold Blaschka (27 May 1822 – 3 July 1895) and his son Rudolf Blaschka (17 June 1857 – 1 May 1939) were glass artists from Dresden, Germany, native to the Bohemian (Czech)–German borderland, and known for the production of biological models such as the glass sea creatures and Harvard University's Glass Flowers. Family background The Blaschka family traces its roots to Josefův Důl (Josefsthal) in the Jizera Mountains, Bohemia, a region known for processing glass, metals, and gems. Members of the Blacschka family had worked in Venice, Bohemia, and Germany. Leopold referred to this history in an 1889 letter to Mary Lee Ware: Born in Český Dub, Bohemia, and one of Joseph Blaschke's three sons, Leopold was apprenticed to a goldsmith and gemcutter in Turnov, a town in the Liberec Region of today's Czech Republic. He then joined the family business, which produced glass ornaments and glass eyes. It was there that Leopold developed a technique which he termed "glass-spi ...
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Ludwig Reichenbach
Heinrich Gottlieb Ludwig Reichenbach (8 January 1793 – 17 March 1879) was a German botanist and ornithologist. It was he who first requested Leopold Blaschka to make a set of glass marine invertebrate models for scientific education and museum showcasing, the successful commission giving rise to the creation of the Blaschkas' Glass sea creatures and, subsequently and indirectly, the more famous Glass Flowers. Early life Born in Leipzig and the son of Johann Friedrich Jakob Reichenbach (the author in 1818 of the first Greek-German dictionary) Reichenbach studied medicine and natural science at the University of Leipzig in 1810 and, eight years later in 1818, he the now Professor became an instructor before, in 1820, he was appointed the director of the Dresden natural history museum and a professor at the Surgical-Medical Academy in Dresden, where he remained for many years. Glass sea creatures Director of the natural history museum in Dresden, Professor Reichenbach was fac ...
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Glass Flowers
The Ware Collection of Blaschka Glass Models of Plants (or simply the ''Glass Flowers'') is a collection of highly realistic glass botanical models at the Harvard Museum of Natural History in Cambridge, Massachusetts. Created by Leopold and Rudolf Blaschka from 1887 through 1936 at their studio in Hosterwitz, near Dresden, Germany Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label= Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth la ..., the collection was commissioned by George Lincoln Goodale, the first director of Harvard's Botanical Museum, and was financed by Mary Lee Ware and her mother Elizabeth Cabot (Lee) Ware, Elizabeth C. Ware. It includes 847 life-size models (representing 780 species and varieties of plants in 164 families) and some 3,000 detail models such as of plant parts and anatomical sections. The collection comprises ...
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Mary Lee Ware
Mary Lee Ware, (Jan. 7, 1858 – Jan. 9, 1937) daughter of Elizabeth Cabot (Lee) Ware and Charles Eliot Ware, was born to a wealthy Bostonian family and, with her mother, was the principal sponsor of the Harvard Museum of Natural History's famous Glass Flowers (formally ''The Ware Collection of Blaschka Glass Models of Plants''). She was an avid student of botany, particularly of the work of George Lincoln Goodale; a close friend and sponsor of Leopold and Rudolf Blaschka, creators of the Glass Flowers; and a leading philanthropist and farmer of Rindge, New Hampshire and Boston, Massachusetts. Early life Born into a respected family in the New Hampshire town of Rindge, specifically to naturalist and Harvard Medical School professor Dr. Charles Eliot Ware ("a leading physician in Boston") and his wife Elizabeth in 1858, Mary Lee Ware was an avid nature-lover and lived according to the precept "It is more blessed to give than to receive."Hale, Emily. Mary Lee Ware. Boston, 193 ...
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Marine Invertebrate
Marine invertebrates are the invertebrates that live in marine habitats. Invertebrate is a blanket term that includes all animals apart from the vertebrate members of the chordate phylum. Invertebrates lack a vertebral column, and some have evolved a shell or a hard exoskeleton. As on land and in the air, marine invertebrates have a large variety of body plans, and have been categorised into over 30 phyla. They make up most of the macroscopic life in the oceans. Evolution The earliest animals were marine invertebrates, that is, vertebrates came later. Animals are multicellular eukaryotes, and are distinguished from plants, algae, and fungi by lacking cell walls. Marine invertebrates are animals that inhabit a marine environment apart from the vertebrate members of the chordate phylum; invertebrates lack a vertebral column. Some have evolved a shell or a hard exoskeleton. The earliest animals may belong to the genus '' Dickinsonia'', 571 million to 539 million years ago. ...
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Harvard University
Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of higher learning in the United States and one of the most prestigious and highly ranked universities in the world. The university is composed of ten academic faculties plus Harvard Radcliffe Institute. The Faculty of Arts and Sciences offers study in a wide range of undergraduate and graduate academic disciplines, and other faculties offer only graduate degrees, including professional degrees. Harvard has three main campuses: the Cambridge campus centered on Harvard Yard; an adjoining campus immediately across Charles River in the Allston neighborhood of Boston; and the medical campus in Boston's Longwood Medical Area. Harvard's endowment is valued at $50.9 billion, making it the wealthiest academic institution in the world. Endowment inco ...
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Lampworking
Lampworking is a type of glasswork in which a torch or lamp is used to melt the glass. Once in a molten state, the glass is formed by blowing and shaping with tools and hand movements. It is also known as flameworking or torchworking, as the modern practice no longer uses oil-fueled lamps. Although lack of a precise definition for lampworking makes it difficult to determine when this technique was first developed, the earliest verifiable lampworked glass is probably a collection of beads thought to date to the fifth century BC. Lampworking became widely practiced in Murano, Italy in the 14th century. As early as the 17th century, itinerant glassworkers demonstrated lampworking to the public. In the mid-19th century lampwork technique was extended to the production of paperweights, primarily in France, where it became a popular art form, still collected today. Lampworking differs from glassblowing in that glassblowing uses a furnace as the primary heat source, although torches are ...
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Sea Anemone
Sea anemones are a group of predation, predatory marine invertebrates of the order (biology), order Actiniaria. Because of their colourful appearance, they are named after the ''Anemone'', a terrestrial flowering plant. Sea anemones are classified in the phylum Cnidaria, class Anthozoa, subclass Hexacorallia. As cnidarians, sea anemones are related to corals, jellyfish, tube-dwelling anemones, and ''hydra (genus), Hydra''. Unlike jellyfish, sea anemones do not have a Jellyfish#Life history and behavior, medusa stage in their life cycle. A typical sea anemone is a single polyp (zoology), polyp attached to a hard surface by its base, but some species live in soft sediment, and a few float near the surface of the water. The polyp has a columnar trunk topped by an oral disc with a ring of tentacles and a central mouth. The tentacles can be retracted inside the body cavity or expanded to catch passing prey. They are armed with cnidocytes (stinging cells). In many species, additional n ...
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Papier-mâché
upright=1.3, Mardi Gras papier-mâché masks, Haiti upright=1.3, Papier-mâché Catrinas, traditional figures for day of the dead celebrations in Mexico Papier-mâché (, ; , literally "chewed paper") is a composite material consisting of paper pieces or pulp, sometimes reinforced with textiles, bound with an adhesive, such as glue, starch, or wallpaper paste. Papier-mâché sculptures are used as an economical building material for a variety of traditional and ceremonial activities, as well as in arts and crafts. Preparation methods There are two methods to prepare papier-mâché. The first method makes use of paper strips glued together with adhesive, and the other uses paper pulp obtained by soaking or boiling paper to which glue is then added. With the first method, a form for support is needed on which to glue the paper strips. With the second method, it is possible to shape the pulp directly inside the desired form. In both methods, reinforcements with wire, chi ...
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