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Black Magic (Magic Sam Album)
''Black Magic'' is a studio album by Chicago blues musician Magic Sam. Delmark Records released it under the name of "Magic Sam Blues Band" in November 1969, shortly before his death. The album was a follow-up to Magic Sam's highly influential studio debut, ''West Side Soul'' (1968), and also includes a mix of originals with songs written by his contemporaries. Critical reception , rev2 = ''The Penguin Guide to Blues Recordings'' , rev2score = Bill Dahl, in a review for AllMusic, gave the album its highest ratingfive out of five stars. He called it "another instant classic" and noted some R&B-style influenced songs. Blues historian Gerard Herzhaft commented that the album, along with ''West Side Soul'', "brought unanimous praise from the critics. Today 996 they are considered classics of the Chicago blues". In 1990, ''Black Magic'' was inducted into the Blues Hall of Fame as a classic of blues recording. The induction statement includes: Track listing Side A # " I Ju ...
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Magic Sam
Magic or Magick most commonly refers to: * Magic (supernatural), beliefs and actions employed to influence supernatural beings and forces * Ceremonial magic, encompasses a wide variety of rituals of magic * Magical thinking, the belief that unrelated events are causally connected, particularly as a result of supernatural effects * Magic (illusion), the art of appearing to perform supernatural feats Magic(k) may also refer to: Art and entertainment Film and television * ''Magic'' (1917 film), a silent Hungarian drama * ''Magic'' (1978 film), an American horror film * ''Magic'' (soap opera), 2013 Indonesian soap opera * Magic (TV channel), a British music television station Literature * Magic in fiction, the genre of fiction that uses supernatural elements as a theme * ''Magic'' (Chesterton play), 1913 * ''Magic'' (short story collection), 1996 short story collection by Isaac Asimov * ''Magic'' (novel), 1976 novel by William Goldman * ''The Magic Comic'', a 1939–1 ...
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Freddie King
Freddie King (September 3, 1934December 28, 1976) was an American blues guitarist, singer and songwriter. He is considered one of the "Three Kings of the Blues Guitar" (along with Albert King and B.B. King, none of whom were blood related). Mostly known for his soulful and powerful voice and distinctive guitar playing, King had a major influence on electric blues music and on many later blues guitarists. Born in Gilmer, Texas, King became acquainted with the guitar at the age of six. He started learning the guitar from his mother and his uncle. King moved to Chicago when he was a teenager; there he formed his first band the Every Hour Blues Boys with guitarist Jimmie Lee Robinson and drummer Frank "Sonny" Scott. As he was repeatedly being rejected by Chess Records, he got signed to Federal Records, and got his break with single "Have You Ever Loved a Woman" and instrumental " Hide Away", which reached number five on the ''Billboard'' magazine's rhythm and blues chart in 1961. ...
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Lafayette Leake
Lafayette Leake (June 1, 1919 – August 14, 1990) was an American blues and jazz pianist, organist, vocalist and composer who played for Chess Records as a session musician, and as a member of the Big Three Trio, during the formative years of Chicago blues. He played piano on many of Chuck Berry's recordings. Biography Leake was born in Winona, Missouri, United States, in 1919. Information about his early years is sparse, but in the early 1950s he joined the Big Three Trio (replacing Leonard Caston) and began his association with Chess Records, where he worked closely with bassist, producer, and songwriter Willie Dixon. Leake played piano on '' One Dozen Berrys'', Chuck Berry's second album, released in 1958 by Chess. He was then on ''Chuck Berry Is on Top;'' Leake (not Berry's longtime bandmate Johnnie Johnson) played the prominent piano on the classic original rendition of " Johnny B. Goode", as well as "Rock and Roll Music". Leake played on numerous other Chess sessions from ...
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Eddie Shaw
Eddie Shaw (March 20, 1937 – January 29, 2018) was an American Chicago blues tenor saxophonist, arranger and bandleader. He led Howlin' Wolf's band, the Wolf Gang, from 1972, both before Wolf's death in 1976 and subsequently. Biography Shaw was born in Stringtown, Mississippi. In his teenage years, Shaw played tenor saxophone with local blues musicians, such as Little Milton and Willie Love. At the age of 14, he played in a jam session in Greenville, Mississippi, with Ike Turner's band. At a gig in Itta Bena, Mississippi, when the then 20-year-old Shaw performed, Muddy Waters invited him to join his Chicago-based band. In Waters's band, Shaw divided the tenor saxophone position with A.C. Reed. In 1972 he joined Howlin' Wolf, leading his band, the Wolf Gang, and writing half the songs on ''The Back Door Wolf'' (1973). After the singer's death in 1976 he took over the band and its residency at the 1815 Club, renamed Eddie's Place. Shaw led the band on ''Living Chicago ...
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Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ...
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Willie Cobbs
Willie C. Cobbs (July 15, 1932 – October 25, 2021) was an American blues singer, harmonica player and songwriter. He is best known for his song " You Don't Love Me". Life and career Born in Smale, Monroe County, Arkansas, United States, Cobbs moved to Chicago in 1951, where he occasionally performed in local clubs with Little Walter, Eddie Boyd and others.Dahl, BillWillie Cobbs Biography ''AllMusic''. Retrieved 14 September 2013. He served in the National Guard in the early 1950s and then returned to Chicago, recording a number of singles on such labels as Ruler, a subsidiary of J.O.B. Records. He first recorded his composition "You Don't Love Me" in 1960 for Mojo Records, a record label in Memphis, Tennessee, owned by Billy Lee Riley. The recording was leased to Vee-Jay Records for release. The song was similar to Bo Diddley's 1955 song "She's Fine, She's Mine" and came close to entering the charts, until Vee-Jay slowed its promotion when questions were raised about it ...
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You Don't Love Me (Willie Cobbs Song)
"You Don't Love Me" is a rhythm and blues-influenced blues song recorded by American musician Willie Cobbs in 1960. Adapted from Bo Diddley's 1955 song "She's Fine She's Mine", it is Cobbs' best-known song and features a guitar figure and melody that has appealed to musicians in several genres. Although it became a regional hit when it was released in Memphis, Tennessee, copyright issues prevented its further promotion and national chart success. The song inspired many adaptations, such as "Shimmy Shimmy Walk" by the Megatons and "You Don't Love Me (No, No, No)" by Jamaican singer Dawn Penn. The Allman Brothers Band popularized it with their extended jam concert performances, as captured on ''At Fillmore East'' (1971). Background Willie Cobbs, an Arkansas native, moved to Chicago in 1947, where he began exploring the burgeoning blues scene centered around Maxwell Street. While in Chicago, he learned the blues harp from Little Walter and began an association with pianist Eddie B ...
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Oliver Sain
Oliver Sain Jr. (March 1, 1932 – October 28, 2003) was an American saxophonist, songwriter, bandleader, drummer and record producer, who was an important figure in the development of rhythm and blues music, notably in St Louis, Missouri. Biography He was born in Dundee, Mississippi, United States, and was the grandson of Dan Sane, the guitarist in Frank Stokes' Memphis blues act the Beale Street Sheiks. (The spelling discrepancy was the result of a birth certificate error). He played trumpet and drums as a child. In 1949, he moved to Greenville, Mississippi to join his stepfather, pianist Willie Love, as a drummer in a band fronted by Sonny Boy Williamson, soon leaving to join Howlin’ Wolf where he acted as a drummer intermittently for the following decade. After returning from the United States Army draft, serving in the Korean War, he returned to Greenville, and took up the saxophone to rejoin Love in Little Milton's backing band. Sain moved to Chicago in 1955, som ...
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Bobbin Records
Bobbin Records was an American, St. Louis-based independent record label, founded by blues musician Little Milton and KATZ-AM disc jockey Bob Lyons in 1958. The label was instrumental in exposing Milton and other local artist to wider audiences. As the head of A&R, Milton recruited Albert King, Oliver Sain, and Fontella Bass to record for Bobbin. Bobbin was eventually distributed by the Chess Records. The Bobbin catalog consists of 44 records between 1958 and 1963. The first release on the label was Milton's "I'm A Lonely Man" in 1958 which sold 60,000 copies. Altogether Milton released seven singles on the label, including two that were released after Leonard Chess bout out Lyons and signed Milton and other artists on Bobbin to his Checker Records label. In October 1961, Bobbin released Albert King's " Don't Throw Your Love on Me So Strong" which featured musician Ike Turner Izear Luster "Ike" Turner Jr. (November 5, 1931 – December 12, 2007) was an American musician, ban ...
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Rockin' Wild In Chicago
''Rockin' Wild in Chicago'' is a live album by the American blues musician Magic Sam, compiling tracks recorded in Chicago between 1963 and 1968, that was released by the Delmark label in 2021.Wirz' American Music: Magic Sam discography
Wirz.de, accessed October 31, 2019


Reception

reviewer Alex Henderson stated "the sound quality ranges from barely decent to genuinely bad (by '60s standards). But the performances themselves are generally excellent. Magic Sam was among the most exciting Chicago bluesmen of the '60s, and the singer/guitarist is downright explosive ... because the sound is as disappointing as it is, ''Rockin' Wild in Chicago'' isn't recommended to ...
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Cobra Records
Cobra Records (together with its Artistic subsidiary) was an independent record label that operated from 1956–1959. The label launched the careers of Chicago blues artists Otis Rush, Magic Sam, and Buddy Guy and "signaled the arrival of a new generation of blues artists and a new sound... to be called the West Side Sound." Cobra was started on Chicago's West Side in 1956 by Eli Toscano, a record-store- and television-repair-shop owner, with help from promoter Howard Bedno. When his previous record label, Abco Records, failed to generate much interest, Toscano approached Willie Dixon about working for Cobra. Dissatisfied with his arrangement with Chess Records, Dixon joined Cobra. There he served in many capacities, including talent scout, producer, arranger, songwriter, bassist, and became "the artistic vision behind Cobra Records." First to record for Cobra was Otis Rush. His single "I Can't Quit You Baby" became a hit, spending six weeks in the ''Billboard'' R&B chart, where ...
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Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ...
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