Big Maceo Merriweather
Major Merriweather (March 31, 1905 – February 23, 1953), better known as Big Maceo Merriweather, was an American pianist and blues singer. He was mainly active in Chicago through the 1940s. Career Born in Newnan, Georgia, he was a self-taught pianist. In the 1920s, he moved to Detroit, Michigan, to begin his music career. He moved to Chicago in 1941, where he made the acquaintance of Tampa Red. Red introduced him to Lester Melrose of RCA Victor and its subsidiary label Bluebird Records, who signed Merriweather to a recording contract. His first record was "" (1941), which became a blues [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Newnan, Georgia
Newnan is a city in Metro Atlanta and the county seat of Coweta County, Georgia, about southwest of Atlanta. Its population was 42,549 at the 2020 census, up from 33,039 in 2010. History Newnan was established as county seat of Coweta County (replacing the defunct town of Bullsboro) in 1828, and was named for North Carolinian General Daniel Newnan. It quickly became a prosperous magnet for lawyers, doctors, other professionals, and merchants. Much of Newnan's prosperity was due to its thriving cotton industry, which relied on slavery. Newnan was largely untouched by the Civil War due to its status as a hospital city (for both Union and Confederate troops), and as a result still features much antebellum architecture. Celebrated architect Kennon Perry designed many of the town's 20th-century homes. During the Atlanta Campaign, Confederate cavalry defeated Union forces at the nearby Battle of Brown's Mill. On April 23, 1899, a notorious lynching occurred after an African-A ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hit Record
A hit song, also known as a hit record, hit single or simply a hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions, or significant streaming data and commercial sales. Historically, before the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released ''The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to today's music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the UK ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Call It Stormy Monday (But Tuesday Is Just As Bad)
"Call It Stormy Monday (But Tuesday Is Just as Bad)" (commonly referred to as "Stormy Monday") is a song written and recorded by American blues electric guitar pioneer T-Bone Walker. It is a slow twelve-bar blues performed in the West Coast blues-style that features Walker's smooth, plaintive vocal and distinctive guitar work. As well as becoming a record chart hit in 1948, it inspired B.B. King and others to take up the electric guitar. "Stormy Monday" became Walker's best-known and most-recorded song. In 1961, Bobby "Blue" Bland further popularized the song with an appearance in the pop record charts. Bland introduced a new arrangement with chord substitutions, which was later used in many subsequent renditions. His version also incorrectly used the title "Stormy Monday Blues", which was copied and resulted in royalties being paid to songwriters other than Walker. The Allman Brothers Band recorded an extended version for their first live album in 1971, with additional c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Blues Hall Of Fame
The Blues Hall of Fame is a music museum located at 421 S. Main Street in Memphis, Tennessee. Initially, the "Blues Hall of Fame" was not a physical building, but a listing of people who have significantly contributed to blues music. Started in 1980 by the Blues Foundation The Blues Foundation is an American nonprofit corporation, headquartered in Memphis, Tennessee, that is affiliated with more than 175 blues organizations from various parts of the world. Founded in 1980, a 25-person board of directors governs the ..., it honors people who have performed, recorded, or documented blues. The actual building for the hall opened to the public on May 8, 2015. Inductees Performers Non Performers Literature Albums Singles/album tracks References * External linksBlues Foundation official website {{authority control Blues music awards Music halls of fame Halls of fame in Tennessee Awards established in 1980 Music museums in Tennessee Museums in Mem ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eric Clapton
Eric Patrick Clapton (born 1945) is an English rock and blues guitarist, singer, and songwriter. He is often regarded as one of the most successful and influential guitarists in rock music. Clapton ranked second in ''Rolling Stone''s list of the " 100 Greatest Guitarists of All Time" and fourth in Gibsons "Top 50 Guitarists of All Time". He was also named number five in ''Time'' magazine's list of "The 10 Best Electric Guitar Players" in 2009. After playing in a number of different local bands, Clapton joined the Yardbirds in 1963, replacing founding guitarist Top Topham. Dissatisfied with the change of the Yardbirds sound from blues rock to a more radio-friendly pop rock sound, Clapton left in 1965 to play with John Mayall & the Bluesbreakers. On leaving Mayall in 1966, after one album, he formed the power trio Cream with drummer Ginger Baker and bassist Jack Bruce, in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop". After Cream br ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Henry Gray (musician)
Henry Gray (January 19, 1925 – February 17, 2020) was an American blues piano player and singer born in Kenner, Louisiana. He played for more than seven decades and performed with many artists, including Robert Lockwood Jr., Billy Boy Arnold, Morris Pejoe, the Rolling Stones, Muddy Waters, and Howlin' Wolf. He has more than 58 albums to his credit, including recordings for Chess Records. He is credited as helping to create the distinctive sound of the Chicago blues piano. In 2017, Gray was inducted in to the Blues Hall of Fame. Early life and education Shortly after he was born, Gray, an only child, moved with his parents to a farm in Alsen, Louisiana, a few miles north of Baton Rouge, where he lived during his childhood. He began studying the piano at the age of eight, taking lessons from a neighborhood woman, Mrs. White. Gray also credits the radio and music records in his home for inspiring his love of music at an early age. A few years later, he began playing piano ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Little Johnny Jones (pianist)
Little Johnny Jones (born Johnnie Jones; November 1, 1924November 19, 1964) was an American Chicago blues pianist and singer, best known for his work with Tampa Red, Muddy Waters, and Elmore James. Life and career Jones was born in Jackson, Mississippi, United States, in 1924, and was a cousin of Otis Spann. He arrived in Chicago in 1945 in the company of Little Walter and "Baby Face" Leroy Foster and soon replaced pianist Big Maceo Merriweather in Tampa Red's band after Merriweather suffered a stroke paralysing his right hand. Like several other Chicago pianists of his era, his style was heavily influenced by Merriweather, from whom he had learnedRowe, p. 201. and for whom he played piano after Merriweather's stroke. Jones later backed Muddy Waters on harmonica and recorded a session (on piano and vocals) with him for Aristocrat Records in 1949. He also played on ten sessions with Tampa Red for the Victor label between 1949 and 1953. From 1952 to 1956, he played and recorded ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Albert Ammons
Albert Clifton Ammons (March 1, 1907 – December 2, 1949) was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s. Life and career Ammons was born in Chicago, Illinois. His parents were pianists, and he had learned to play by the age of ten. His interest in boogie-woogie is attributed to his close friendship with Meade Lux Lewis and also his father's interest in the style. Both Albert and Meade would practice together on the piano in the Ammons household. From the age of ten, Ammons learned about chords by marking the depressed keys on the family pianola (player piano) with a pencil and repeated the process until he had mastered it. He also played percussion in a drum and bugle corps as a teenager and was soon performing with bands in clubs in Chicago. After World War I he became interested in the blues, learning by listening to the Chicago pianists Hersal Thomas and the brothers Alonzo and Jimmy Yancey. In the early to mi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Meade Lux Lewis
Anderson Meade Lewis (September 4, 1905 – June 7, 1964), known as Meade Lux Lewis, was an American pianist and composer, remembered for his playing in the boogie-woogie style. His best-known work, "Honky Tonk Train Blues", has been recorded by many artists. Biography Anderson Meade Lewis was born in Chicago, though some sources state Louisville, Kentucky, on September 4, 1905 (September 3 and 13 have also been cited as his date of birth in sources). In his youth he was influenced by the pianist Jimmy Yancey. His father, a guitarist who made two recordings of his own, introduced Meade to music and arranged for him to have violin lessons. He gave up the violin at age 16, shortly after his father's death, and switched to the piano. The nickname "Lux" was given to him by his boyhood friends. He would imitate a couple of characters from a popular comic strip in Chicago, ''Alphonse and Gaston'', and stroke an imaginary beard as part of the routine. His friends started calling him th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Boogie-woogie
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from piano, to piano duo and trio, guitar, big band, country and western music, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly associated with dancing (although not the competitive dance known as boogie-woogie, a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll. Musical features Boogie-woogie is characterized by a regular left-hand bass figure, which is transposed following the chord changes. : : Boogie-woogie is not strictly a solo piano style; it can accompany singers and be featured in orchestras and small combos. It is sometimes called ''"eight to the bar"'', as much of it is written in common time () time using eighth notes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roosevelt Sykes
Roosevelt Sykes (January 31, 1906July 17, 1983) was an American blues musician, also known as "the Honeydripper". Career Sykes was born the son of a musician in Elmar, Arkansas. "Just a little old sawmill town", Sykes said of his birthplace. The Sykes family was living in St. Louis by 1909. Sykes often visited his grandfather's farm near West Helena. He began playing the church organ around the age of ten. "Every summer I would go down to Helena to visit my grandfather on his farm," he told biographer Valerie Wilmer. "He was a preacher and he had an organ I used to practice on, trying to learn how to play. I always liked the sound of the blues, liked to hear people singing, and since I was singing first, I was trying to play like I sang." Sykes was baptized at 13 years old, his lifelong beliefs never conflicting with playing the blues. At age 15, he went on the road playing piano in a barrelhouse style of blues. Like many bluesmen of his time, he traveled around playing to all-mal ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Leroy Carr
Leroy Carr (March 27, 1904 or 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Music historian Elijah Wald has called him "the most influential male blues singer and songwriter of the first half of the 20th century". He first became famous for "How Long, How Long Blues", his debut recording released by Vocalion Records in 1928. Life and career Leroy Carr was born in Nashville, Tennessee on March 27, 1904 or 1905, and was raised in Indianapolis, Indiana. Carr was a self-taught piano player. After dropping out of high school, Carr travelled with a circus, and in the early 1920s served in the U.S. Army. Carr returned to Indianapolis and worked in a meat-packing plant. He was married in 1922. Carr worked as a bootlegger during prohibition, and became a known musician at parties. Carr had a longtime partnership with th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |