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Big Joe (reggae)
Big Joe (born Joseph Spalding; 1955) is a Jamaican reggae deejay and record producer, who recorded extensively in the 1970s and early 1980s. Biography Spalding was born in Kingston, Jamaica in 1955, and began his recording career in the early 1970s working with producer Harry Mudie.Larkin, Colin (1998) ''The Virgin Encyclopedia of Reggae'', Virgin Books, , p.24-25Moskowitz, David V. (2006) ''Caribbean Music: an Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall'', Greenwood Press, , p.29 He then worked with producer Winston Edwards and had a hit single with "Selassie Skank". He moved on to record for Coxsone Dodd at Studio One and set up his own ''Small Axe Hi Fi'' sound system and a record label. In the 2000s Spalding had success as a hip hop producer and recording engineer. Discography *''Keep Rocking And Swinging'' (1976) Celluloid *''At The Control'' (1978) Live & Love *''African Princess'' (1978) Thompson Sound/Trojan Trojan or Trojans may refer to: * Of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingston, Jamaica
Kingston is the capital and largest city of Jamaica, located on the southeastern coast of the island. It faces a natural harbour protected by the Palisadoes, a long sand spit which connects the town of Port Royal and the Norman Manley International Airport to the rest of the island. In the Americas, Kingston is the largest predominantly English-speaking city in the Caribbean. The local government bodies of the parishes of Kingston and Saint Andrew were amalgamated by the Kingston and St. Andrew Corporation Act of 1923, to form the Kingston and St. Andrew Corporation (KSAC). Greater Kingston, or the "Corporate Area" refers to those areas under the KSAC; however, it does not solely refer to Kingston Parish, which only consists of the old downtown and Port Royal. Kingston Parish had a population of 89,057, and St. Andrew Parish had a population of 573,369 in 2011 Kingston is only bordered by Saint Andrew to the east, west and north. The geographical border for the parish of K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamaica
Jamaica (; ) is an island country situated in the Caribbean Sea. Spanning in area, it is the third-largest island of the Greater Antilles and the Caribbean (after Cuba and Hispaniola). Jamaica lies about south of Cuba, and west of Hispaniola (the island containing the countries of Haiti and the Dominican Republic); the British Overseas Territory of the Cayman Islands lies some to the north-west. Originally inhabited by the indigenous Taíno peoples, the island came under Spanish rule following the arrival of Christopher Columbus in 1494. Many of the indigenous people either were killed or died of diseases, after which the Spanish brought large numbers of African slaves to Jamaica as labourers. The island remained a possession of Spain until 1655, when England (later Great Britain) conquered it, renaming it ''Jamaica''. Under British colonial rule Jamaica became a leading sugar exporter, with a plantation economy dependent on the African slaves and later their des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deejay (Jamaican)
Toasting (rap in other parts of the Anglo Caribbean), or deejaying is the act of talking or chanting, usually in a monotone melody, over a rhythm or beat by a reggae deejay. It can either be improvised or pre-written. Toasting developed in the United States and carried its form to the music of Jamaica, such as ska, reggae, dancehall, and dub. It also exists in grime music and is traditionally in hip hop. Toasting is also often used in soca and bouyon music. The African American oral tradition of toasting, a mix of talking and chanting, influenced the development of MCing in US hip hop music and in Jamaican toasting. The combination of singing and toasting is known as singjaying. In the late 1950s in Jamaica, deejay toasting was sedby Count Matchuki. He conceived the idea from listening to disc jockeys on American radio stations. He would do African American jive over the music while selecting and playing R&B music. Deejays like Count Machuki working for producers woul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Mudie
Harry A. Mudie (born 1940 in Spanish Town, Jamaica) is a Jamaican record producer.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 315 Biography Harry Mudie attended the St Jago High School.Larkin, Colin (1998) ''The Virgin Encyclopedia of Reggae'', Virgin Books, , p. 204-5 In the mid fifties, he launched his own sound system "Mudies Hi-Fi", before going to the UK to study electronics and photography. Back in Jamaica in the late 1950s, Mudie began producing, mainly Jamaican R&B records;Barrow, Steve & Dalton, Peter (2004) ''The Rough Guide to Reggae'', Rough Guides, , p.100 His first production was "Babylon Gone" (1962) by rasta drummer Count Ossie and saxophonist Wilton Gaynair, released in the UK in 1962 on Blue Beat. He moved away from production in the 1960s, operating his Scaramouch Garden Amusement Center in Spanishtown, opened in 1962. He returned to production in the late 1960s, launching his Moodisc label and working with artists such as De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coxsone Dodd
Clement Seymour "Coxsone" Dodd (26 January 1932 – 4 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond. He was nicknamed "Coxsone" at school due to his talent as a cricketer (his friends compared him to Alec Coxon, a member of the 1940s Yorkshire County Cricket Club team). Biography The Kingston-born Dodd used to play records to the customers in his parents' shop. During a spell in the American South he became familiar with the rhythm and blues music popular there at the time. In 1954, back in Jamaica, he set up the Downbeat Sound System, being the owner of an amplifier, a turntable, and some US records, which he would import from New Orleans and Miami. With the success of his sound system, and in a competitive environment, Dodd would make trips through the US looking for new tunes to attract the Jamaican public. While he did, his mother Doris Darlington would run the sound system and play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio One (record Label)
Studio One is one of Jamaica's most renowned record labels and recording studios; it has been described as the Motown of Jamaica. The record label was involved with most of the major music movements in Jamaica during the 1960s and 1970s, including ska, rocksteady, reggae, dub and dancehall. History Studio One was founded by Clement "Coxsone" Dodd in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston. Amongst its earliest records were "Easy Snappin" by Theophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond. Dodd had previously issued music on a series of other labels, including World Disc, and had run Sir Coxsone the Downbeat, one of the largest and most reputable sound systems in the Kingston ghettos. In the early 1960s, the house band providing backing for the vocalists were the Skatalites (1964–65), whose members (including Roland Alphonso, Don Drummond, Tommy McCook, Jackie Mittoo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound System (Jamaican)
In Jamaican popular culture, a sound system is a group of disc jockeys, engineers and MCs playing ska, rocksteady or reggae music. The sound system is an important part of Jamaican culture and history. History The sound system concept first became popular in the 1940s, in the parish of Kingston. DJs would load up a truck with a generator, turntables, and huge speakers and set up street parties. Tom the Great Sebastian, founded by Chinese-Jamaican businessman Tom Wong, was the first commercially successful sound system and influenced many sound systems that came later. Gooden 2012 In the beginning, the DJs played American rhythm and blues music, but as time progressed and more local music was created, the sound migrated to a local flavour. The sound system remained successful when the conservative, BBC-modeled Jamaican establishment radio refused to play the people's music, while DJs could play whatever they wanted and favored local sounds such as reggae. The sound systems w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trojan Records
Trojan Records is a British record label founded in 1968. It specialises in ska, rocksteady, reggae and dub music. The label currently operates under the Sanctuary Records Group. The name ''Trojan'' comes from the Croydon-built Trojan truck that was used as Duke Reid's sound system in Jamaica. The truck had "Duke Reid - The Trojan King of Sounds" painted on the sides, and the music played by Reid became known as the ''Trojan Sound''. The label had almost 30 hit singles in the UK Singles Chart between 1969 and 1976. History Trojan Records was founded in 1968 when Lee Gopthal, who operated the Musicland record retail chain and owned Beat & Commercial Records, pooled his Jamaican music interests with those of Chris Blackwell’s Island Records. Until 1975, they were based at a warehouse in Neasden Lane, Willesden, London. Trojan was instrumental in introducing reggae to a global audience and, by 1970, had secured a series of major UK chart hits. Successful Trojan artists fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
