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Bhekumuzi Luthuli
Bhekumuzi Luthuli (13 July 1961 - 7 April 2010) was a well known South African ''Maskandi'' musician. Born in Kwa-Maphumulo, near the Kwa-Zulu Natal town of Stanger, he started making traditional Zulu music on a home-made guitar. In the early 1980s, he joined the ''Mbaqanga'' band Oshimi, based in Durban. After two albums with the group, Luthuli embarked on a successful solo career. His second and third solo releases, ''Unembeza'' and ''Wongikhonzela Enhliziyweni'', won OKTV awards, and were followed by another 17 albums. ''Impempe'' attained platinum status, selling over 50,000 copies. After 23 albums with over a million sale he released ''Imali YabeLungu'' in 2010. It reached gold status in just one week and the title track won a SATMA 2011 award in the category of best song. Discography studio albums * ''Uzoyidel' Inkani'' (1988) * ''Wongikhonzela Enhliziyweni'' (1989) * ''Ngizokwala Uzokhala'' (1990) * ''Unembeza'' (1991) * ''Ngizokwala Uzokhala'' (1992) * ''Ubuyile'' (1 ...
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Stanger
KwaDukuza is a municipality in KwaZulu-Natal, South Africa. In 2006, the municipal name was changed to KwaDukuza (which incorporates small towns such as Stanger, Balito, Shaka's Kraal, but the Zulu people in the area called it "Dukuza" well before then. The city has been under major economical construction since 2015, having built a multi-million rand regional shopping mall in 2018. History The city was founded about 1820 by King Shaka and was named KwaDukuza ( zu, Place of the Lost Person) because of the capital's labyrinth of huts. After Shaka was assassinated on 22 September 1828 during a coup by two of his half-brothers, Dingane and Umthlangana (Mhlangane), the city was burnt to the ground. In 1873, European settlers built a town on the site, naming it Stanger after William Stanger, the surveyor-general of Natal. KwaDukuza became a municipality in 1949 under the name Stanger and is the commercial, magisterial and railway center of an important sugar-producing district. A ...
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Maskanda Musicians
Maskandi is a form of Zulu folk music, originally associated with migrant workers, that is evolving with South African society. Often characterised by a picking guitar style which draws on a variety of historical influences it also has an important social function with players being given sanction to publicly criticise powerful people. Origins The music originated in "female gourd-resonated monochord songs that were transferred and given an acoustic life on guitar". The roots of what it today called maskandi have been traced back to non-guitar based forms of music in the 1920s, with the shift to guitar beginning in Rhodesia in the 1930s with a group of musicians inspired by the music in Western films. Gender It has been described it as "The music played by the man on the move, the modern minstrel, today’s troubadour. It is the music of the man walking the long miles to court a bride, or to meet with his Chief; a means of transport. It is the music of the man who sings of h ...
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Thokozani Langa
Thokozani Langa (born 9 February 1972) is a ''Maskandi'' musician from Mahlabathini, Kwa-Zulu Natal, South Africa. Langa signed with Bula Music in 2004 to release his third studio album '' I-Protection Order'' (2011). After receiving exposure on national radio and the traditional South African music program Ezodumo, he was nominated for SAMA for both his albums ''Ipeni Nephepha'' (2005) and ''Lishonil' Ilanga'' (2006), in the category of Best Maskandi Album and Best Mbaqanga Album respectively, alongside The Soul Brothers and Bhekumuzi Luthuli. Langa was engaged for some time in a musical rivalry with fellow Maskandi singer Bhekumuzi Luthuli. The dispute is the subject of Langa's album entitled ''Phuma Kimi'', released in 2007, which won the SATMA award for Best Male Artist in September that year. In 2020, he won Best Maskandi Album award at the SAMA Sama or SAMA may refer to: Places * Sama, Burkina Faso, a town in the Kouka Department, Banwa Province, Burkina Faso * Sama, ...
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South African Music Awards
The South African Music Awards (often simply the SAMAs) are the Recording Industry of South Africa's music industry awards, established in 1995. The ceremony is held annually, usually in late April or May, with the judging process starting in November of the previous year. The nominations are typically announced at the end of March. The winners receive a gold-plated statuette called a SAMA. The show has mostly been held at the Super Bowl in Sun City, with the exception of three years, and broadcast live on national broadcaster, SABC. The ceremony features live performances as once-off collaborations by a selection of nominees. Awards As of the 26th SAMAs, in 2020, there are a total of thirty categories awarded. These categories change from year to year to accommodate changes in music styles and changes in popularity of already existing genres. These genres include adult contemporary, Afrikaans, classical, dance, faith, jazz, Kwaito, Maskandi, pop, rap, reggae, RnB, rock, ...
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Mbaqanga
Mbaqanga () is a style of South African music with rural Zulu music, Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s. History Historically, laws such as the Natives' Land Act, Land Act of 1913 to the Group Areas Act (1950) initially prevented black South Africans from integrating from different tribal communities, consequently making it almost impossible for most black native music artists to gain recognition beyond their tribal boundaries. The music genre mbaqanga developed during this time (1960s) and to this day most of the major record labels are white-owned companies with very few black artists that have contributed to their own material. In Zulu, the term ''mbaqanga'' means an everyday cornmeal porridge. ''Mbaqanga'' aficionados were mostly plebeian, metropolitan African jazz enthusiasts. Many of them were not permitted to establish themselves in the city, but they were unable to sustain themselves in the rural cou ...
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Zulu Music
The Zulu people are a South African ethnic group. Many Zulu musicians have become a major part of South African music, creating a huge influence in the music industry. A number of Zulu-folk derived styles have become well known across South Africa and abroad. Zulu music has dominated many genres in South Africa, especially House music, Folk music, Acapella, Choral music and gospel. In fact, some of the most popular songs from South Africa are in Zulu. Kwaito Kwaito is a music genre that emerged in Johannesburg, South Africa, during the 1990s. It is a variant of house music featuring the use of African sounds and samples. Typically at a slower tempo range than other styles of house music, Kwaito often contains catchy melodic and percussive loop samples, deep bass lines, and vocals. Despite its similarities to hip hop music, Kwaito has a distinctive manner in which the lyrics are sung, rapped and shouted. American producer Diplo has described Kwaito as "slowed-down garage music," mo ...
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Kwa-Zulu Natal
KwaZulu-Natal (, also referred to as KZN and known as "the garden province") is a province of South Africa that was created in 1994 when the Zulu bantustan of KwaZulu ("Place of the Zulu" in Zulu) and Natal Province were merged. It is located in the southeast of the country, with a long shoreline on the Indian Ocean and sharing borders with three other provinces and the countries of Mozambique, Eswatini and Lesotho. Its capital is Pietermaritzburg, and its largest city is Durban. It is the second-most populous province in South Africa, with slightly fewer residents than Gauteng. Two areas in KwaZulu-Natal have been declared UNESCO World Heritage Sites: the iSimangaliso Wetland Park and the uKhahlamba Drakensberg Park. These areas are extremely scenic as well as important to the surrounding ecosystems. During the 1830s and early 1840s, the northern part of what is now KwaZulu-Natal was established as the Zulu Kingdom while the southern part was, briefly, the Boer Natalia Repu ...
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Maskandi
Maskandi is a form of Zulu folk music, originally associated with migrant workers, that is evolving with South African society. Often characterised by a picking guitar style which draws on a variety of historical influences it also has an important social function with players being given sanction to publicly criticise powerful people. Origins The music originated in "female gourd-resonated monochord songs that were transferred and given an acoustic life on guitar". The roots of what it today called maskandi have been traced back to non-guitar based forms of music in the 1920s, with the shift to guitar beginning in Rhodesia in the 1930s with a group of musicians inspired by the music in Western films. Gender It has been described it as "The music played by the man on the move, the modern minstrel, today’s troubadour. It is the music of the man walking the long miles to court a bride, or to meet with his Chief; a means of transport. It is the music of the man who sings of h ...
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