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Bharata Lila
Bharata Lila is an Indian performing theater form of Ganjam district of Odisha. The plot is based on characters of the Mahabharata, thus the name of the form. Because of the importance of a central character ''Duari,'' Arjuna's sentry, it is also called ''Duari Nata'' or ''Duari Llla''. The focal point of the plot is the story of Arjuna & Subhadra's romance, which is why it is also known as ''Subhadra Harana''. Apart from Ganjam, it is also performed in some parts in western Odisha. The play is known for its effective use of humour within the traditional storyline. A regular performance of Bharata Lila in the 21st century goes on for about 10–12 hours. In the last century performances used to last for a couple of days at a stretch. The ''badi'' is a performance method in Odisha's traditional artforms where opponents compete with each other. In urban settings, Bharata Lila performances are regularly condensed to just 2–3 hours owing to lack of time. The plot is based on Odi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odia Literature
Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwoards from Desaja, English, Hindustani (Hindi/Urdu), Persian, and Arabic. Its earliest written texts date from around 1000 CE. The earliest Odia newspaper was '' Utkala Deepika'', first published on August 4, 1866. Historians have divided Odia literature into five main stages: Old Odia (800 AD to 1300 AD), Early Medieval Odia (1300 AD to 1500 AD), Medieval Odia (1500 AD to 1700 AD), Late Medieval Odia (1700 AD to 1850 AD) and Modern Odia (1870 AD to present). Further subdivisions, as seen below, more precisely chart the language's development. 4th century BC The creativity and development of the Odia language and literature can be seen in its spoken forms, such as folk tales, and in written forms, such as rock edicts and manuscripts. Songs sung to m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mardala
Mardala () is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music. The instrument is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique. The Mardala is used in a wide range of traditional art forms of Odisha, including Gotipua, Mahari, Odissi dance, Bhagabata Tungi, Sakhi Nata, Prahallada Nataka, Ramalila, Krusnalila, Rama Nataka, Sahi Jata, Medha Nacha, Bharata Lila, Bhutakeli Nata, Odisi Kirtana and more. History Odishan musicologists in ancient treatises have mentioned four distinct kinds of instruments or ''vadyas'' : ''tat'' or stringed instruments, ''susira'' or wind instruments, ''anaddha'' or leather instruments / drums & finally ''ghana'' or metallic instruments. Out of these four, the Mardala falls under the category of ''anaddha vadya''s or drums. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gopalakrusna Pattanayaka
Gopalakrusna Pattanayaka (1784–1862) (Alternatively spelled Gopalakrishna, Pattnaik; ) was an Odia poet & composer of Odissi music. His Odissi songs in various traditional ragas and talas are widely sung across the state, as well as other allied traditional artforms of Odisha, such as ''pala''. The 20th-century Odissi musician, vocalist & binākara Apanna Panigrahi, also from the poet's hometown, was well-known for his renditions of Gopalakrusna's lyrics. Some of the most iconic Odissi songs, such as ''Syamaku Juhara Tara Premaku Juhara Ma'', ''Jala Ani Jai Kali Kalindasutaku'', ''Sangini Re Rasarangini Re'', ''Kadamba Bane Bansi Bajila Re'', ''Uthilu Ede Begi Kahinkire, Ki Nadare Prana Sangini'', ''Manasija Mana Mohana'' are creations of Gopalakrusna. Many of his songs are popular ''abhinaya'' items in Odissi dance. Born in 1784 in a ''karana'' family of Paralakhemundi, Gopalakrusna's father Banabasi Pattanayaka was in the service of the Gajapati kings of the powerful princely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baladeba Ratha
''Kabisurjya'' Baladeba Ratha (alternatively spelled ''Kabisurya, Kavisurya Baladev Rath,'' ; c. 1789 – 1845) was an Indian poet who wrote in the Odia language, and a composer and musician of Odissi music, most known as poet-composer of the ''Champu''. Kabisurjya has composed hundreds of songs in the tradition of Odissi music, employing unique traditional ragas & talas. His magnum opus ''Kisorachandrananda Champu'' is a cornerstone of the Odissi music repertoire & Kabisurjya is widely renowned for his masterful compositions. He wrote in both Sanskrit and Odia. His works are known for their devotional quotient and he is the credited founder of the Dhumpa Sangita tradition. Early life He was born in Bada Khemundi ''(presently Digapahandi)'', Ganjam, Odisha. Baladeva Ratha's mother died when he was ten years old. He was brought up by his maternal grand father, Tripurari Hota in Athagada (who also taught him Sanskrit and Odia literature). He married at the age of 15. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upendra Bhanja
''Kabi Samrata'' Upendra Bhanja () was a 17th-century Odia poet-composer of classical Odissi music.Mansingha, Mayadhar: ''History of Oriya Literature'': Publisher, Sahitya Akademi, Delhi He is most known for his Odissi songs and kabyas written in the Odia language, primarily ''Baidehisa Bilasa, Labanyabati'' & ''Koti Brahmanda Sundari''. He was born during 1670 (opinions differ between 1670 and 1688) at Kulagarh now known as Kulada , a princely state in Bhanjanagar, 80 km from the Silk City Berhampur Of south Odisha and died during 1740 (again opinions vary). His first wife was the sister of the king of Nayagarh and the daughter of the king of Banapur was his second wife, who was an erudite princess and gave Upendra Bhanja poetical inspiration in an abundant measure. His grandfather King Dhananjaya Bhanja was a great poet and wrote ''Raghunatha Bilasa'' (The Ramayana), Ratna Manjari (a poetical romance) etc., which provided models to the prince for writing. But unlike his grand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinakrushna Dasa
Dinakrushna Dasa (1650–1710) was an Odia poet, belonging to the Vaishnava tradition of Bhakti movement. He is known for his Odia poem titled "Rasakallola", which is devoted to Lord Krishna. Among his many literary compositions, "Artatrana Chautisa" is a reputed one. Dinakrusna's '' Rasakallola'' and his standalone compositions including " chaupadi", " prabhati", " janana", " chautisa", "bhajana", and " malasri" are central to the repertoire of Odissi music, the traditional classical music of the state. Biography Born at Munutunia in Balasore district. Famous for his book ‘Rasakallola’, which describe the Divine Leela of Radha and Krishna and to be a staunch devotee of Lord Jagannath at Puri. Dinakrushna Dasa is an outstanding Odia Odia, also spelled Oriya or Odiya, may refer to: * Odia people in Odisha, India * Odia language, an Indian language, belonging to the Indo-Aryan branch of the Indo-European language family * Odia alphabet, a writing system used for the Odi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarala Das
Sarala Dasa (born as Siddheswara Parida) was a 15th-century poet and scholar of Odia literature. Best known for three Odia books — ''Mahabharata'', '' Vilanka Ramayana'' and ''Chandi Purana'' — he was the first scholar to write in Odia and his revered as the ''Adi Kabi'' (First Poet) of Odia literature. As an originator of Odia literature, his work has formed an enduring source of information for succeeding generations. Life The early life of Sarala Dasa is not accurately known. He was a contemporary of the Gajapati King Kapilendra Dev. Though the date of his birth cannot be accurately determined, he can safely be placed to the 15th century AD. He was born at a village called ''kanakavati patana'' known as Kanakapura at the Tentuliapada, Jagatsinghpur district. Sarala Dasa had no organized early education, and what he achieved through self-education was attributed to the grace of Sarala, goddess of devotion and inspiration. Though his early name was Siddheswara Parida, he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi Music
music () is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic ''sangita-shastra''s or treatises, unique Ragas & Talas and a distinctive style of rendition. The various aspects of Odissi music include ''odissi prabandha, chaupadi, chhānda, champu, chautisa, janāna, mālasri, bhajana, sarimāna, jhulā, kuduka, koili, poi, boli,'' and more. Presentation dynamics are roughly classified into four: ''raganga'', ''bhabanga, natyanga'' and ''dhrubapadanga''. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, Balarama Dasa, ''Atibadi'' Jagannatha Dasa, Dinakrusna Dasa, ''Kabi Samrata'' Upendra Bhanja, Banamali Dasa, ''Kabisurjya'' Baladeba Ratha and ''Kabikalahansa'' Gopalakrusna Pattanayaka. According to Bharata Muni's '' Natya Shastra'', Indian classical music has four significan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odia Culture
Odisha (formerly Orissa) is one of the 28 states of India, located in the eastern coast. It is surrounded by the states of West Bengal to the north-east, Jharkhand to the north, Chhattisgarh to the west and north-west, Andhra Pradesh to the south and south-west. Odia (formerly known as ''Oriya'') is the official and most widely spoken language, spoken by 33.2 million according to the 2001 Census. The modern state of Odisha was established on 1 April 1936, as a province in British India, and consisted predominantly of Odia-speaking regions. April 1 is celebrated as Odisha Day. Visual arts Other cultural attractions include the Jagannatha Temple in Puri, known for its annual Rath Yatra or ''Chariot, tala Chitra'' (palm leaf engravings), the famous stone utensils of Nilgiri (Balasore) and various tribal-influenced cultures. The Sun Temple at Konark is famous for its architectural splendour while the Sambalpuri textiles equal it in artistic grandeur. Sand sculpture is practiced on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Character (arts)
In fiction, a character (or speaker, in poetry) is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word , the English word dates from the Restoration, although it became widely used after its appearance in '' Tom Jones'' by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed.Harrison (1998, 51-2) quotation: (Before this development, the term ''dramatis personae'', naturalized in English from Latin and meaning "masks of the drama," encapsulated the notion of characters from the literal aspect of masks.) Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helpi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
