''Kabi Samrata'' Upendra Bhanja () was a 17th-century
Odia poet-composer of classical
Odissi music
music () is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic ''sangita-shas ...
.
[Mansingha, Mayadhar: ''History of Oriya Literature'': Publisher, Sahitya Akademi, Delhi] He is most known for his Odissi songs and kabyas written in the Odia language, primarily ''Baidehisa Bilasa, Labanyabati'' & ''Koti Brahmanda Sundari''.
He was born during 1670 (opinions differ between 1670 and 1688) at Kulagarh now known as Kulada , a princely state in
Bhanjanagar, 80 km from the Silk City Berhampur Of south Odisha and died during 1740 (again opinions vary).
His first wife was the sister of the king of
Nayagarh
Nayagarh is both a town and the municipality headquarters of the Nayagarh district in the Indian state of Odisha.
Geography
Nayagarh is located at with an average elevation of 178 metres (584 feet).
It was the Rukhi mountain to the south ...
and the daughter of the king of
Banapur was his second wife, who was an erudite princess and gave Upendra Bhanja poetical inspiration in an abundant measure. His grandfather King Dhananjaya Bhanja was a great poet and wrote ''Raghunatha Bilasa'' (The Ramayana), Ratna Manjari (a poetical romance) etc., which provided models to the prince for writing. But unlike his grandfather, he preferred his entire life to poetry rather than to ruling over a kingdom. He had a thorough training in Sanskrit classical literature and mastered Sanskrit dictionaries such as
Amara Kosha,
Trikanda Kosha and
Medini Kosha. He even wrote a dictionary ''Geetabhidhana'' in Odia for helping poets. The town of
Bhanjanagar near Silk City Berhampur is named after him. The music of Upendra Bhanja is central to
Odissi music
music () is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic ''sangita-shas ...
, the traditional classical music of the state of Odisha and Bhanja is widely respected as one of the greatest Odissi composers of all time.
Kabyas
Upendra Bhanja wrote some 52 books of which only 22 are available now. Due to the absence of a printing press, many of the hand-copied books have been lost. Some of his eminent kabyas are Baidehisha Bilasa (with "Ba" initial for each line), Rasalila, Brajaleela, Subhadra Parinaya(with "Sa" initial for every line), Labanyabati, Premasudhanidhi, Rasika Harabali, Subhadra Parinaya and Chitrakabya Bandodhya, Labanyabati, Koti Brahmanda Sundari, Kala Koutuka (with "Ka" initial for every line), Satisha Bilasa" (with initial 'Sa' initial every line), "Damayanti Bilasa" (with 'Da' initial each line) and "Padmabati Parinaya" (starts with 'Pa') etc.
The first published work of Upendra Bhanja is "Rasapanchaka". The first dictionary "Gita Abidhan" was written by Upendra Bhanja in
Odia literature
Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwoards from Desaj ...
. 'Kabi Samrata' was not the first title of Upendra Bhanja. He was rather entitled as "Birabara" as written by Bhanja himself in his kabyas.
The epithet ''Kabi Samrata'' is found only in the early part of 19th century in a book written by Mahendra Patnaik. Upendra Bhanja contributed 32,300 words to
Odia language
Odia (, ISO: , ; formerly rendered Oriya ) is an Indo-Aryan language spoken in the Indian state of Odisha. It is the official language in Odisha (formerly rendered Orissa), where native speakers make up 82% of the population, and it is also ...
and literature.The obscurity of this incomparable poet of
Odia literature
Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwoards from Desaj ...
, may be attributed to the lack of proper research. Plot and character in Bhanja literature plays negligible role but imaginary ornamental expression by way of literary techniques of the classical Indian literature dominates with magnetic, lovable, intellectual manner.
So, study of Upendra Bhanja requires high academic pursuits as well as sensible appreciation of art and literary value of the reader along with wide study range in the field of classical Indian literature and appreciable order of morality and spiritual thought. So for Upendra Bhanja, plot and character are not important but momentous feeling influences the character as well as the plot in the structural poetic forms and techniques with explosive reason and emotion in a way of synthetic, stylistic approach in almost all aspects of his expression through
Odia language
Odia (, ISO: , ; formerly rendered Oriya ) is an Indo-Aryan language spoken in the Indian state of Odisha. It is the official language in Odisha (formerly rendered Orissa), where native speakers make up 82% of the population, and it is also ...
, literature, culture, socio-cultural behaviour, with high moral order and thoughts of superior human being.
On the other hand, his writings are being popularised by the commoners because of sensible, emotional touch with sympathetic unusual feelings of the human kind in the context of aesthetic sense and sensibility along with love and lovability of the mankind as experienced through the ages of time together.Strangely, without any deep appreciation of human value and literary appreciation with standard principles of study literature as prescribed in the research methodology and literary criticism with reference to classical Indian poetics, the poet Upendra Bhanja is being misunderstood by some pseudo critics/scholars and writers with biased opinions and unscrupulous baseless manners.
The first Ph.D thesis on Bhanja was submitted by Dr. Satyanarayan Acharya, the First Researcher on Upendra Bhanja, in the year 1978 under UGC sponsorship. Consequently, in the year 1988 Dr. Abhimanyu Baral submitted the thesis "Odia reetikabya paramparare Baidehisha Bilasa" to
Utkal University,
Bhubaneswar
Bhubaneswar (; ) is the capital and largest city of the Indian state of Odisha. The region, especially the old town, was historically often depicted as ''Ekamra Kshetra'' (area (''kshetra'') adorned with mango trees (''ekamra'')). Bhubaneswar is ...
.
Music
The works of Upendra Bhanja are based on
Odissi classical music. He uses ragas and talas unique to the Odissi tradition and has thereby enriched the repertoire. His compositions are well-known across the state of Odisha and are frequently employed in
Odissi dance
Odissi (), also referred to as Orissi in old literature, is a major ancient Indian classical dance that originated in the Hindu temple, temples of Odisha – an eastern coastal state of India.[Gotipua
Gotipua is a traditional dance form in the state of Odisha, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. The dance is execu ...]
, Sakhi Nata,
Prahallada Nataka
''Prahallada Nataka'' ( or, ପ୍ରହଲ୍ଲାଦ ନାଟକ ''Prahallāda Nāṭaka'', or simply ''Rajā Nāṭa)'' is a traditional play native to the Indian state of Odisha. It narrates the story of Vishnu's man-lion avatar, Nrusingha ...
, Radha Prema Lila and other allied artforms. Some of the ragas frequently used by Bhanja are : ''Bangalasri, Baradi, Basanta, Basanta Baradi, Bibhasa Gujjari, Chinta Bhairaba, Ghantaraba, Kalahansa Kedara, Kali, Kamodi, Khanda Kamodi, Kousika, Kumbha Kamodi, Malaba, Mangala Baradi, Mangala Gujjari, Natanarayana, Nalinigouda, Pahadia Kedara, Panchama Baradi, Pattaha Manjari (Pattamanjari), Rajabije (Ranabije), Ramakeri, Sankarabharana, Soka Kamodi'' among others.
Bhanja belonged to a family that was rooted in literature and music of the times, and his grandfather Dhananjaya Bhanja was an eminent composer of Odissi songs and the writer of a Ramayana ''kabya''.
Style
Upendra Bhanjawrote in the last decade of seventeenth and the early decades of eighteenth century and championed a style of poetry called 'Reeti' and 'Deena' in Sanskrit poetics. Though many poets in the seventeenth and eighteenth centaurs write in reeti style, Upendra Bhanja is decided by the greatest of them all. Whether it is shringara, viraha, bhakti or karuna rasa, Upendra Bhanja is the poet of unsurpassed rhetorical excellence. We may venture to say that, apart from Sanskrit, no other language has a poet to compare with him. Upendra Bhanja had practiced his great poetic talents in using "upama","alankara", "rasas"in all his kabyas.
The greatness of Upendra Bhanja was in his "Alankara" use such as: Anuprasa, Jamak, etc. The style of presenting facts with comparable factors (upama) is very distinguishable in his
“Baidehisha Bilasa” is the pioneer work of Upendra Bhanja as declared by the poet."Rasika Harabali" was written on the basis of his own experience at the early part of his young life.His contemporary poet of Bhakta Kabi, Dina Krushna Das as described in his work “Kala Koutuka”. The socio-cultural way of contemporary Odias are vividly described in his literature .Upendra Bhanja is not only eminent poet of
Odisha
Odisha (English: , ), formerly Orissa ( the official name until 2011), is an Indian state located in Eastern India. It is the 8th largest state by area, and the 11th largest by population. The state has the third largest population of ...
but also his writings will be explained through all classical contemporary music systems of
India
India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the so ...
Controversy
Upendra Bhanja had a poetic excellence and he has written all his Kabyas as the rules of Alankarshastra of that time, but his kabyas have made some critiques irritated for the sexuality he used in his imagery descriptions. During the beginning of modern period or age of
Radhanath, Upendra Bhanja was criticised by some modernist for the obscenity in his kabyas.
There was a war of words between two literary periodicals The Indradhanu and The Bijuli. The two periodicals kept their support in favour of two poets Kabisamrat Upendra Bhanja and Radhanath Ray. It was also a war between conservatives and modernist in
Odia Literature
Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwoards from Desaj ...
.
Upendra Bhanja was also criticised for his obscure words. Once a modern poet Guru Prasad (See
Odia literature
Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwoards from Desaj ...
) wrote "Upendra Bhanja means a woman and a Dictionary". Though he was criticised by the modernists, he can be comparable with Kalidas in using simile (Upama) in his kabyas. But above all, the role of Upendra Bhanja can not be denied during the Riti Yuga period of
Odia literature
Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwoards from Desaj ...
.
See also
*
Odia language
Odia (, ISO: , ; formerly rendered Oriya ) is an Indo-Aryan language spoken in the Indian state of Odisha. It is the official language in Odisha (formerly rendered Orissa), where native speakers make up 82% of the population, and it is also ...
*
List of Odia writers
This is a list of notable Odia language writers from Odisha, India from the 8th century onward.
Charyagiti Era of Buddhist poets (7th - 8th Century A.D )
* Sarahapada
Age of Sarala Yuga (15th Century A.D)
*Sarala Das (1465 ? )
Panchasakh ...
References
External links
orissadiary.com: Upendra Bhanja
{{DEFAULTSORT:Bhanja, Upendra
Year of birth uncertain
1740 deaths
Odia people
People from Ganjam district
Indian male poets
Poets from Odisha
Odia-language writers
Odia-language poets
Odissi music composers
17th-century Indian poets