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Bernard Sinclair
Bernard Sinclair (1937 – 27 November 2015) was a French singer (baritone) particularly associated with the repertoire of the opéra comique and operetta, but also opera. He is also an actor, playwright and director. He died in the 10th arrondissement of Paris. Life Sinclair was born in 1937, in Marcq-en-Barœul in the Nord department. He was first a medical student, before turning to a lyrical career, on the advice of Élie Delfosse, who was to become director of the Opéra de Nancy. From the very beginning, he immediately took up the leading roles of opéra comique and operetta in provincial theatres. It is true that this seductive "baritone-martin" has a lot for him, a voice full of charm and radiant treble, a fine musicality, a physical youthful prime, joined to an elegance and a talent of comedian. Paris discovered him in 1966 in ''La danseuse aux étoiles'' at the Théâtre Mogador. Very quickly he appeared at the Théâtre du Châtelet, the Théâtre du Palais-Royal, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paganini (operetta)
''Paganini'' is an operetta in three acts by Franz Lehár. The German libretto was by and Bela Jenbach. Lehár composed the work as a vehicle for Richard Tauber, the acclaimed Austrian tenor, though he assumed the role (with Vera Schwarz as the princess) in Berlin on 30 January 1926, rather than the Vienna premiere which was at the Johann Strauss Theater on 30 October 1925 with Carl Clewing in the title role. Tauber's contract with the Berlin State Opera required him to be in Stockholm at the time of the Vienna premiere. The operetta was so coolly received in Vienna that the Berlin impresario, Heinz Saltenberg, was reluctant to mount it at the without guarantees against losses. In the event, Tauber and Schwarz made it a huge success in Berlin, where it ran for three months. It was the first Lehár operetta specially written for Tauber, who had previously appeared in the composer's ''Zigeunerliebe'' in 1920 and ' in 1922 with great success. A new production was mounted in Berlin at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Mois Molière
Le Mois Molière (The Molière Month) is a theatre and music festival that takes place every year from the 1st to the 30th of June in the streets, parks, theatres and historical sites of the city of Versailles. Created by François de Mazières in 1996, it promotes the renewal of popular theatre by giving priority to new companies in the festival programme and offering most of the shows for free. "The will to get out into the neighborhoods, the free aspect, the festive side and the will to perform great texts: all that is part of the festival's genetic code" explained François de Mazières in 2009, also the mayor of Versailles. The creators chose the name of the festival in reference to the link between Versailles and Molière. Launched in 1996, under the leadership of Francis Perrin, the then director of the Théâtre Montansier, who went around the streets of Versailles on his cart, with his troupe. He staged The Jealousy of Barbouille (La Jalousie du barbouillé :fr:La Jalo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tessa (play)
'' Tessa '' (French title: ''Tessa, la nymphe au cœur fidèle'') is a play written in 1934 by French dramatist Jean Giraudoux. It is a translation and adaptation of a 1926 stage version by Margaret Kennedy and Basil Dean of the former's 1924 novel '' The Constant Nymph''. Original productions '' Tessa '' was first performed on 14 November 1934 in Paris at the Théâtre de l'Athénée in a production by Louis Jouvet Jules Eugène Louis Jouvet (24 December 1887 – 16 August 1951) was a French actor, theatre director and filmmaker. Early life Jouvet was born in Crozon. He had a stutter as a young man and originally trained as a pharmacist. He receive ....Inskip, Donald, (1958), '' Jean Giraudoux, The Making of a Dramatist'', p. 182, Oxford University Press, New York. References Plays by Jean Giraudoux 1934 plays {{1930s-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Cid
''Le Cid'' is a five-act French tragicomedy written by Pierre Corneille, first performed in December 1636 at the Théâtre du Marais in Paris and published the same year. It is based on Guillén de Castro's play ''Las Mocedades del Cid''. Castro's play in turn is based on the legend of El Cid. An enormous popular success, Corneille's ''Le Cid'' was the subject of a heated polemic over the norms of dramatic practice known as the '' Querelle du Cid'' (Quarrel of ''The Cid''). Cardinal Richelieu's ''Académie française'' acknowledged the play's success, but determined that it was defective, in part because it did not respect the classical unities. Today, ''Le Cid'' is widely regarded as Corneille's finest work, and is considered one of the greatest plays of the seventeenth century. Background The stories of the Cid are based on the life of the Spanish warrior Rodrigo Díaz de Vivar, who lived approximately from 1043 until 1099. The real "Cid" seems to have fought for both Muslim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mady Mesplé
Mady Mesplé (7 March 1931 – 30 May 2020) was a French opera singer, considered the leading coloratura soprano of her generation in France, and sometimes heralded as the successor to Mado Robin, with ''Lakmé'' by Delibes becoming her signature role internationally. She sang professionally for more than thirty years, with a repertoire that ranged from operetta to contemporary works. After retiring from the stage, she started teaching. Mesplé was the archetype of a light coloratura soprano: technically secure, musically distinctive, and with a charming stage presence. When she developed Parkinson's disease in the mid-1990s, she responded by writing a book about her career and the development of her illness. Biography Born Madeleine Mesplé in Toulouse on 7 March 1931, she came from a modest family background. Her father Pierre was an accountant and her mother Yvonne (Sesquiere) a secretary. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walzer Aus Wien
''Walzer aus Wien'' ("Waltzes from Vienna," titled ''The Great Waltz'' in English) is a singspiel pasticcio in three acts, libretto by Alfred Maria Willner, and Ernst Marischka, music by Johann Strauss II (son), arranged by Erich Wolfgang Korngold and Julius Bittner, first performed at the Wiener Stadttheater, Stadttheater in Vienna on 30 October 1930. French and English versions The libretto was translated into French by André Mouëzy-Éon and Jean Marietti, and first performed, under the title ''Valses de Vienne'' at the Théâtre de la Porte Saint-Martin in Paris on 21 December 1933. An English musical theatre adaptation called ''Walzes from Vienna'' (with additional music arranged by Herbert Griffiths), played in London in 1931. As ''The Great Waltz (musical), The Great Waltz'' it also played on Broadway in 1934, and there was another English version produced in London in 1970.Derek B Scott. ''German Operetta on Broadway and in the West End, 1900-1940'' (2019), p. 58 Role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Cloches De Corneville
''Les cloches de Corneville'' (''The Bells of Corneville'', sometimes known in English as ''The Chimes of Normandy'') is an opéra-comique in three acts, composed by Robert Planquette to a libretto by Clairville (Louis-François Nicolaïe), Louis Clairville and Charles Gabet. The story, set at the turn of the 18th century, depicts the return of an exiled aristocrat to his ancestral castle, the machinations of the miserly steward to secure the family's fortune for himself, and the changing amorous pairings of the four juvenile leads. Aspects of the plot were criticised by contemporary critics as derivative of earlier operas. The opera was Planquette's first full-length stage work, and although he later wrote twelve more, including ''Rip Van Winkle (operetta), Rip Van Winkle'', which was a hit in London, he never equalled the international success of this first venture. It broke box-office records in Paris and London, where it set a new long-run record for musical theatre worldwid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille De Madame Angot
''La fille de Madame Angot'' (''Madame Angot's Daughter'') is an opéra comique in three acts by Charles Lecocq with words by Clairville, Paul Siraudin and Victor Koning. It was premiered in Brussels in December 1872 and soon became a success in Paris, London, New York and across continental Europe. Along with Robert Planquette's ''Les cloches de Corneville'', ''La fille de Madame Angot'' was the most successful work of the French-language musical theatre in the last three decades of the 19th century, and outperformed other noted international hits such as ''H.M.S. Pinafore'' and ''Die Fledermaus''. The opera depicts the romantic exploits of Clairette, a young Parisian florist, engaged to one man but in love with another, and up against a richer and more powerful rival for the latter's attentions. Unlike some more risqué French comic operas of the era, the plot of ''La fille de Madame Angot'' proved exportable to more strait-laced countries without the need for extensive rewriti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI Group
EMI Group Limited (originally an initialism for Electric and Musical Industries, also referred to as EMI Records Ltd. or simply EMI) was a British transnational conglomerate founded in March 1931 in London. At the time of its break-up in 2012, it was the fourth largest business group and record label conglomerate in the music industry, and was one of the "Big Four" record companies (now the " Big Three"). Its labels included EMI Records, Parlophone, Virgin Records, and Capitol Records, which are now owned by other companies. EMI was listed on the London Stock Exchange, and was also once a constituent of the FTSE 100 Index, but faced financial problems and US$4 billion in debt, leading to its acquisition by Citigroup in February 2011. Citigroup's ownership was temporary, as EMI announced in November 2011 that it would sell its music arm to Vivendi's Universal Music Group for $1.9 billion and its publishing business to a Sony/ATV consortium for around $2.2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Land Of Smiles
''The Land of Smiles'' (German: ') is a 1929 romantic operetta in three acts by Franz Lehár. The German language libretto was by and Fritz Löhner-Beda. The performance duration is about 100 minutes. This was one of Lehár's later works, and has a bittersweet ending which the Viennese loved. The title refers to the supposed Chinese custom of smiling, whatever happens in life. (The leading character, Prince Sou-Chong has a song early in the show, "" ("Always smiling") which describes this.) The ''Tauberlied'' Lavishly produced, the show was built largely around the performance of the tenor Richard Tauber, a close friend of Lehár, for whom he customarily wrote a ' – a signature tune exploiting the exceptional qualities of his voice – in each of his later operettas. On this occasion it was "Dein ist mein ganzes Herz" ("You are my heart's delight"), probably the most famous of all the '. Tauber also appeared in the show in London, singing many encores of his song. Performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
