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Bell (typeface)
Bell is the name given to a serif typeface designed and cut in 1788 by the punchcutter Richard Austin for the British Letter Foundry, operated by publisher John Bell, and revived several times since. The Bell typeface has a precise appearance that features stylish contrasts between thick and thin strokes and ball terminals on many letters; it was influenced by the radical Didone styles of type becoming popular on the continent, in particular the work of the Didot family. However, it is less severe in design, somewhat similar to the earlier Baskerville and slightly later Bulmer typefaces. The figures are distinctive for being at fixed height, or lining, at approximately three-quarter the height of the capitals, in contrast to earlier numerals of variable height. The figures have a number of elaborate details reminiscent of the steely calligraphy of the period, and the slight inclination of some of them led Walter Tracy to suggest that Austin was following a written example. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Gothic
Bell Gothic is a sans-serif typeface in the Sans-serif#Grotesque, industrial or grotesque style designed by Chauncey H. Griffith in 1938 while heading the typographic development program at the Mergenthaler Linotype Company. The typeface was John Mackay Shaw, commissioned by American Telephone & Telegraph Company, AT&T as a proprietary typeface for use in telephone directory, telephone directories and has since been made available for general licensing. Bell Gothic is designed for maximum legibility in the adverse conditions of small print on poor-quality newsprint paper, into which ink tends to absorb and spread out. It is therefore a popular font in printing at small sizes. Bell Gothic was replaced by American Telephone & Telegraph Company, AT&T with Matthew Carter's typeface Bell Centennial in 1978, the one centennial anniversary of AT&T's founding. Bell Gothic was derived from Monotype Grotesque, Monotype Grotesque Std Black typeface. Design Earlier in Griffith's career a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Morison
Stanley Arthur Morison (6 May 1889 – 11 October 1967) was a British typographer, printing executive and historian of printing. Largely self-educated, he promoted higher standards in printing and an awareness of the best printing and typefaces of the past. From the 1920s Morison became an influential adviser to the British Monotype Corporation, advising them on type design. His strong aesthetic sense was a force within the company, which starting shortly before his joining became increasingly known for commissioning popular, historically influenced designs that revived some of the best typefaces of the past, with particular attention to the middle period of printing from the Renaissance to the late eighteenth century, and creating and licensing several new type designs that would become popular. Original typefaces commissioned under Morison's involvement included Times New Roman, Gill Sans and Perpetua, while revivals of older designs included Bembo, Ehrhardt and Bell. Times N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Type
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Owing to the influence from calligraphy, italics normally slant slightly to the right. Italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which words they stressed. One manual of English usage described italics as "the print equivalent of Underline, underlining"; in other words, underscore in a manuscript directs a typesetter to use italic. The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time. Along with blackletter and Roman type, it served as one of the major typefaces in the history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Type
In Latin script typography, roman is one of the three main kinds of historical type, alongside blackletter and italic. Roman type was modelled from a European scribal manuscript style of the 15th century, based on the pairing of inscriptional capitals used in ancient Rome with Carolingian minuscules developed in the Holy Roman Empire.Bringhurst, p 124. During the early Renaissance, roman (in the form of Antiqua) and italic type were used separately. Today, roman and italic type are mixed, and most typefaces are composed of an upright roman style with an associated italic or oblique style. Early roman typefaces show a variety of designs, for instance resembling what would now be considered blackletter. Printers and typefounders such as Nicolas Jenson and Aldus Manutius in Venice and later Robert Estienne in France codified the modern characteristics of Roman type, for instance an 'h' with a nearly straight right leg, serifs on the outside of the capital 'M' and 'N', and 'e' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didot (typeface)
Didot is a group of typefaces. The word/name Didot came from the famous French printing and type producing Didot family. The classification is known as modern, or Didone. The most famous Didot typefaces were developed in the period 1784–1811. Firmin Didot (1764–1836) cut the letters, and cast them as type in Paris. His brother, Pierre Didot (1760–1853) used the types in printing. His edition of ''La Henriade'' by Voltaire in 1818 is considered his masterwork. The typeface takes inspiration from John Baskerville's experimentation with increasing stroke contrast and a more condensed armature. The Didot family's development of a high contrast typeface with an increased stress is contemporary to similar faces developed by Giambattista Bodoni in Italy. Didot is described as neoclassical, and evocative of the Age of Enlightenment. The Didot family were among the first to set up a printing press in the newly independent Greece, and typefaces in the style of Didot have remained p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Firmin Didot
Firmin Didot (; 14 April 176424 April 1836) was a French printer, engraver, and type founder. Early life Firmin Didot was born in Paris into a family of printers founded by François Didot, the father of 11 children. Firmin was one of his grandchildren. The family's paper manufactory was located at Essonnes, a town c. 30 km southeast of Paris near Corbeil, which had notable paper factories. Work Didot invented the word "stereotype", which in printing refers to the metal printing plate created for the actual printing of pages (as opposed to printing pages directly with movable type), and used the process extensively, revolutionizing the book trade by his cheap editions. His manufactory was a place of pilgrimage for the printers of the world. He first used the process in his edition of Callet’s ''Tables of Logarithms'' (1795), in which he secured an accuracy till then unattainable. He published stereotyped editions of French, English and Italian classics at a very low p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Type Museum
The Type Archive (formerly the Type Museum) is a collection of artefacts representing the legacy of type founding in England, whose famous type foundries and composing systems supplied the world with type in over 300 languages. The Archive was founded in 1992 by Susan Shaw in Stockwell, South London. Overview The Type Archive is a repository of the original forms, punches, matrices and patterns of some of the most successful metal and wood type foundries. It holds a historic collection of presses. It is estimated that the collections include between five and eleven million artefacts. The archive is a working factory that manufactures matrices (moulds for typecasting) for letterpress printing. The Museum is an educational resource for colleges wanting to see an experimental type workshop. Collections The Museum’s major collections are: * The Stephenson Blake Collection of English foundry type with industrial and hand casting equipment. In their long trading history Steph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephenson Blake
Stephenson Blake is an engineering company based in Sheffield, England. The company was active from the early 19th century as a type founder, remaining until the 1990s as the last active type foundry in Britain, since when it has diversified into specialist engineering. The type foundry began operations in July 1818 by silversmith and mechanic William Garnett and toolmaker John Stephenson, financially supported by James Blake. That November, news came that the breakaway Caslon foundry (formed when William Caslon III left the original firm and acquired Joseph Jackson's foundry in 1792§ ( Caslon foundry 1716; 1764; etc. §) was put up for sale by William Caslon IV. In 1819 the deal was concluded and Blake, Garnett & Co. were suddenly in charge of one of England's most prestigious typefoundries. In 1829 Garnett left to become a farmer. The company was renamed Blake & Stephenson in 1830, but Blake died soon after. It became Stephenson, Blake & Co. in 1841-1905. John Stephenson die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrix (printing)
In the manufacture of metal type used in letterpress printing, a matrix (from the Latin meaning ''womb'' or ''a female breeding animal'') is the mould used to cast a letter, known as a sort. Matrices for printing types were made of copper. However, in printmaking the matrix is whatever is used, with ink, to hold the image that makes up the print, whether a plate in etching and engraving or a woodblock in woodcut. Description In letterpress or "cold metal" typesetting, used from the beginning of printing to the late nineteenth century, the matrix of one letter is inserted into the bottom of an adjustable-width hand mould, the mould is locked and molten type metal is poured into a straight-sided vertical cavity above the matrix. When the metal has cooled and solidified the mould is unlocked and the newly cast metal sort is removed. The matrix can then be reused to produce more copies of the sort.Meggs, Philip B. ''A History of Graphic Design.'' John Wiley & Sons, Inc. 1998. (pp 58â ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Daily Telegraph
''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was founded by Arthur B. Sleigh in 1855 as ''The Daily Telegraph & Courier''. Considered a newspaper of record over ''The Times'' in the UK in the years up to 1997, ''The Telegraph'' generally has a reputation for high-quality journalism, and has been described as being "one of the world's great titles". The paper's motto, "Was, is, and will be", appears in the editorial pages and has featured in every edition of the newspaper since 19 April 1858. The paper had a circulation of 363,183 in December 2018, descending further until it withdrew from newspaper circulation audits in 2019, having declined almost 80%, from 1.4 million in 1980.United Newspapers PLC and Fleet Holdings PLC', Monopolies and Mergers Commission (1985), pp. 5–16. Its si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commercial Type
Commercial Type is a digital type foundry established in 2007 by type designers Paul Barnes and Christian Schwartz. Its work includes typefaces for ''The Guardian'', such as the Guardian Egyptian series, and other retail and commissioned typefaces. It created the open-source Roboto Serif typeface for Google and several of its typefaces are bundled with macOS macOS (; previously OS X and originally Mac OS X) is a Unix operating system developed and marketed by Apple Inc. since 2001. It is the primary operating system for Apple's Mac computers. Within the market of desktop and lapt .... References External links * * {{authority control Commercial type foundries Design companies established in 2007 Graphic design studios Companies based in Manhattan 2007 establishments in New York City ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Barnes (designer)
Paul Barnes (born 1970, Harlow, England) is a graphic designer and typographer. He has designed several new typefaces. Career After an education at the University of Reading, in 1992 he emigrated to the United States to work with Roger Black. In 1995 he left Roger Black and began work as a freelance designer in London. He has worked with many large corporations, making logos for such well known companies as Givenchy, ABC television and the English bands New Order, Electronic and Joy Division. With Christian Schwartz he designed the very large Guardian Egyptian family typefaces for The Guardian newspaper and operates the digital type design company Commercial Type. In April 2007 he designed the logo for Kate Moss with Saville. Awards In September 2006 he was named one of the 40 most influential designers under 40 in '' Wallpaper'' and in September 2007 The Guardian named him one of the top 50 designers in Britain. Typefaces designed by Paul Barnes *Austin - 2003 *Brune ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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