Beasts Of Battle
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Beasts Of Battle
The Beasts of battle is a poetic trope in Old English and Old Norse literature. The trope has the wolf, the raven, and the eagle follow warriors into battle to feast on the bodies of the slain. It occurs in eight Old English poems and in the Old Norse Poetic Edda. History of the term The term originates with Francis Peabody Magoun, who first used it in 1955, although the combination of the three animals was first considered a theme by Maurice Bowra, in 1952. History, content The beasts of battle presumably date from an earlier, Germanic tradition; the animals are well known for eating carrion. A mythological connection may be presumed as well, though it is clear that at the time that the Old English manuscripts were produced, in a Christianized England, there was no connection between for instance the raven and Huginn and Muninn or the wolf and Geri and Freki. This mythological and/or religious connection survived for much longer in Scandinavia. Their literary pedigree is unknown. J ...
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Trope (literature)
A literary trope is the use of figurative language, via word, phrase or an image, for artistic effect such as using a figure of speech. Keith and Lundburg describe a trope as, "a substitution of a word or phrase by a less literal word or phrase." The word ''trope'' has also come to be used for describing commonly recurring or overused literary and rhetorical devices, motifs or clichés in creative works. Literary tropes span almost every category of writing, such as poetry, film, plays, and video games. Origins The term ''trope'' derives from the Greek (''tropos''), "turn, direction, way", derived from the verb τρέπειν (''trepein''), "to turn, to direct, to alter, to change". Tropes and their classification were an important field in classical rhetoric. The study of tropes has been taken up again in modern criticism, especially in deconstruction. Tropological criticism (not to be confused with tropological reading, a type of biblical exegesis) is the historical study of ...
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Battle Of Brunanburh (poem)
The "Battle of Brunanburh" is an Old English poem. It is preserved in the ''Anglo-Saxon Chronicle'', a historical record of events in Anglo-Saxon England which was kept from the late ninth to the mid-twelfth century. The poem records the Battle of Brunanburh, a battle fought in 937 between an English army and a combined army of Scots, Vikings, and Britons. The battle resulted in an English victory, celebrated by the poem in style and language like that of traditional Old English battle poetry. The poem is notable because of those traditional elements and has been praised for its authentic tone, but it is also remarkable for its fiercely nationalistic tone, which documents the development of a unified England ruled by the House of Wessex. Historical background The Battle of Brunanburh was a culmination of the conflict between King Æthelstan and the northern kings. After Æthelstan had defeated the Vikings at York in 928, Constantine II, the Scottish King, recognised the threat ...
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Old English Poetry
Old English literature refers to poetry and prose written in Old English in early medieval England, from the 7th century to the decades after the Norman Conquest of 1066, a period often termed Anglo-Saxon England. The 7th-century work ''Cædmon's Hymn'' is often considered as the oldest surviving poem in English, as it appears in an 8th-century copy of Bede's text, the ''Ecclesiastical History of the English People''. Poetry written in the mid 12th century represents some of the latest post-Norman examples of Old English. Adherence to the grammatical rules of Old English is largely inconsistent in 12th-century work, and by the 13th century the grammar and syntax of Old English had almost completely deteriorated, giving way to the much larger Middle English corpus of literature. In descending order of quantity, Old English literature consists of: sermons and saints' lives; biblical translations; translated Latin works of the early Church Fathers; chronicles and narrative history ...
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Michael Lapidge
Michael Lapidge, FBA (born 8 February 1942) is a scholar in the field of Medieval Latin literature, particularly that composed in Anglo-Saxon England during the period 600–1100 AD; he is an emeritus Fellow of Clare College, Cambridge, a Fellow of the British Academy, and winner of the 2009 Sir Israel Gollancz Prize. Education and career Lapidge completed his B.A. at the University of Calgary and taught there for three years after completing an M.A. (U of Alberta), before going to the University of Toronto in 1967 to begin work on a Ph.D. in the Centre for Medieval Studies. His doctoral dissertation, supervised by Brian Stock, studied the transmission of a nexus of cosmological metaphors, first articulated by Greek Stoic philosophers, to classical and late antique Latin poets, and ultimately to Medieval Latin philosophers and poets of the twelfth century. After completing course-work in Toronto, he went to Cambridge in 1969 to have better access to manuscript depositories while co ...
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English Studies (journal)
''English Studies'' is a peer-reviewed academic journal covering the language, literature, and culture of the English-speaking world from the Anglo-Saxon to the present day. The editor-in-chief is Chris Loutitt (Radboud University Nijmegen). The journal was established in 1919 and is published by Routledge. Special edition issues The journal publishes each year special edition issues that contain articles on curated topics that are relevant to the English writing community. Abstracting and indexing The journal is abstracted and indexed in the Arts and Humanities Citation Index, Linguistics and Language Behavior Abstracts, MLA International Bibliography, and Scopus Scopus is Elsevier's abstract and citation database launched in 2004. Scopus covers nearly 36,377 titles (22,794 active titles and 13,583 inactive titles) from approximately 11,678 publishers, of which 34,346 are peer-reviewed journals in top-l .... References External links * Area studies journals Taylor & Fr ...
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Notes And Queries
''Notes and Queries'', also styled ''Notes & Queries'', is a long-running quarterly scholarly journal that publishes short articles related to " English language and literature, lexicography, history, and scholarly antiquarianism".From the inner sleeve of all modern issues of ''Notes and Queries''. Its emphasis is on "the factual rather than the speculative". The journal has a long history, having been established in 1849 in London;''Notes and Queries'', Series 1, Volume 1, Nov 1849 - May 1850
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The Wanderer (Old English Poem)
''The Wanderer'' is an Old English poem preserved only in an anthology known as the Exeter Book, a manuscript dating from the late 10th century. It comprises 115 lines of alliterative verse. As is often the case with Anglo-Saxon verse, the composer and compiler are anonymous, and within the manuscript the poem is untitled. Origins The date of the poem is impossible to determine, but scholarly consensus considers it to be older than the Exeter Book itself, which dates from the late 10th century. The inclusion of a number of Norse-influenced words, such as the compound ''hrimceald'' (ice-cold, from the Old Norse word ''hrimkaldr''), and some unusual spelling forms, has encouraged others to date the poem to the late 9th or early 10th century. As is typical of Old English verse, the metre of the poem is alliterative and consists of four-stress lines, divided between the second and third stresses by a caesura. Each caesura is indicated in the manuscript by a subtle increase in chara ...
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Judith (poem)
The Old English poem ''Judith'' describes the beheading of Assyrian general Holofernes by Israelite Judith of Bethulia. It is found in the same manuscript as the heroic poem ''Beowulf'', the Nowell CodexLondon, British Library, Cotton MS Vitellius A. XV, dated ca. 975–1025. The Old English poem is one of many retellings of the Holofernes–Judith tale as it was found in the Book of Judith, still present in the Catholic and Orthodox Christian Bibles. Most notably, Ælfric of Eynsham, late 10th-century Anglo-Saxon abbot and writer, composed a homily (in prose) of the tale. History and incompleteness ''Judith'' was first discovered as an appendage to the Nowell Codex. Though it is certain that the poem is a derivative of the Book of Judith, still present in the Roman Catholic Bible, its authorship and year of origin remain a mystery. The poem is incomplete: the version in the manuscript is 348 lines long, divided in three sections marked with the numbers X, XI, and XII. The numbe ...
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Cædmon Manuscript
The Junius manuscript is one of the four major codices of Old English literature. Written in the 10th century, it contains poetry dealing with Biblical subjects in Old English, the vernacular language of Anglo-Saxon England. Modern editors have determined that the manuscript is made of four poems, to which they have given the titles ''Genesis'', ''Exodus'', ''Daniel'', and ''Christ and Satan''. The identity of their author is unknown. For a long time, scholars believed them to be the work of Cædmon, accordingly calling the book the Cædmon manuscript. This theory has been discarded due to the significant differences between the poems. The manuscript owes its current designation to the Anglo-Dutch scholar Franciscus Junius, who was the first to edit its contents and who bequeathed it to Oxford University. It is kept in the Bodleian Library under shelfmark MS Junius 11. Name and date The codex now referred to as the "Junius manuscript" was formerly called the "Cædmon manuscr ...
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Finnesburg Fragment
The "Finnesburg Fragment" (also "Finnsburh Fragment") is a portion of an Old English heroic poem about a fight in which Hnæf and his 60 retainers are besieged at "Finn's fort" and attempt to hold off their attackers. The surviving text is tantalisingly brief and allusive, but comparison with other references in Old English poetry, notably ''Beowulf'' (''c.'' 1000 AD), suggests that it deals with a conflict between Danes and Frisians in Migration-Age Frisia (400 to 800 AD). Transmission The extant text is a transcript of a loose manuscript folio that was once kept at Lambeth Palace, the London residence of the Archbishops of Canterbury. This manuscript was almost certainly Lambeth Library MS 487. A British scholar, George Hickes, made the transcript some time in the late 17th century, and published it in an anthology of Anglo-Saxon and other antiquities in 1705. (This anthology also contains the first reference to the sole manuscript of ''Beowulf''.) Since the time when the cop ...
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Exodus (poem)
''Exodus'' is the title given to an Old English alliterative poem in the 10th century Junius manuscript (Oxford, Bodleian Library, MS Junius 11). ''Exodus'' is not a paraphrase of the biblical book, but rather a re-telling of the story of the Israelites' flight from Egyptian captivity and the Crossing of the Red Sea in the manner of a "heroic epic", much like Old English poems ''Andreas'', '' Judith'', or even ''Beowulf''. It is one of the densest, most allusive and complex poems in Old English, and is the focus of much critical debate. Style and imagery Exodus brings a traditional "heroic style" to its biblical subject-matter. Moses is treated as a general, and military imagery pervades the poem. The destruction of the Egyptians in the Red Sea is narrated in much the same way as a formulaic battle scene from other Old English poems, including a 'Beast of Battle' motif very common in the poetry. According to Malcolm Godden, the allusion to battle within the poem is a way to ill ...
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