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Basit (other)
''Basīṭ'' ( ar, بسيط), or ''al-basīṭ'' (البسيط), is a metre used in classical Arabic poetry. The word literally means "extended" or "spread out" in Arabic. Along with the '' ṭawīl'', '' kāmil'', and '' wāfir'', it is one of the four most common metres used in pre-Islamic and classical Arabic poetry. Form of the metre The metrical form of the basīṭ is often as follows (where "–" is a long syllable, "u" is a short syllable, and "x" is , i.e., a syllable which can be either long or short): :, x – u – , x u – , – – u – , u u – , The mnemonic words (''tafāʿīl'') used by Arab prosodists to describe this metre are: ' (). The metre is usually used in couplets of eight feet each. Example An example is the '' qasīda'' by al-Mutanabbi (915-965): “The poet reproaches Sayf al-Dawla” (king of Aleppo), a poem of 38 couplets, from which come the following well-known verses: :, u – u – , u u – , – – u – , u u – , :, u ...
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Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ...
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Catalectic
A catalectic line is a metrically incomplete line of verse, lacking a syllable at the end or ending with an incomplete foot. One form of catalexis is headlessness, where the unstressed syllable is dropped from the beginning of the line. A line missing two syllables is called brachycatalectic. In English Poems can be written entirely in catalectic lines, or entirely in acatalectic (complete) lines, or a mixture, as the following carol, composed by Cecil Frances Alexander in 1848: :Once in Royal David's city (8 syllables) :    Stood a lowly cattle shed, (7 syllables) :Where a mother laid her Baby (8 syllables) :    In a manger for His bed: (7 syllables) :Mary was that mother mild, (7 syllables) :Jesus Christ her little Child. (7 syllables) It has been argued that across a number of Indo-European languages, when the two types of line are mixed in this way, the shorter line tends to be used as a coda at the end of a period or stanza. Blunt ...
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Poetic Rhythm
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ...
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Arabic And Central Asian Poetics
Arabic (, ' ; , ' or ) is a Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is the language of literature, official documents, and formal written m ...
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Metron (poetry)
A metron , (from ancient Greek "measure"), plural ''metra'', is a repeating section, 3 to 6 syllables long, of a poetic metre. The word is particularly used in reference to ancient Greek. According to a definition by Paul Maas, usually a metron consists of two long elements and up to two other elements which can be short, ''anceps'' or '' biceps''.Maas, Paul (translated by H. Lloyd-Jones) (1962) ''Greek Metre'', pp. 38–39. Thus an iambic metron is x – ᴗ – (where "x" represents an ''anceps'' element), a trochaic metron is – ᴗ – x, an ionic metron is ᴗ ᴗ – –, an anapaestic metron is ᴗᴗ – ᴗᴗ –, a cretic metron – ᴗ –, a baccheus is ᴗ – –, and a spondee is – –. This definition of the metron (i.e. as having two long elements) does not apply to the dactylic hexameter or to the dochmiac metre, but some scholars regard the dactyl (– ᴗᴗ) and the dochmiac (ᴗ – – ᴗ –) as metra in their own right. Some of the more complex ...
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Arabic Prosody
( ar, اَلْعَرُوض, ) is the study of metre (poetry), poetic meters, which identifies the meter of a poem and determines whether the meter is sound or broken in lines of the poem. It is often called the ''Science of Poetry'' ( ar, عِلْم اَلشِّعْر, ). Its laws were laid down by Al-Khalil ibn Ahmad al-Farahidi, Al-Khalīl ibn Aḥmad al-Farāhīdī (d. 786), an early Arab lexicographer and philologist. In his book ( ar, العرض), which is no longer extant, he described 15 types of meter. Later Al-Akhfash al-Akbar described a 16th meter, the . Following al-Khalil, the Arab prosodists scan poetry not in terms of syllables but in terms of vowelled and unvowelled letters, which were combined into larger units known as or "peg" (pl. ) and "cord" (pl. ). These larger units make up feet (, pl. ). Western prosodists, on the other hand, usually analyse the meters in terms of syllables, which can be long (–), short (u) and ''anceps'' (x), that is, a syllable wh ...
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Morocco
Morocco (),, ) officially the Kingdom of Morocco, is the westernmost country in the Maghreb region of North Africa. It overlooks the Mediterranean Sea to the north and the Atlantic Ocean to the west, and has land borders with Algeria to the east, and the disputed territory of Western Sahara to the south. Mauritania lies to the south of Western Sahara. Morocco also claims the Spanish exclaves of Ceuta, Melilla and Peñón de Vélez de la Gomera, and several small Spanish-controlled islands off its coast. It spans an area of or , with a population of roughly 37 million. Its official and predominant religion is Islam, and the official languages are Arabic and Berber; the Moroccan dialect of Arabic and French are also widely spoken. Moroccan identity and culture is a mix of Arab, Berber, and European cultures. Its capital is Rabat, while its largest city is Casablanca. In a region inhabited since the Paleolithic Era over 300,000 years ago, the first Moroccan s ...
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Andalusi Nubah
Andalusī nūbah (نوبة أندلسيّة), also transliterated nūba, nūbā, or nouba (pl. nūbāt), or in its classical Arabic form, nawba, nawbah, or nōbah, is a music genre found in the North African Maghreb, Maghrib states of Morocco, Algeria, Tunisia, and Libya but, as the name indicates, it has its origins in Arabo-Andalusian music, Andalusi music. The name replaced the older use of ''sawt (music), sawt'' and originated from the musician waiting behind a curtain to be told it was his turn or ''nawbah'' by the ''sattar'' or curtain man. The North African cities have inherited a particularly Andalusian musical style of Granada. The term ''gharnati'' (Granadan) in Morocco designates a distinct musical style from "Tarab Al Ala" originating in Córdoba, Spain, Córdoba and Valencia, according to the authors Rachid Aous and Mohammed Habib Samrakandi in the latter's book ''Musiques d'Algérie''. Form, texts, and performance According to tradition, there were initially 24 nubat ...
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Abu Nuwas
Abū Nuwās al-Ḥasan ibn Hānī al-Ḥakamī (variant: Al-Ḥasan ibn Hānī 'Abd al-Awal al-Ṣabāḥ, Abū 'Alī (), known as Abū Nuwās al-Salamī () or just Abū Nuwās Garzanti ( ''Abū Nuwās''); 756814) was a classical Arabic poet, and the foremost representative of the modern (''muhdath'') poetry that developed during the first years of Abbasid Caliphate. He also entered the folkloric tradition, appearing several times in '' One Thousand and One Nights''. Early life Abu Nuwas was born in the province of Ahvaz (modern Khuzestan Province) of the Abbasid Caliphate, either in the city of Ahvaz or one of its adjacent districts. His date of birth is uncertain, he was born sometime between 756 and 758. His father was Hani, a Syrian or Persian who had served in the army of the last Umayyad caliph Marwan II (). His mother was a Persian named Gulban, whom Hani had met whilst serving in the police force of Ahvaz. When Abu Nuwas was 10 years old, his father died. In his ea ...
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Arabic Poetry
Arabic poetry ( ar, الشعر العربي ''ash-shi‘ru al-‘Arabīyyu'') is the earliest form of Arabic literature. Present knowledge of poetry in Arabic dates from the 6th century, but oral poetry is believed to predate that. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in ''The Science of ‘ Arud''. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (''buḥūr''). The measuring unit of seas is known as "''taf‘īlah''," and every sea contains a certain number of taf'ilas which the poet has to observe in every verse (''bayt'') of the poem. The measuring procedure of a poem is very rigorous. Sometimes adding or removing a consonant or a vowel can shift the ''bayt'' from one meter to another. Also, ...
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Biceps
The biceps or biceps brachii ( la, musculus biceps brachii, "two-headed muscle of the arm") is a large muscle that lies on the front of the upper arm between the shoulder and the elbow. Both heads of the muscle arise on the scapula and join to form a single muscle belly which is attached to the upper forearm. While the biceps crosses both the shoulder and elbow joints, its main function is at the elbow where it flexes the forearm and supinates the forearm. Both these movements are used when opening a bottle with a corkscrew: first biceps screws in the cork (supination), then it pulls the cork out (flexion). Structure The biceps is one of three muscles in the anterior compartment of the upper arm, along with the brachialis muscle and the coracobrachialis muscle, with which the biceps shares a nerve supply. The biceps muscle has two heads, the short head and the long head, distinguished according to their origin at the coracoid process and supraglenoid tubercle of the sc ...
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Al-Mutanabbi
Abū al-Ṭayyib Aḥmad ibn al-Ḥusayn al-Mutanabbī al-Kindī ( ar, أبو الطيب أحمد بن الحسين المتنبّي الكندي; – 23 September 965 AD) from Kufa, Abbasid Caliphate, was a famous Abbasid-era Arab poet at the court of the Hamdanid emir Sayf al-Dawla in Aleppo, and for whom he composed 300 folios of poetry. His poetic style earned him great popularity in his time and many of his poems are not only still widely read in today's Arab world but are considered to be proverbial. He started writing poetry when he was nine years old. He is well known for his sharp intelligence and wittiness. Among the topics he discussed were courage, the philosophy of life, and the description of battles. As one of the greatest, most prominent and influential poets in the Arabic language, much of his work has been translated into over 20 languages worldwide. His great talent brought him very close to many leaders of his time, whom he extolled in return for money and ...
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