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Basie Rides Again!
''Basie Rides Again!'' is an album by pianist/bandleader Count Basie recorded in 1952 and originally released on the Clef Records, Clef label in 1956. , accessed November 20, 2015 Selections from this album were previously released on the 1954 Clef LP ''Basie Jazz''. Reception AllMusic awarded the album 4½ stars.Allmusic listingaccessed November 20, 2015 Track listing # "Jive at Five" (Count Basie, Harry Edison) - 3:06 # "Be My Guest" (Ernie Wilkins) - 3:00 # "No Name" (King Oliver) - 3:06 # "Blues for the Count and Oscar" (Basie, Oscar Peterson) - 3:04 # "Redhead" (Oliver) - 2:47 # "Every Tub" (Basie, E ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reunald Jones
Reunald Jones Sr. (December 22, 1910 – February 26, 1989), was an American jazz trumpeter, who worked in big bands and as a studio musician. He played lead trumpet with the Count Basie Orchestra (1952–57). Career A native of Indianapolis, Indiana, United States, he studied at the Michigan Conservatory and then played with territory bands such as that of Speed Webb. In the 1930s and 1940s, Jones worked with Charlie Johnson, Savoy Bearcats, Fess Williams, Chick Webb (1933–34), Sam Wooding, Claude Hopkins, Willie Bryant, Teddy Hill, Don Redman (1936–38), Erskine Hawkins, Duke Ellington (1946), Jimmie Lunceford, Lucky Millinder and Sy Oliver. He soloed sparingly after his time with Chick Webb. From 1956–1958, Jones was a member of the Quincy Jones band The Jones Boys, a session conceived by Leonard Feather with musicians named "Jones", though none of them were related. Beginning in the 1940s, Jones worked as a studio musician. He toured with Woody Herman (1959), Geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Fowlkes
Charles Baker Fowlkes (February 16, 1916 – February 9, 1980) was an American baritone saxophonist who was a member of the Count Basie Orchestra for over twenty-five years. Early life Fowlkes was born in New York City on February 16, 1916. He studied alto and tenor saxophone, clarinet, and violin before settling on the baritone saxophone (he occasionally played flute). Later life and career Fowlkes spent most of his early career in New York. He played with Tiny Bradshaw (1938–1944), Lionel Hampton (1944–1948), and Arnett Cobb (1948–1951). Fowlkes joined Basie's orchestra in 1953 and remained with it until his death; the main interruptions during his time with Basie were absences due to managing the career of his wife, vocalist Wini Brown. He died in Dallas on February 9, 1980. Discography With The Count Basie Orchestra *''The Count!'' (Clef, 1952 955 *''Basie Jazz'' (Clef, 1952 954 *''Dance Session'' (Clef, 1953) *'' Dance Session Album #2'' (Clef, 1954) *'' Basie'' (Clef, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Quinichette
Paul Quinichette (May 17, 1916 – May 25, 1983) was an American jazz tenor saxophonist. He was known as the "Vice President" or "Vice Prez" for his emulation of the breathy style of Lester Young, whose nickname was "The President", or simply "Prez". Young called Quinichette "Lady Q". Early life Quinichette was born in Denver, Colorado, United States. He had clarinet and alto saxophone lessons as a child, before switching to tenor saxophone. Around the age of 13, he had informal lessons from Lester Young. Quinichette attended Denver University, transferred to Tennessee State College, and then returned to Denver University, from which he graduated in music. While in college he played with local bands, and during summer vacations he toured with Nat Towles and the trumpeter Lloyd Hunter. Later life and career Quinichette worked with Shorty Sherock in the late 1930s, and was then with Ernie Fields (1942), and Jay McShann (1942–43). He was with Johnny Otis on the West Coast from 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floyd "Candy" Johnson
Floyd "Candy" Johnson (May 1, 1922 in Madison, Illinois – June 28, 1981 in Framingham, Massachusetts) was an American jazz saxophonist. Career Johnson started on drums before moving to saxophone. His professional career began in St. Louis, where he was a member of a group led by Chuck Finney. He attended Wilberforce University until the draft intervened. After his service, he played in bands led by Ernie Fields, Tiny Bradshaw, and Andy Kirk. With the Kirk orchestra he recorded for Decca Records. He cites Ben Webster as his biggest influence. Johnson preferred candy to alcohol, so a band member started calling him "Candy". In Detroit he started a band called the Peppermint Sticks. One musician recalled that the band dressed in candy-striped suits, and sometimes Johnson tossed peppermint sticks to the crowd. In 1951 he was a member of the Count Basie Orchestra, recording with Basie for Clef Records, then began working in more of a rhythm and blues vein with Bill Doggett. The ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie "Lockjaw" Davis
Edward F. Davis (March 2, 1922 – November 3, 1986), known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" (later shortened in "Jaws"): it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward. Biography Davis played with Cootie Williams, Lucky Millinder, Andy Kirk, Eddie Bonnemère, Louis Armstrong, and Count Basie, as well as leading his own bands and making many recordings as a leader. He played in the swing, bop, hard bop, Latin jazz, and soul jazz genres. Some of his recordings from the 1940s also could be classified as rhythm and blues. In 1940, when Teddy Hill became the manager of the legendary Minton's Jazz club, he put Eddie Davis in charge of deciding which musicians could, or couldn't, sit in during the jam sessions (playing in this Minton's sessions was coveted by many, including mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Wilkins
Ernest Brooks Wilkins Jr. (July 20, 1922 – June 5, 1999) was an American jazz saxophonist, conductor and arranger who spent several years with Count Basie. He also wrote for Tommy Dorsey, Harry James, and Dizzy Gillespie. He was musical director for albums by Cannonball Adderley, Dinah Washington, Oscar Peterson, and Buddy Rich. Early career Wilkins was born in St. Louis, Missouri. In his early career he played in a military band, before joining Earl Hines's last big band. He worked with Count Basie from 1951 to 1955, eventually leaving to work free-lance as a jazz arranger and songwriter. His success declined in the 1960s, but revived after work with Clark Terry, leading to a tour of Europe. Final years in Denmark Eventually Wilkins settled in Copenhagen, Denmark, where he would live for the rest of his life. There he formed the Almost Big Band so he could write for a band of his own formation. The idea was partly inspired by his wife Jenny. Copenhagen had a thriving jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marshall Royal
Marshal Walton Royal Jr. (December 5, 1912 – May 8, 1995) was an American jazz alto saxophonist and clarinetist best known for his work with Count Basie, with whose band he played for nearly twenty years. Early life and education Marshal Royal Jr. was born into a musical family in Sapulpa, Oklahoma. Career Royal's first professional gig was with Lawrence Brown's band at Danceland in Los Angeles, and he soon had a regular gig at the Apex, working for Curtis Mosby in Mosby's Blue Blowers, a 10-piece band. He then began an eight-year (1931–1939) stint with the Les Hite orchestra at Sebastian's Cotton Club, which was near the MGM studios in Los Angeles. He spent 1940 to 1942 with Lionel Hampton, until the war interrupted his career. With his brother, Ernie, he served in the U.S. Navy in the 45-piece regimental band that was attached to the Navy's preflight training school for pilots at St. Mary's College in Moraga, California. The band played for bond rallies, regimental re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Powell
Benny Powell (March 1, 1930 – June 26, 2010) was an American jazz trombonist. He played both standard (tenor) trombone and bass trombone. Biography Born Benjamin Gordon Powell Jr in New Orleans, Louisiana, he first played professionally at the age of 14, and at 18 began playing with Lionel Hampton. In 1951 he left Hampton's band and began playing with Count Basie, in whose orchestra he would remain until 1963. Powell takes the trombone solo in the bridge of Basie's 1955 recording of " April in Paris". After leaving Basie, he freelanced in New York City. From 1966 to 1970 he was a member of the Thad Jones-Mel Lewis Jazz Orchestra, playing on Monday nights at the Village Vanguard. Among other engagements, he played in the house band of the ''Merv Griffin Show'', and when the show moved to Los Angeles, California, in 1970 Powell also relocated there. He did extensive work as a session musician, including with Abdullah Ibrahim, John Carter, and Randy Weston. Later in his car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
