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Barahi
Varahi ( sa, वाराही, )) is also used as the name of the consort of Varaha, who is identified with Bhumi (the earth goddess). This consort is depicted in a human form., group=note is one of the Matrikas, a group of seven mother goddesses in the Hindu religion. Bearing the head of a sow, Varahi is the shakti (feminine energy) of Varaha, the boar avatar of the god Vishnu. In Nepal, she is called Barahi. In Rajasthan and Gujarat, she is venerated as Dandini. Varahi is more commonly venerated in the sect of the Goddess-oriented Shaktism, but also in Shaivism (devotees of Shiva) and Vaishnavism (devotees of Vishnu). She is usually worshipped at night, using secretive Vamamarga Tantric practices. The Buddhist goddesses Vajravārāhī and Marichi have their origins in the Hindu goddess Varahi. Legend According to the Shumbha-Nishumbha story of the ''Devi Mahatmya'' from the '' Markandeya Purana'' religious texts, the Matrikas goddesses appears as ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tantra
Tantra (; sa, तन्त्र, lit=loom, weave, warp) are the esoteric traditions of Hinduism and Buddhism that developed on the Indian subcontinent from the middle of the 1st millennium CE onwards. The term ''tantra'', in the Indian traditions, also means any systematic broadly applicable "text, theory, system, method, instrument, technique or practice". A key feature of these traditions is the use of mantras, and thus they are commonly referred to as Mantramārga ("Path of Mantra") in Hinduism or Mantrayāna ("Mantra Vehicle") and Guhyamantra ("Secret Mantra") in Buddhism. Starting in the early centuries of the common era, newly revealed Tantras centering on Vishnu, Shiva or Shakti emerged. There are tantric lineages in all main forms of modern Hinduism, such as the Shaiva Siddhanta tradition, the Shakta sect of Sri-Vidya, the Kaula, and Kashmir Shaivism. In Buddhism, the Vajrayana traditions are known for tantric ideas and practices, which are based on India ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaivism
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-orientated monistic non-theism such as Kashmiri Shaivism.Ganesh Tagare (2002), The Pratyabhijñā Philosophy, Motilal Banarsidass, , pages 16–19 It considers both the Vedas and the Agama texts as important sources of theology.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotesMark Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass, , pages 43–44 Shaivism developed as an amalgam of pre-Vedic religions and traditions derived from the southern Tamil Shaiva Siddhanta traditions and philosophies, which were assimilated in the non-Vedic Shiva-tradition. In the process of Sanskritisa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vamana Purana
The ''Vamana Purana'' ( sa, वामन पुराण, IAST: ), is a medieval era Sanskrit text and one of the eighteen major Puranas of Hinduism. The text is named after one of the incarnations of Vishnu and probably was a Vaishnava text in its origin. However, the modern surviving manuscripts of ''Vamana Purana'' are more strongly centered on Shiva, while containing chapters that revere Vishnu and other Hindu gods and goddesses. It is considered a Shaiva text. Further, the text hardly has the character of a Purana, and is predominantly a collection of ''Mahatmyas'' (travel guides) to many Shiva-related places in India with legends and mythology woven in. The extant manuscripts of ''Vamana Purana'' exist in various versions, likely very different from the original, and show signs of revision over time and regions. It has been published by All India Kashiraj Trust in two rounds. The first round had 95 chapters, while the critical edition (edited by Anand Swarup Gupta, and pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durga
Durga ( sa, दुर्गा, ) is a major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars. Durga's legend centres around combating evils and demonic forces that threaten peace, prosperity, and dharma, representing the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed, and entails destruction to empower creation. Durga is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons. She is widely worshipped by the followers of the goddess-centric sect, Shaktism, and has importance in other denominations like Shaivism and Vaishnavism. The most important texts of Shaktism, Devi Mahatmya, and Devi Bhagavata Purana, revere Devi (the Goddess) as the primordial creator of the universe and the Brah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakra
Chakras (, ; sa , text=चक्र , translit=cakra , translit-std=IAST , lit=wheel, circle; pi, cakka) are various focal points used in a variety of ancient meditation practices, collectively denominated as Tantra, or the esoteric or inner traditions of Hinduism.Chakra: Religion Encyclopaedia Britannica The concept of the chakra arose in the early traditions of Hinduism. Beliefs differ between the Indian religions, with many Buddhist texts consistently mentioning five chakras, while Hindu sources reference six or seven. Early Sanskrit texts speak of them both as meditative visualizations combining flowers and mantras and as physical entit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Markandeya Purana
The ''Markandeya Purana'' ( sa, मार्कण्डेय पुराण; IAST: ) is a Sanskrit text of Hinduism, and one of the eighteen major Puranas. The text's title Markandeya refers to a sage in Hindu History, who is the central character in two legends, one linked to Shiva and other to Vishnu. The Markandeya text is one of the Puranas that lacks a sectarian presentation of ideas in favor of any particular god, and it is rare to read any deity being invoked or deity prayers in the entire text. The Markandeya Purana is probably one of the oldest in Purana genre of Hindu Literature, among the most interesting and important, states Ludo Rocher. It is famous for including the Devi Mahatmya within it, the oldest known treatise on Devi (Goddess) as the Supreme Truth and Creator Of The Universe. The text is considered as a central text of the Hindu Goddess-related Shaktism tradition, with an extraordinary expression of reverence for the feminine. The Markandeya Purana's Dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devi Mahatmya
The ''Devi Mahatmya'' or ''Devi Mahatmyam'' ( sa, देवीमाहात्म्यम्, devīmāhātmyam, Glory of the Goddess) is a Hindu philosophical text describing the Goddess as the supreme power and creator of the universe. It is part of the Markandeya Purana. ''Devi Mahatmyam'' is also known as the ''Durgā Saptashatī'' () or Śata Chandī (शत् चण्डी). The text contains 700 verses arranged into 13 chapters. Along with ''Devi-Bhagavata Purana'' and Shakta Upanishads such as the Devi Upanishad, it is one of the most important texts of Shaktism (goddess) tradition within Hinduism. The ''Devi Mahatmyam'' describes a storied battle between good and evil, where the Devi manifesting as goddess Durga leads the forces of good against the demon Mahishasura—the goddess is very angry and ruthless, and the forces of good win. In peaceful prosperous times, states the text, the Devi manifests as Lakshmi, empowering creation and happiness. The verses of this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sumbha And Nisumbha
In the Devi Mahatmya, Sumbha (शुम्भ) and Nisumbha (निशुम्भ), were two '' asuras'' that confronted, and were ultimately slain by Kaushiki; an avatar of Devi Chandi. In the Devi Mahatmyam The story of Sumbha and Nisumbha begins in the fifth chapter of the Devi Mahatmyam. Parvati relates how two brothers of Asura stock sought to conquer the Three Worlds by subjecting themselves to severe penance and purification rituals so that no man or demon could destroy them. Sumbha and Nisumbha traveled to Pushkara, a sacred place, and remained there in prayer for ten thousand years. God Brahma saw the brothers' penance, and was pleased, granting them the boon they requested. It was at this time that Chanda and Munda, two lesser Asuras in the service of Shumbha, encountered Parvati, and were overwhelmed by her beauty. They carried reports of this goddess to Shumbha, who sought to possess Parvati and her beauty. Shumbha sent the demon Sugriva (asura) to court Parvati, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marici (Buddhism)
Mārīcī (Sanskrit: मारीची, lit. "Ray of Light"; Chinese: 摩利支天; pinyin: ''Mólìzhītiān''; Japanese: ''Marishiten''), is a Buddhist god (devi) or goddess, as well as a bodhisattva associated with light and the Sun. By most historical accounts, Marici is a goddess. However, in some regions, she is depicted as a male god, revered among the warrior class in East Asia. She is typically depicted with multiple arms, riding a charging boar or sow, or on a fiery chariot pulled by seven horses or seven boars. She has either one head or between three to six, with one shaped like a boar. In parts of East Asia, in her fiercest forms, she may wear a necklace of skulls. In some representations, she sits upon a lotus. Some of the earliest iconographies of Marici are found in India and Tibet, particularly near the ancient port city and Buddhist site Salihundam of Andhra Pradesh, where Marici is depicted as riding on a chariot pulled by seven horses in a manner similar t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajravārāhī
In Tibetan Buddhism, Vajravārāhī ("The Diamond Sow", Dorje Pakmo) is a wrathful form of Vajrayogini associated particularly with the ''Cakrasaṃvara Tantra'', where she is paired in yab-yum with the Heruka Cakrasaṃvara. Judith Simmer-Brown writes that "Vajravārāhī's iconography is very similar to that of Vajrayoginī, but she often has more prominent fangs and a more wrathful expression, and she prominently displays a sow's head above her right ear." Although there are practices of Vajravārāhī in all schools of Tibetan Buddhism, she is particularly associated with the Kagyu school and is one of the main yidam practices of that school. Her tulkus, the Samding Dorje Phagmo, are associated with the Bodongpa, a little-known school of Tibetan Buddhism. Iconography Vajravārāhī is one of the most popular female Tantric deities in all traditions of Tibetan Buddhism. Although there are several forms, the basic iconography is that she has one face, (usually) two hands an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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