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Baptism Of Christ (Cima Da Conegliano)
''Baptism of Christ'' is a painting by Italian Renaissance painter Cima da Conegliano, dating from 1492. It is housed in the church of San Giovanni in Bragora in Venice. Description The painting portrays Christ at the center of the scene, standing with joined hands. His attitude is that of humble submission to baptism, which is being given him by Saint John the Baptist, who appears on the right. At the left are three angels with Christ's garments, in red and blue colors, which he will use after the baptism. The scene is completed by an angelic choir in the sky, and a generic oriental city on a spur in the left, behind the angels, while another one is visible in the far background. External linksPage at the church's website 1492 paintings Paintings by Cima da Conegliano Cima da Conegliano Giovanni Battista Cima, also called Cima da Conegliano (c. 1459 – c. 1517), was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Ven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cima Da Conegliano
Giovanni Battista Cima, also called Cima da Conegliano (c. 1459 – c. 1517), was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works. Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones. He often repeated popular subjects in different versions with slight variations, including his Madonnas and ''Saint Jerome in a Landscape''. His paintings of the ''Madonna and Child'' include several variations of a composition that have a standing infant Jesus, which in turn are repeated several times. Biography Giovanni Battista Cima was born at Conegliano, then part of the terrafirma of the Republic of Venice but now part of the province of Treviso, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giovanni In Bragora
San Giovanni in Bragora is a church in Venice, Italy, located in the ''sestiere'' of Castello. History It was founded in the early 8th century, allegedly by St. Magnus of Oderzo; in the following century, under doge Pietro III Candiano, it was rebuilt to house the alleged relics of St. John the Baptist, to whom it is entitled, and again in 1178. Pietro Barbo, future Pope Paul II, and Antonio Vivaldi were baptised in the church. The current appearance dates from the last renovation (1475-1505), which kept the basilica plan but added a brickwork façade in local late-Gothic style, and a façade divided into three sections. The interior houses works by Cima da Conegliano (''Baptism of Christ'', 1492 and ''St. Helena and Constantine at the Cross'', 1501-1503) and Alvise Vivarini and has a trussed ceiling. The origin of the term ''Bragora'' is unclear. It could derive from the Greek ''agorà'' (square), referring to the campo facing the church, or from the dialect ''bragora'' ("mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint John The Baptist
John the Baptist or , , or , ;Wetterau, Bruce. ''World history''. New York: Henry Holt and Company. 1994. syc, ܝܘܿܚܲܢܵܢ ܡܲܥܡܕ݂ܵܢܵܐ, Yoḥanān Maʿmḏānā; he, יוחנן המטביל, Yohanān HaMatbil; la, Ioannes Baptista; cop, ⲓⲱⲁⲛⲛⲏⲥ ⲡⲓⲡⲣⲟⲇⲣⲟⲙⲟⲥ or ; ar, يوحنا المعمدان; myz, ࡉࡅࡄࡀࡍࡀ ࡌࡀࡑࡁࡀࡍࡀ, Iuhana Maṣbana. The name "John" is the Anglicized form, via French, Latin and then Greek, of the Hebrew, "Yochanan", which means "God in Christianity, YHWH is gracious"., group="note" ( – ) was a mission preacher active in the area of Jordan River in the early 1st century AD. He is also known as John the Forerunner in Christianity, John the Immerser in some Baptists, Baptist Christianity, Christian traditions, and John the Baptist in Islam, Prophet Yahya in Islam. He is sometimes alternatively referred to as John the Baptiser. John is mentioned by the History of the Jews in the Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1492 Paintings
149 may refer to: *149 (number), a natural number * AD 149, a year in the 2nd century AD *149 BC __NOTOC__ Year 149 BC was a year of the Roman calendar, pre-Julian Roman calendar. At the time it was known as the Year of the Consulship of Censorinus and Manilius (or, less frequently, year 605 ''Ab urbe condita''). The denomination 149 BC for ..., a year in the 2nd century BC * British Airways Flight 149, a flight from LHR to Kuwait City International Airport; the aircraft flying this flight was destroyed by Iraqi troops See also * List of highways numbered 149 * {{Number disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Cima Da Conegliano
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Baptism Of Christ
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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