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Baptism Of Christ (Annibale Carracci)
The Baptism of Christ is a painting by Annibale Carracci. History of the painting The work was commissioned in 1583 by Giacomo Canobbi, professor of law at the University of Bologna, for his chapel in the Santi Gregorio e Siro. He was licensed in 1585, the date that appears on the canvas. This is the second public commission obtained by Annibale after the ''Crucifixion'' of 1583, now in the Santa Maria della Carità, Bologna.The Baptism is the only altarpiece made by the most famous of the Carracci before his move to Rome to have remained in its original location. Description The Baptism is the first important manifestation of the rediscovery of Correggio who, between 1584 and 1587, occupied the artistic interests of Annibale Carracci. The influence of Correggio is particularly evident in the upper part of the altarpiece, occupied by a choir of angel musicians, supported by material clouds, in the centre of which the Eternal Father appears. This part of the composition derives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art school ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci, Battesimo Di Cristo, Chiesa Dei Santi Gregorio E Siro, Bologna
Annibale is the Italian masculine given name and surname equivalent to Hannibal. In English, it may refer to : Given name * Annibale Albani (1682–1751), Italian cardinal * Annibale I Bentivoglio, (died 1445), ruler of Bologna from 1443 * Annibale II Bentivoglio (died 1540), lord of Bologna in 1511–1512 * Annibale Bergonzoli (1884–1973), Italian lieutenant general * Annibale Bugnini (c.1912–1982), Roman Catholic prelate * Annibale Caccavello (1515–1595), Italian sculptor * Annibale Caro (1507–1566), Italian poet * Annibale Carracci (1560–1609), Italian painter * Annibale Ciarniello (1900–2007), one of the last surviving Italian veterans of the First World War * Annibale de Gasparis (1819–1892), Italian astronomer * Annibale della Genga (1760–1829), birth name of Pope Leo XII * Annibale di Ceccano (c.1282–1350), Italian cardinal * Annibale Fontana (1540–1587), Italian sculptor, medalist and crystal worker * Annibale Maria di Francia (1851–1927), founder of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Gregorio E Siro
The church of Santi Gregorio e Siro is a Renaissance architecture, Renaissance-style Roman Catholic parish church on Via Montegrappa 15 in central Bologna, Italy. Initially this was the Church of San Gregorio, but when the nearby parish church of San Siro had been torn down, and the names were fused. History It was founded on grounds that had been expropriated by the Ghislieri family from the House of Bentivoglio, Bentivoglio. It was constructed by the canons of San Giorgio in Alga, an island in the lagoon of Venice; the architects were Tibaldo Tibaldi (Tibaldo Cristoforo di Tibaldi) and Giovanni Antonio, both from Milan. In 1676, it passed to the order of Clerics Regular ministering to the sick (Chierici Regolari Ministri degli Infermi). The earthquake of 1780 damaged the church, and it was rebuilt by the architect Angelo Venturoli. Over the entry is the heraldic shield of the Ghisilieri family, and the bell-tower was adapted from a medieval Towers of Bologna, tower from a famil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Della Carità, Bologna
Santa Maria della Carità is a Renaissance-style Roman Catholic church in central Bologna, Italy. History By mid-13th century, an administrator under Pope Gregory IX, founded a hospital at an adjacent lot. For a time, it was an orphanage. A chapel, attached to a hospital, existed by 1378. From the 15th to the 18th century, the church and convent were attached to a Franciscan order. The present layout dates from 1583, by designs of Pietro Fiorini. It was enlarged with the addition of four large chapels in 1680 under the designs of Giovanni Battista Bergonzoni, a Franciscan theologian. The interior is decorated with paintings by prominent Baroque painters. In the first chapel on the right is a ''Visitation'' by Il Galanino. In the 3rd chapel on the right is a ''Vision of St Elizabeth'' (1685) by Marc Antonio Franceschini. The third chapel to the left has a ''Holy Family with St Anthony of Padua''(1680) by Felice Cignani. The most prominent work in the church, in the 1st chapel on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assumption Of The Virgin (Correggio)
__NOTOC__ ''The Assumption of the Virgin'' is a fresco by the Italian Late Renaissance artist Antonio da Correggio decorating the dome of the Cathedral of Parma, Italy. Correggio signed the contract for the painting on November 3, 1522. It was finished in 1530. The composition was influenced by Melozzo da Forlì's perspective and includes the decoration of the dome base, which represents the four protector saints of Parma: St. John the Baptist with the lamb, St. Hilary with a yellow mantle, St. Thomas (or Joseph)More likely to be Saint Joseph carrying a staff according to David Ekserdjian, in "Correggio in Parma Cathedral: Not Thomas but Joseph", ''The Burlington Magazine ''(1986); pp. 412+414-415. with an angel carrying the martyrdom palm leaf, and St. Bernard, the sole figure looking upwards. Below the feet of Jesus, the uncorrupt Virgin in red and blue robes is lofted upward by a vortex of singing or otherwise musical angels. Ringing the base of the dome, between the windows, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catechesis
Catechesis (; from Greek: , "instruction by word of mouth", generally "instruction") is basic Christian religious education of children and adults, often from a catechism book. It started as education of converts to Christianity, but as the religion became institutionalized, catechesis was used for education of members who had been baptized as infants. As defined in the Catechism of the Catholic Church, paragraph 5 (quoting Pope John Paul II's Apostolic Exhortation '' Catechesi tradendae'', §18): ''Catechesis'' is an education in the faith of children, young people and adults which includes especially the teaching of Christian doctrine imparted, generally speaking, in an organic and systematic way, with a view to initiating the hearers into the fullness of Christian life.In the Catholic Church, catechist is a term used of anyone engaged in religious formation and education, from the bishop to lay ecclesial ministers and clergy to volunteers at the local level. The primary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity
The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, three distinct persons sharing one ''homoousion'' (essence) "each is God, complete and whole." As the Fourth Lateran Council declared, it is the Father who begets, the Son who is begotten, and the Holy Spirit who proceeds. In this context, the three persons define God is, while the one essence defines God is. This expresses at once their distinction and their indissoluble unity. Thus, the entire process of creation and grace is viewed as a single shared action of the three divine persons, in which each person manifests the attributes unique to them in the Trinity, thereby proving that everything comes "from the Father," "through the Son," and "in the Holy Spirit." This doctrine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Cesare Malvasia
Carlo Cesare Malvasia (1616–1693) was an Italian scholar and art historian from Bologna, best known for his biographies of Baroque artists titled ''Felsina pittrice'', published in 1678. Life and career Malvasia is the Bolognese equivalent of Giorgio Vasari, and saw his native city surpassing Florence in the artistic supremacy of his time. Born to an aristocratic family, he is also known as Count Carlo Malvasia. He received cursory training in painting under Giacinto Campana and Giacomo Cavedone. He also was an amateur poet and participated in local literary circles. He traveled to Rome in 1639 where he met Cardinal Bernardino Spada and the sculptor Alessandro Algardi. Records indicate he spent some time as a volunteer cavalier during the First War of Castro at the urging of his cousin Cornelio Malvasia; leader of the Papal Army cavalry. Thereafter he graduated as a lawyer, and lectured on the subject at the university in Bologna. He obtained a theology degree in 1653, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1585 Paintings
Events January–June * January – The Netherlands adopts the Gregorian calendar. * February – The Spanish seize Brussels. * April 24 – Pope Sixtus V succeeds Pope Gregory XIII, as the 227th pope. * May 19 – Spain seizes English ships in Spanish ports, precipitating the Anglo-Spanish War (1585–1604). * June 11 – The magnitude 9.3 1585 Aleutian Islands earthquake unleashes a tsunami in the Pacific Ocean, killing many people in Hawaii and reportedly striking Japan. July–December * July 7 – The Treaty of Nemours forces King Henry III of France to capitulate to the demands of the Catholic League, triggering the Eighth War of Religion (also known as the War of the Three Henrys) in France. * August 8 – English explorer John Davis enters Cumberland Sound in Baffin Island, in his quest for the Northwest Passage. * August 14 – Queen Elizabeth I of England agrees to establish a protectorate over the Netherlands. * Au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Annibale Carracci
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In Bologna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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