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Bandola Oriental
The bandola is one of many varieties of small pear-shape chordophones found in Venezuela and Colombia. They are related to the bandurria and mandolin. Traditional varieties Instruments known as ''bandola'' include: *Bandola llanera: traditionally built with only seven frets and four gut strings and played with a pick in the music of Joropo llanero, many bandolas being made nowadays can have up to 21 frets, with musicians such as Saúl Vera, Moisés Torrealba Franco Bortolotti and Mafer Bandola using these more extensively fretted versions. The strings used to string the bandola llanera nowadays are usually taken from classical guitar sets; most commonly the wound E and A, and the nylon G and B strings. The bandola is today undergoing a resurgence, with the instrument gaining popularity in both Venezuela and Colombia, as well as North America and Europe. The instrument was in danger of extinction in the first half of the 20th century until Anselmo Lopez (b.1934 Barinas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domra And Bandola
The ''domra'' (Cyrillic: до́мра, ) is a long-necked Belarusian, Russian, and Ukrainian folk string instrument of the lute family with a round body and three or four metal strings. History The first known mention of domra is in ''Admonitions of Metropolitan Daniel'' (1530). This musical instument gained great popularity in the 16th–17th centuries, replacing gusli. There are numerous mentions of domra in historic documents of this period. In addition, medieval Russian illuminated manuscripts of the Psalter contain images of musicians with necked plucked-string instruments, and some of those miniatures are clearly captioned «depiction of domras». Judging by those images, late medieval Russian domras can be divided into two types: lute-shaped, which had five to six strings, a large body and а pegbox angled back, and tanbur-shaped, which had three to four strings, a small body and a straight pegbox. After the pious Tsar Alexis of Russia issued an edict ordering the perse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandolin Family Instruments
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued together ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venezuelan Music
Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains. Genres Joropo Joropo was developed by creative artists such as Juan Vicente Torrealba, Ignacio Figueredo, Augusto Bracca, Genaro Prieto, Eneas Perdomo and Angel Custodio Loyola, who helped to popularize the music throughout the country. Since then a slick, contemporary form of pop-llanera has developed which has earned the scorn of some purists who perceive it as stale and watered-down. Some singers, such as Adilia Castillo, Lorenzo Herrera, Simon Diaz, Mario Suarez, Edith Salcedo, Magdalena Sanchez, Rafael Montaño, Reyna Lucero, Cristina Maica, José Catire Carpio, Cristobal Jimenez, Juan de los Santos Contreras (El Carrao de Palmarito) and Reynaldo Armas have maintained a huge following over the years. In a similar vein, there is also neo- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multi-scale Fingerboard
A multi-scale fingerboard (also called multiple scale length fretboard) is an instrument fretboard which incorporates multiple scale lengths. The scale length is the vibrating length of the strings. Guitars, including bass guitars, generally employ a single scale length for all of the instrument's strings, though the employed scale length varies significantly between manufacturers (electric guitar scale typically falls between 24" and 25.5"). This measure is the effective length of each of the vibrating strings, not counting compensation for adjusting intonation. A multi-scale fingerboard or fretboard is typically based on two scale lengths, but could potentially incorporate more. The most typical use is one (long) scale length for the low string and a different, usually shorter, scale for the highest string. This could be achieved by angling the nut, and bridge, and fanning the frets. Strings between the highest and lowest would also each have a unique scale length. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guayana Region
The Guayana Region is an administrative region of eastern Venezuela. History In the 1970s, after the process of forming the Political-Administrative Regions through CORDIPLAN in the government of Rafael Caldera, the Region of Guyana was formed. It was originally composed of Bolívar State and Delta Amacuro State (at that time it had the status of a Federal Territory). The Amazon state (called ''Territorio Federal Amazonas'') was the only one that made up the so-called ''Southern Region''. The following decade, after a legal reform, the latter state was integrated into this region. Geography The region has a population of 1,383,297 inhabitants and a territory of , slightly over half the area of the whole country. During the colonial period until the early 18th century, it was known as Spanish Guiana. It borders the independent nations of Guyana (formerly British Guiana) and Brazil. Geologically it is part of the Guiana Shield, and is also known as the Venezuelan Gua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandolón
A bandolón is a musical instrument from Mexico. It is a guitar sized instrument, resembling a flatback mandolin with 18 strings, arranged in 6 courses, three strings per course, and played with a pick. It is associated with the típica orquestra (typical orchestra) in Mexico, especially the 1884 ''Orquesta Típica Mexicana'' (''Mexican Typical Orchestra''), first organized by Carlo Curti. Pictures such as the 1901 ''Mexican Typical Orchestra'' at the Pan-American Exposition show another variation, an instrument with 12 strings (one less string per course). Whatever the resemblance to a flatback mandolin, there are differences: the mandolin is a smaller instrument, the soprano member of its family, tuned in fifths with the strings having the same tuning and range as the violin. The bandolón is closer to the bandurria, tuned in fourths with strings that have a range closer to the guitar's (having not only strings tuned to high notes approaching the mandolin's, but also low not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Course (music)
A course, on a stringed musical instrument, is either one string or two or more adjacent strings that are closely spaced relative to the other strings, and typically played as a single string. The strings in each multiple-string course are typically tuned in unison or an octave. Normally, the term ''course'' is used to refer to a single string only on an instrument that also has multi-string courses. For example, a nine-string baroque guitar has five courses: most are two-string courses but sometimes the lowest or the highest consists of a single string. An instrument with at least one multiple-string course is referred to as ''coursed'', while one whose strings are all played individually is ''uncoursed''. Rationale and types Multiple string courses were probably originally employed to increase the volume of instruments, in eras in which electrical amplification did not exist, and stringed instruments might be expected to accompany louder instruments (such as woodwinds or br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ladama
LADAMA is a Latin alternative band of four women musicians and activists—Lara Klaus, Daniela Serna, Maria "Mafer Bandola" González Olivo and Sara Lucas—originating from Brazil, Colombia, Venezuela, and the United States respectively, along with their collaborator, American bassist Pat Swoboda. Their music fuses sounds from South America and the Caribbean with soul, R&B, and pop. In addition to public performances, LADAMA holds educational workshops in English, Spanish, and Portuguese, where they hope to provide a foundation for participants to "use music as a basic form of personal expression to address issues pertinent to them." LADAMA continues to perform and offer workshops at venues and festivals around the world. LADAMA seeks to empower primarily women and youth (but everyone is welcome) through these interactive musical experiences. History The quartet formed in 2014 while touring the West Coast as part of the OneBeat Program. Their self-titled debut album was r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moisés Torrealba
Moisés Torrealba (born January 5, 1978) is a Venezuelan musician. Travel He has toured in countries including Norway, France, London, Spain, Brazil, Curaçao and Colombia. See also *Bandola *Venezuelan music Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains. Genres Jorop ... External linksTorrealba´s biography {{DEFAULTSORT:Torrealba, Moises 1978 births Living people Maracas players People from Barinas (state) Venezuelan bandola players Venezuelan folk musicians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joropo
The joropo is a musical style resembling the fandango, and an accompanying dance. It originated in Venezuela and is also present in the eastern Colombian plains. It has African, Native South American, and European influences. There are different joropo variants: tuyero, oriental, and llanero. It is a fundamental genre of Venezuelan ''música criolla'' ( creole music). It is also the most popular "folk rhythm": the well-known song "Alma Llanera" is a joropo, considered the unofficial national anthem of Venezuela. In 1882 it became Venezuela's national dance and music. Formerly, the Spanish word meant "a party", but now it has come to mean a type of music and dance that identifies Venezuelans. In the 18th century, the llaneros started using the word instead of , which was used at the time for party and dance. Venezuela Tuyero Central joropo ( es, joropo central, links=no) is also known as (" Tuyan"), ("Tuyan joropo") or ("Tuyan beat"). Characteristic of the central ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandola Oriental
The bandola is one of many varieties of small pear-shape chordophones found in Venezuela and Colombia. They are related to the bandurria and mandolin. Traditional varieties Instruments known as ''bandola'' include: *Bandola llanera: traditionally built with only seven frets and four gut strings and played with a pick in the music of Joropo llanero, many bandolas being made nowadays can have up to 21 frets, with musicians such as Saúl Vera, Moisés Torrealba Franco Bortolotti and Mafer Bandola using these more extensively fretted versions. The strings used to string the bandola llanera nowadays are usually taken from classical guitar sets; most commonly the wound E and A, and the nylon G and B strings. The bandola is today undergoing a resurgence, with the instrument gaining popularity in both Venezuela and Colombia, as well as North America and Europe. The instrument was in danger of extinction in the first half of the 20th century until Anselmo Lopez (b.1934 Barinas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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