|
Banchō Sarayashiki
is a Kaidan, Japanese ghost story (kaidan) of broken trust and broken promises, leading to a dismal fate. Alternatively referred to as the tradition, all versions of the tale revolve around a servant, who dies unjustly and returns to haunt the living. Some versions take place in or , others in the area in Edo. History The story of the death of Okiku () first appeared as a bunraku play called ''Banchō Sarayashiki'' in July 1741 at the Toyotakeza theater. The familiar Kaidan (parapsychology), ghost legend had been adapted into a ''Bunraku, ningyō jōruri'' production by Asada Iccho and Tamenaga Tarobei I. Like many successful bunraku shows, a kabuki version followed and in September 1824, ''Banchō Sarayashiki'' was staged at the Naka no Shibai theater starring Otani Tomoemon II and Arashi Koroku IV in the roles of Aoyama Daihachi and Okiku. A one-act kabuki version was created in 1850 by Segawa Joko III, under the title ''Minoriyoshi Kogane no Kikuzuki,'' which debuted a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onryō
In Japanese traditional beliefs and literature, are a type of ghost () believed to be capable of causing harm in the world of the living, injuring or killing enemies, or even causing natural disasters to exact Revenge, vengeance to "redress" the wrongs it received while alive, then taking their spirits from their dying bodies. are often depicted as wronged women, who are traumatized, envious, disappointed, bitter, or just infuriated by what happened during life and exact revenge in death. These kinds of ghosts appear extremely vengeful, ruthless, heartless, brutal, cruel, deranged, egotistical, selfish, bloodthirsty, and cold-hearted. Emperor Sutoku, Taira no Masakado, and Sugawara no Michizane are called the because they are considered to be the most powerful and revered in Japanese history. After they died with resentment and anger, there was a series of deaths of political opponents, natural disasters, and wars, and the rulers enshrined them as and deified them in Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Restoration
The , referred to at the time as the , and also known as the Meiji Renovation, Revolution, Regeneration, Reform, or Renewal, was a political event that restored Imperial House of Japan, imperial rule to Japan in 1868 under Emperor Meiji. Although there were ruling emperors before the Meiji Restoration, the events restored practical power to, and consolidated the political system under, the Emperor of Japan. The Restoration led to enormous changes in Japan's political and social structure and spanned both the late Edo period (often called the Bakumatsu) and the beginning of the Meiji era, during which time Japan rapidly Industrialization, industrialised and adopted Western culture, Western ideas and production methods. The origins of the Restoration lay in economic and political difficulties faced by the Tokugawa shogunate. These problems were compounded by the encroachment of foreign powers in the region which challenged the Tokugawa policy of , specifically the arrival of the Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botan Dōrō
is a Japanese ghost story () and one of the most famous in Japan. The plot involves sex with the dead and the consequences of loving a ghost. It is sometimes known as , based on the kabuki version of the story; this title is commonly used in translation, and refers to a Stone Lantern. History entered Japanese literary culture in the 17th century, through a translation of a book of Chinese ghost stories called (''New Tales Under the Lamplight'') by Qu You. The collection was didactic in nature, containing Buddhist moral lessons on karma. In 1666, author Asai Ryoi responded to the Edo period craze for , spawned largely by the popular game , by adapting the more spectacular tales from into his own book (''Hand Puppets''). At the time, Japan's borders were entirely closed, with very little of the outside world known by its people; as such, China was viewed as a mysterious and exotic nation. Asai removed the Buddhist moral lessons and gave the stories a Japanese setting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seppuku
, also known as , is a form of Japanese ritualistic suicide by disembowelment. It was originally reserved for samurai in their code of honor, but was also practiced by other Japanese people during the Shōwa era (particularly officers near the end of World War II) to restore honor for themselves or for their families. As a samurai practice, ''seppuku'' was used voluntarily by samurai to die with honor rather than fall into the hands of their enemies (and likely be tortured), as a form of capital punishment for samurai who had committed serious offenses, or performed because they had brought shame to themselves. The ceremonial disembowelment, which is usually part of a more elaborate ritual and performed in front of spectators, consists of plunging a short blade, traditionally a '' tantō'', into the belly and drawing the blade from left to right, slicing the belly open. If the cut is deep enough, it can sever the abdominal aorta, causing death by rapid exsanguination. One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yūrei
are figures in Japanese folklore analogous to the Western concept of ghosts. The name consists of two kanji, (''yū''), meaning "faint" or "dim" and (''rei''), meaning "soul" or "spirit". Alternative names include , meaning ruined or departed spirit, , meaning dead spirit, or the more encompassing or . Like their Western counterparts, they are thought to be soul, spirits barred from a peaceful afterlife. Japanese afterlife According to traditional Japanese beliefs, all humans have a Spirit (animating force), spirit or soul called a . When a person dies, the ''reikon'' leaves the body and enters a form of purgatory, where it waits for the proper funeral and post-funeral rites to be performed so that it may join its ancestor worship, ancestors. If this is done correctly, the ''reikon'' is believed to be a protector of the living family and to return yearly in August during the Obon, Obon Festival to receive thanks. However, if the person dies in a sudden or violent manner such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heirloom
In popular usage, an heirloom is something that has been passed down for generations through family members. Examples are a family bible, antiques, weapons or jewellery. The term originated with the historical principle of an heirloom in English law, a chattel which by immemorial usage was regarded as annexed by inheritance to a family estate. Loom originally meant a tool. Such genuine heirlooms were almost unknown by the beginning of the twentieth century. English legal history In the English legal system, any owner of a genuine heirloom could dispose of it during his lifetime, but he could not bequeath it by will away from the estate. If the owner died intestate, it went to his heir-at-law, and if he devised the estate it went to the devisee. The word subsequently acquired a secondary meaning, applied to furniture, pictures, ''etc.'', vested in trustees to hold on trust for the person for the time being entitled to the possession of a settled house. Such things ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vassal
A vassal or liege subject is a person regarded as having a mutual obligation to a lord or monarch, in the context of the feudal system in medieval Europe. While the subordinate party is called a vassal, the dominant party is called a suzerain. The rights and obligations of a vassal are called vassalage, while the rights and obligations of a suzerain are called suzerainty. The obligations of a vassal often included military support by knights in exchange for certain privileges, usually including land held as a tenant or fief. The term is also applied to similar arrangements in other feudal societies. In contrast, fealty (''fidelitas'') was sworn, unconditional loyalty to a monarch. European vassalage In fully developed vassalage, the lord and the vassal would take part in a commendation ceremony composed of two parts, the Homage (feudal), homage and the fealty, including the use of Christian sacraments to show its sacred importance. According to Eginhard's brief description, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bokken
A ''bokken'' (, , 'wood', and ''ken'', '(double-edged) sword') or ''bokutō'' (, , 'wood', and ''tō'', '(single-edged) sword') is a Japanese wooden sword used for training in kenjutsu. It is usually the size and shape of a ''katana'', but is sometimes shaped like other swords, such as the ''wakizashi'' and '' tantō''. Some ornamental ''bokken'' are decorated with mother-of-pearl work and elaborate carvings. Sometimes, it is spelled "boken" in English. ''Bokken'' are traditionally composed of red oak or white oak, although any hardwood can be used. In comparison, practice swords made of flexible, soft wood such as bamboo are referred to as ''shinai''. History It is hard to determine precisely when the first ''bokken'' appeared due to secrecy in ancient martial arts training and loose record-keeping. While various mock weapons were surely used during the earlier periods of Japanese history, usage of ''bokken'' in their modern form first emerged during the Muromachi Period (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
