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Baltimore Club
Baltimore club, also called Bmore club, Bmore house or simply Bmore, is a fusion of breakbeat and house genres. It is often referred to as a blend of hip hop and chopped, staccato house music. It was created in Baltimore, Maryland, United States in the early 1990s by 2 Live Crew's Luther Campbell, Frank Ski, Miss Tony (known as Big Tony after he stopped presenting in drag), Scottie B. and DJ Spen. Baltimore club is based on an 8/4 beat structure, and includes tempos around 130 beats per minute. It combines repetitive, looped vocal snippets similar to trap, bounce, ghetto house and ghettotech. Baltimore club is a sample-based form of breakbeat. Samples used include theme songs from shows like ''Sanford and Son'', ''SpongeBob SquarePants'' and ''Elmo's World''. The instrumental tracks include heavy breakbeats and call and response stanzas similar to those found in the go-go music of Washington, D.C. The most prominent breakbeats sampled include "Sing Sing" by disco band Gaz and "T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baltimore City Paper
''Baltimore City Paper'' was a free alternative weekly newspaper published in Baltimore, Maryland, founded in 1977 by Russ Smith and Alan Hirsch. The most recent owner was the Baltimore Sun Media Group, which purchased the paper in 2014 from Times-Shamrock Communications, which had owned the newspaper since 1987. It was distributed on Wednesdays in distinctive yellow boxes found throughout the Baltimore area. The paper folded in 2017, due to the collapse of advertising revenue income to print media. The Media Group's closure announcement happened at the same meeting immediately after recognizing ''City Paper'' staff joining the Washington-Baltimore News Guild. History Russ Smith and Alan Hirsch started the Baltimore City Paper in May 1977 while students at Johns Hopkins University. It was originally named the ''City Squeeze'', and Smith and Hirsch published it using the offices of the Johns Hopkins student newspaper. In 1978, they took the paper out of the university and sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyn Collins
Gloria Lavern Collins (June 12, 1948 – March 13, 2005), better known as Lyn Collins, was an American soul singer best known for working with James Brown in the 1970s and for the influential 1972 funk single, "Think (About It)". A favorite among hip hop, R&B, and dance music producers for decades, Collins is by far the most sampled female artist of all time, with portions of her recordings used in well over 3,500 songs. Early life and career Collins began her recording career at age 14. She played with Charles Pike & The Scholars. Collins recorded "What My Baby Needs Now Is a Little More Lovin'" with James Brown in 1972. Her biggest solo hit was the James Brown-produced gospel-style song "Think (About It)", from her 1972 album of the same name on People Records. The song contains five breaks which have been sampled widely in hip-hop and drum and bass, most famously, the "Yeah! Woo!" and "It takes two to make a thing go right" loops in Rob Base and DJ E-Z Rock's " It Takes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Think (About It)
"Think (About It)" is a funk song recorded by Lyn Collins and released as a single on James Brown's People Records in 1972. The recording was produced by Brown (who also wrote the song) and features instrumental backing from his band The J.B.'s. It was the title track of Collins' 1972 debut album. The song is very popular for its raw drumbeat dressed with tambourine and multiple background vocals, which suggest the song was recorded altogether in one take, with Jabo Starks playing drums. It peaked at No. 9 on the ''Billboard'' Best Selling Soul Singles chart and No. 66 on the Hot 100. Owing to the composition, it became a fan favourite and has been featured on various compilation albums posthumously. In the closing lyrics, Collins sings lines from "Think", which shows that this song was one of the few adaptations of the 5 Royales song that Brown loved to do. Sampling Along with "Funky Drummer" and "Funky President", "Think (About It)" is one of the most frequently sampled James ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Bull Music Academy
The Red Bull Music Academy (RBMA) is a world-traveling series of music workshops and festivals that was founded in 1998 by Red Bull GmbH. The main five-week event is held in a different city each year. The public portion of its program is a festival of concerts, art installations, club nights and lectures by influential figures in contemporary music. The other part of the program is by invitation only and is held in a building that has been custom-fitted with a large recording studio, a lecture hall, a radio booth and 8–12 bedroom-sized studios. There, 60 up-and-coming producers, singers, sound artists, DJs and musicians from around the world learn from and collaborate with top industry professionals. The Red Bull Music Academy maintains an online magazine and lecture video archive year-round. The Academy hosts additional music workshops and club nights and curates stages at festivals in around 60 countries worldwide. In 2019, it was announced that both the Red Bull Music Academy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sing Sing (song)
"Sing Sing" is a song by disco-funk band Gaz, a project of keyboardist Thor Baldursson, guitarist Mats Bjoerklund, and producer Jürgen Korduletsch. It appeared on the group's only album, ''Gaz'', and was released as a 12" single in 1978, Salsoul Records catalog number SG206. "Sing Sing" has been sampled by hip hop artists such as Grandmaster Flash, Wu-Tang Clan, Chubb Rock, and Lil Jon. In the early 1990s, it was featured prominently in breakbeat tracks from the Baltimore club genre, where DJs looped and modified it using Ensoniq ASR-10 samplers and Mackie mixers. In the early 2000s it also became a staple of the Jersey club sound. The song was featured on the fourth volume of Street Beat Records' ''Ultimate Breaks and Beats'' collection. In October 2013, Salsoul Records filed a lawsuit against Kylie Minogue and Warner Bros., claiming that Minogue copied the "entire rhythm" of "Sing Sing" in her 2007 song "Speakerphone A speakerphone is a telephone with a microphone and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go-go
Go-go is a music subgenre, subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience Call and response (music), call and response. Go-go was originated by African-American musicians in the Washington, D.C. area during the mid-60s to late-70s. Go-go has limited popularity in other areas, but maintains a devoted audience in the Washington metropolitan area, Washington, D.C. metropolitan area as a uniquely regional music style and was named the official music of Washington, D.C. in February 2020. Performers associated with the development of the style include Young Senators, Trouble Funk, Black Heat, and singer-guitarist Chuck Brown. In the 1990s and 2000s, hip hop music, hip-hop increasingly influenced go-go. However, there is also a Retro style, retro movement going back to its original style of marathon sessions incorporating popular contemporary R&B songs. Description In technical terms, "go-go's essential beat is characterized by a five throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Call And Response (music)
In music, call and response is a succession of two distinct phrases usually written in different parts of the music, where the second phrase is heard as a direct commentary on or in response to the first. This can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as verse-chorus form, in many traditions. African music In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression. African-American music Enslaved Africans brought call and response music with them to the colonized American continents and it has been transmitted over the centuries in various forms of cultural express ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeats
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the ''Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the ''Think Break'' (from "Think (About It)" by Lyn Collins). History 1970s—1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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