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Ballets By Vakhtang Chabukiani
Vakhtang Mikheilis dze Chabukiani (Russian: Вахта́нг Миха́йлович Чабукиа́ни, ka, ვახტანგ ჭაბუკიანი) (March 12, 1910 – April 6, 1992) was a Soviet and Georgian ballet dancer, choreographer and teacher. He is considered to be one of the most influential male ballet dancers of the 20th century, and is noted for creating the choreography of several of the most famous male variations of the classical ballet repertory, for example in '' Le Corsaire'', ''La Bayadère'', and ''Swan Lake''. He is also noted for his and Vladimir Ponomaryov's 1941 revival of ''La Bayadère'' for the Kirov Ballet, which is still retained in the company's repertory and has served as the basis for many subsequent productions in Russia and abroad. Early life and career Born in Tbilisi to a Georgian father and a Latvian mother, Chabukiani graduated from the local Maria Perini Ballet Studio in 1924. He continued his studies at the Leningrad State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galina Ulanova
Galina Sergeyevna Ulanova (russian: Галина Сергеевна Уланова, ; 21 March 1998) was a Russian ballet dancer. She is frequently cited as being one of the greatest ballerinas of the 20th century. Biography Ulanova was born in Saint Petersburg, Russia. Both parents were the soloists of the Mariinsky theatre and danced with Anna Pavlova. Later, her father became a director and her mother taught ballet. Ulanova recalled that she 'never had a choice to pick a career' and due to her parents' profession, ballet was her only option. As a child she dreamed of becoming a sailor, saying she feared having the life of artists with lots of labour and no sleep. Nevertheless, her parents sent her to ballet school at a very young age, where she studied under Agrippina Vaganova and her own mother. When she joined the Mariinsky Theatre in 1928, the press found in her "much of Semyonova's style, grace, the same exceptional plasticity and a sort of captivating modesty in her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Krein
Alexander Abramovich Krein (; 20 October 1883 in Nizhny Novgorod – 25 April 1951 in Staraya Ruza, Moscow Oblast) was a Soviet composer. Background The Krein family was steeped in the klezmer tradition; his father Abram (who moved to Russia from Lithuania in 1870) was a noted violinist. All of the seven Krein brothers received their first musical training from him and became musicians; Alexander and Grigori made names for themselves as composers, David gained a strong reputation as a violinist. Of the three Krein family composers, Alexander, his brother Grigori, and Grigori's son Julian, it is Alexander who composed the most music and thus to whom the most attention has been paid. After decades of posthumous neglect, however, his very name seems to have disappeared from international reference books. Studies and career In 1896, at the early age of 14, Alexander Krein entered the Moscow Conservatory where his studies included cello classes with Alexander von Glehn and compositi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lope De Vega
Félix Lope de Vega y Carpio ( , ; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literature is second only to that of Miguel de Cervantes, while the sheer volume of his literary output is unequalled, making him one of the most prolific authors in the history of literature. He was nicknamed "The Phoenix of Wits" and "Monster of Nature" (in es , Fénix de los Ingenios , links=no, ) by Cervantes because of his prolific nature. Lope de Vega renewed the Spanish theatre at a time when it was starting to become a mass cultural phenomenon. He defined its key characteristics, and along with Pedro Calderón de la Barca and Tirso de Molina, took Spanish Baroque theatre to its greatest heights. Because of the insight, depth and ease of his plays, he is regarded as one of the greatest dramatists in Western literature, his plays still being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuente Ovejuna
''Fuenteovejuna'' () is a play by the Spanish playwright Lope de Vega. First published in Madrid in 1619, as part of ''Docena Parte de las Comedias de Lope de Vega Carpio'' (''Volume 12 of the Collected plays of Lope de Vega Carpio''),Edwards, Gwynne, ed. and trans. ''Lope de Vega, Three Major Plays'' (with ''The Knight of Olmedo'' and ''Punishment without Revenge''). Oxford University Press, 1999, p. xii. the play is believed to have been written between 1612 and 1614. The play is based upon a historical incident that took place in the village of Fuenteovejuna in Castile, in 1476. While under the command of the Order of Calatrava, a commander, Fernán Gómez de Guzmán, mistreated the villagers, who banded together and killed him. When a magistrate sent by King Ferdinand II of Aragon arrived at the village to investigate, the villagers, even under the pain of torture, responded only by saying "Fuenteovejuna did it." Background Rapid change took place in Spain in the years betw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurencia (ballet)
''Laurencia'' is a ballet created by Vakhtang Chabukiani to music by Alexander Krein, based on Lope de Vega's ''Fuenteovejuna''. Created at a time when "choreodrama" was considered in the Soviet Union the only acceptable form of contemporary ballet, it harks back to a genuine drama, wherein movement was a vehicle for meaning, and dance could serve as divertissement as well as dramatic purpose. At the same time, the story of a peasant revolution was obviously the ideal subject for a Soviet ballet. Vakhtang Chabukiani was one of the first to create a new choreographic language by means of his own particular blend of folk dance and classical dance. He asserted once and for all the importance of male dance, furthering in particular the notion of "heroic" male dance. Performance history ''Laurencia'' was premiered on 22 March 1939 at the Kirov Opera and Ballet Theatre. Soliko Virsaladze designed the scenery and costumes. The leading parts were performed by Natalia Dudinskaya (Laure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andria Balanchivadze
Andria Balanchivadze ( ka, ანდრია მელიტონის ძე ბალანჩივაძე, ''Andria Melit'onis dze Balanchivadze'', russian: Андре́й Мелито́нович Баланчива́дзе, Andrei Melitonovich Balanchivadze) ( – 28 April 1992) was a Georgian composer. He was the son of composer Meliton Balanchivadze and brother of ballet choreographer George Balanchine. Biography Born in Saint Petersburg, Russian Empire, he graduated from the Tbilisi State Conservatoire in 1927 and Leningrad Conservatory in 1931, where he studied with Pyotr Ryazanov. Upon his return to Georgia, he became the musical director of several theatres from 1931 to 1934. Having barely survived Joseph Stalin's purges, he became a professor at the Tbilisi Conservatory in 1942 and served as an artistic director of the Georgian State Symphony from 1941 to 1948. He became a major influence in musical politics as chair (1953), and first secretary (1955–1961, 1968 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flames Of Paris
''Flames of Paris'' or ''The Flames of Paris'' (russian: Пла́мя Пари́жа) is a full-length ballet in four acts, choreographed by Vasily Vainonen with the stage director Sergei Radlov to music by Boris Asafyev based on songs of the French Revolution. The libretto by Nicolai Volkov and Vladimir Dmitriev was adapted from a book by Felix Gras. It was premiered at the Kirov Theatre in Leningrad on 7 November 1932, with Natalia Dudinskaya as Mireille de Poitiers, Vakhtang Chabukiani as Jérôme, Olga Jordan as Jeanne, Nina Anisimova as Thérèse, and Konstantin Sergeyev as Mistral. The Bolshoi Ballet premiered the full work on 6 July 1933 at the Bolshoi Theatre in Moscow, with Aleksey Yermolayev (Jérôme), Anastasia Abramova (Jeanne), Nadezhda Kapustina (Thérèse) and Marina Semenova (Mireille de Poitiers). The conductor was Yuri Fayer. A new production (using some of the original choreography) was staged in 2008 by Alexei Ratmansky for the Bolshoi Ballet and is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pas De Deux
In ballet, a pas de deux (French language, French, literally "step of two") is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including ''Sleeping Beauty (ballet), Sleeping Beauty'', ''Swan Lake'', and ''Giselle''. It is most often performed by a male and a female (a ''danseur'' and a ''ballerina'') though there are exceptions, such as in the film ''White Nights (1985 film), White Nights'', in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines. Grand pas de deux A grand pas de deux is a structured pas de deux that typically has five parts, consisting of an ''entrée'' (introduction), an ''adagio'', two variations (a solo for each dancer), and a ''coda'' (conclusion). It is effectively a suite of dances that share a common theme, often symbolic of a love story or the partnership inherent in love, with the dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Estonia
Estonia, formally the Republic of Estonia, is a country by the Baltic Sea in Northern Europe. It is bordered to the north by the Gulf of Finland across from Finland, to the west by the sea across from Sweden, to the south by Latvia, and to the east by Lake Peipus and Russia. The territory of Estonia consists of the mainland, the larger islands of Saaremaa and Hiiumaa, and over 2,200 other islands and islets on the eastern coast of the Baltic Sea, covering a total area of . The capital city Tallinn and Tartu are the two largest urban areas of the country. The Estonian language is the autochthonous and the official language of Estonia; it is the first language of the majority of its population, as well as the world's second most spoken Finnic language. The land of what is now modern Estonia has been inhabited by '' Homo sapiens'' since at least 9,000 BC. The medieval indigenous population of Estonia was one of the last " pagan" civilisations in Europe to adopt Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iris Morley
Iris Vivienne Morley (10 May 1910 – 27 July 1953) was an English historian, writer and journalist. Morley was born at Carshalton, Surrey, the daughter of Colonel Lyddon Charteris Morley CBE and Gladys Vivienne Charteris Braddell. She married Ronald Gordon Coates of the Devonshire Regiment on 10 January 1929. The couple divorced in 1934 and she married Alaric Jacob on 2 August 1934. With Jacob, she was in America for a period where he was based as a foreign correspondent, and they stayed there until the beginning of World War II. During the war, she wrote her trilogy of historical novels - ''Cry Treason'' (1940), ''We Stood For Freedom'' (1941) and ''The Mighty Years'' (1943) - with James Scott, the Duke of Monmouth, and William III, as central characters. Jacob was away for two years at this time reporting from war zones. She accompanied her husband to Moscow in January 1944 and wrote her work ''Soviet Ballet'' published in 1945. Morley was a journalist for ''The Observer' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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