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Ballad Stanza
In poetry, a ballad stanza is a type of a four- line stanza, known as a quatrain, most often found in the folk ballad. The ballad stanza consists of a total of four lines, with the first and third lines written in the iambic tetrameter and the second and fourth lines written in the iambic trimeter with a rhyme scheme of ABCB. Assonance in place of rhyme is common. Samuel Taylor Coleridge adopted the ballad stanza in ''The Rime of the Ancient Mariner''. :All in a hot and copper sky! :The bloody Sun, at noon, :Right up above the mast did stand, :No bigger than the Moon. :::Coleridge, ''The Rime of the Ancient Mariner','' lines 111 – 114 The longer first and third lines are rarely rhymed, although at times poets may use internal rhyme In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line (poetry)
A line is a unit of language into which a poem or play is divided. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences. Although the word for a single poetic line is '' verse'', that term now tends to be used to signify poetic form more generally. A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as ''lineation'', and is one of the defining features of poetry. A distinct numbered group of lines in verse is normally called a ''stanza''. A title, in some poems, is considered a line. General conventions in Western poetry Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse (poetry)
A verse is formally a single metrical line in a poetic composition. However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas. Verse in the uncountable ( mass noun) sense refers to poetry in contrast to prose. Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph. Verse in the second sense is also used pejoratively in contrast to poetry to suggest work that is too pedestrian or too incompetent to be classed as poetry. Types of verse Rhymed verse Rhymed verse is historically the most commonly used form of verse in English. It generally has a discernible meter and an end rhyme. I felt a Cleaving in my Mind – As if my Brain had split – I tried to match it – Seam by Seam – But could not make them fit. The thought behind, I strove to join Unto the thought before – But S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Tetrameter
Iambic tetrameter is a poetic meter in ancient Greek and Latin poetry; as the name of ''a rhythm'', iambic tetrameter consists of four metra, each metron being of the form , x – u – , , consisting of a spondee and an iamb, or two iambs. There usually is a break in the centre of the line, thus the whole line is: , x – u – , x – u – , , x – u – , , x – u – , ("x" is a syllable that can be long or short, "–" is a long syllable, and "u" is a short one.) In modern English poetry, it refers to a line consisting of four iambic feet. The word "tetrameter" simply means that there are four feet in the line; ''iambic tetrameter'' is a line comprising four iambs, defined by accent. The scheme is thus: x / x / x / x / Some poetic forms rely upon the iambic tetrameter, for example triolet, Onegin stanza, In Memoriam stanza, long measure (or long meter) ballad stanza. Quantitative verse In Medieval Latin The term iambic tetrameter originally appl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Trimeter
The Iambic trimeter is a meter of poetry consisting of three iambic units (each of two feet) per line. In ancient Greek poetry and Latin poetry, an iambic trimeter is a quantitative meter, in which a line consists of three iambic ''metra''. Each ''metron'' consists of the pattern , x – u – , , where "–" represents a long syllable, "u" a short one, and "x" an ''anceps'' (either long or short). Resolution was common, especially in the first two metra of the line, so that any long or ''anceps'' syllable except the last could be replaced by two short syllables (see for example Euripides#Chronology), making a total of 13 or more syllables. It is the most common meter used for the spoken parts (as opposed to the sung parts) of Ancient Greek tragedy, comedy, and satyr plays. It is also common in iambus or 'blame poetry', although it is not the only meter for that genre. In the accentual-syllabic verse of English, German, and other languages, however, the iambic trimeter is a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poems message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assonance
Assonance is a resemblance in the sounds of words/syllables either between their vowels (e.g., ''meat, bean'') or between their consonants (e.g., ''keep, cape''). However, assonance between consonants is generally called ''consonance'' in American usage. The two types are often combined, as between the words ''six'' and ''switch'', in which the vowels are identical, and the consonants are similar but not completely identical. If there is repetition of the same vowel or some similar vowels in literary work, especially in stressed syllables, this may be termed "vowel harmony" in poetry (though linguists have a different definition of "vowel harmony"). A special case of assonance is rhyme, in which the endings of words (generally beginning with the vowel sound of the last stressed syllable) are identical—as in ''fog'' and ''log'' or ''history'' and ''mystery''. Vocalic assonance is an important element in verse. Assonance occurs more often in verse than in prose; it is used in Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Taylor Coleridge
Samuel Taylor Coleridge (; 21 October 177225 July 1834) was an English poet, literary critic, philosopher, and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd. He wrote the poems ''The Rime of the Ancient Mariner'' and ''Kubla Khan'', as well as the major prose work ''Biographia Literaria''. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking cultures. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had a major influence on Ralph Waldo Emerson and American transcendentalism. Throughout his adult life, Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime.Jamis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rime Of The Ancient Mariner
''The Rime of the Ancient Mariner'' (originally ''The Rime of the Ancyent Marinere'') is the longest major poem by the English poet Samuel Taylor Coleridge, written in 1797–1798 and published in 1798 in the first edition of ''Lyrical Ballads''. Some modern editions use a revised version printed in 1817 that featured a gloss. Along with other poems in ''Lyrical Ballads'', it is often considered a signal shift to modern poetry and the beginning of British Romantic literature. ''The Rime of the Ancient Mariner'' recounts the experiences of a sailor who has returned from a long sea voyage. The mariner stops a man who is on his way to a wedding ceremony and begins to narrate a story. The Wedding-Guest’s reaction turns from bemusement to impatience to fear to fascination as the mariner's story progresses, as can be seen in the language style: Coleridge uses narrative techniques such as personification and repetition to create a sense of danger, the supernatural, or serenity, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internal Rhyme
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, denotes a three-line poem with the same internal rhyme on each line, and the same end rhyme on each line (which does not rhyme with the internal rhyme). Examples The following example is in limerick form. Each stressed syllable rhymes with another stressed syllable using one of three rhyme sets. Each rhyme set is indicated by a different highlight color. Note that the yellow rhyme set provides internal rhyme in lines 1, 2, and 5, and end rhymes in lines 3 and 4, whereas the blue set is entirely internal and the pink is exclusively end rhymes. Each time alie for a She well that her are the Of the , and it , But this will ex More than , so some gape and . Percy Dearmer (1867†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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