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Bahr (poetry)
A baḥr (from Arabic , ; fa, بحر; az, bəhr; tr, bahir; ur, بحر; uz, bahr) means a meter in Arabic, Persian, Turkic and Urdu poetry. Essentially, ''bahr'' is a specific pattern, combining the ''arkaan'' of Urdu prosody that define the "length" of a ''sher''. However, generally ''bahr'' is categorized in three classes: Short, medium, long, depending upon the length of the ''sher'' of the ''ghazal''. For a ''ghazal'', since all the ''shers'' in it should be of the same ''bahr'', determining the ''bahr'' of one ''sher'' (or even one line of the ''sher'') is enough to determine the ''bahr'' of the entire ''ghazal''. For example, in this ''ghazal'' of Ghalib, the length and meter of the ashaar is same throughout. In terms of the European method of scansion, the metre can be written as follows (where "x" = long or short, "u" = short, "–" = long, "u u" = one long or two short syllables): :x u – – u – u – u u – :''koii ummiid bar nahiin aatii'' :''koii suurat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic
Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arabs, Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard Prestige (sociolinguistics), prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as First language, mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghalib
Mirza Beg Asadullah Khan (Urdu, fa, مرزا بیگ اسد اللہ خان; 27 December 1797 – 15 February 1869) also known as Mirza Ghalib (Urdu, fa}) was an Urdu and Persian language, Persian shayar (poet), poet of the 19th century Mughal Empire, Mughal and British Raj, British era in the Indian Subcontinent. He was popularly known by the pen name, pen names Ghalib (غالب) and Asad (اسد). His honorific was ''Dabir-ul-Mulk, Najm-ud-Daula''. He is one of the most popular poets in Pakistan and India. During his lifetime, the already declining Mughal Empire was eclipsed and displaced by the British East India Company Rule and finally deposed following the defeat of the Indian Rebellion of 1857; these are described through his work. He wrote in both Urdu and Persian language, Persian. Although his Persian Diwan (poetry), Divan (body of work) is at least five times longer than his Urdu Divan, his fame rests on his poetry in Urdu. Today, Ghalib remains one of the most popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sher (poem)
Urdu poetry ( ur, ) is a tradition of poetry and has many different forms. Today, it is an important part of the cultures of South Asia. According to Naseer Turabi there are five major poets of Urdu which are Mir Taqi Mir (d.1810), Mirza Ghalib, Mir Anees, Allama Iqbal and Josh Malihabadi (d.1982). The language of Urdu reached its pinnacle under the British Raj, and it received official status. All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition. It is fundamentally performative poetry and its recital, sometimes impromptu, is held in Mushairas (poetic expositions). Although its tarannum saaz (singing aspect) has undergone major changes in recent decades, its popularity among the masses remai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scansion
Scansion ( , rhymes with ''mansion''; verb: ''to scan''), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse. In classical poetry, these patterns are quantitative based on the different ''lengths'' of each syllable. In English poetry, they are based on the different levels of ''stress'' placed on each syllable. In both cases, the meter often has a regular foot. Over the years, many systems have been established to mark the scansion of a poem. Overview Systems of scansion, and the assumptions (often tacit or even subconscious) that underlie them, are so numerous and contradictory that it is often difficult to tell whether differences in scansion indicate opposed metrical theories, conflicting understandings of a line's linguistic character, divergent practical goals, or whether they merely constitute a trivial argument over who has the "better ear" for verse. There is even a debate am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rekhta (website)
Rekhta is an Indian literary web portal owned by the Rekhta Foundation, a nonprofit and non-governmental organization dedicated to the promotion of the Urdu literature in South Asia. It has digitalized about ninety thousand books during the period of six years since it began publishing Urdu, Hindi and Persian literature, containing biographies of poets, Urdu poetry, fiction and nonfiction writings that originally belongs to public and research libraries in the Indian subcontinent. It serves content in multiple scripts such as Devanagari, Roman and, primarily, Nastaliq. It also includes religious texts, including the Quran and the Mahabharata, a Sanskrit epic of ancient India. It hosts books from centuries earlier and is recognized the largest web portal in the world for the preservation of Urdu literature. The site has digitalized more than 90,000 e-books with nineteen million pages, which are categorically classified into different sections such as diaries, children's literatur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry
Arabic poetry ( ar, الشعر العربي ''ash-shi‘ru al-‘Arabīyyu'') is the earliest form of Arabic literature. Present knowledge of poetry in Arabic dates from the 6th century, but oral poetry is believed to predate that. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in ''The Science of ‘ Arud''. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (''buḥūr''). The measuring unit of seas is known as "''taf‘īlah''," and every sea contains a certain number of taf'ilas which the poet has to observe in every verse (''bayt'') of the poem. The measuring procedure of a poem is very rigorous. Sometimes adding or removing a consonant or a vowel can shift the ''bayt'' from one meter to another. Also, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Poetry
Persian literature ( fa, ادبیات فارسی, Adabiyâte fârsi, ) comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan) and South Asia where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajikista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azerbaijani Poetry
Azerbaijani literature ( az, Azərbaycan ədəbiyyatı) is written in Azerbaijani, a Turkic language, which is the official state language of the Republic of Azerbaijan, where the North Azerbaijani variety is spoken. It is also natively spoken in Iran, where the South Azerbaijani variety is used, and is particularly spoken in the northwestern historic region of Azerbaijan. Azerbaijani is also spoken natively in Russia (especially Dagestan), Georgia and Turkey. While the majority of Azerbaijani people live in Iran, modern Azerbaijani literature is overwhelmingly produced in the Republic of Azerbaijan, where the language has official status. Three scripts are used for writing the language: Azerbaijani Latin script in the Republic of Azerbaijan, Arabic script in Iran and Cyrillic script formerly used in Soviet Azerbaijan. The earliest development of Azerbaijani literature is closely associated with Anatolian Turkish, written in Perso-Arabic script. Examples of its detachment da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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