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Babar's Museum Of Art
''Babar's Museum of Art'' (or ''Babar's Gallery'') was the collaborative product of Laurent de Brunhoff (illustrations) and his wife Phyllis Rose de Brunhoff (text) for the Babar the Elephant series. The aim was to introduce different notable works of art found in museums around the world, mostly paintings, but also including sculptures. The human subjects in these artworks were re-interpreted as elephants. Plot summary As the elephants in Celesteville took to motoring, the city's train station lost its original purpose. Queen Celeste decided to convert the station into an Art museum to showcase all the artworks she and Babar had collected over the years. When the museum was opened, the adult elephants patiently explained to the young elephants different perspectives on art appreciation. Trivia The conversion of the Celesteville's obsolete train station into a museum of art in the story is inspired by the conversion of Gare d'Orsay (Paris, France) to the now famous Musée d'Orsay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurent De Brunhoff
Laurent de Brunhoff (born 30 August 1925) is a French author and illustrator, known primarily for continuing the Babar the Elephant series of children's books that was created by his father, Jean de Brunhoff. Early life Brunhoff was born in Paris. The children's classic ''Babar'' began as a bedtime story that Cécile de Brunhoff told her young sons, Laurent and Mathieu, in 1930, when they were five and four years old, respectively. They loved the story about the little elephant so much that they asked their father, who was an artist, to draw pictures for them of the elephant world their mother had described. He did and eventually created a book, ''L'Histoire de Babar: le petit éléphant'' (''The Story of Babar''), which was published by Jardin des Modes, a family-run publishing house. Jean de Brunhoff created five more Babar books and had one more son, Thierry, a concert pianist known particularly for his interpretation of Chopin, who became a Benedictine monk in 1974. Career A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Las Meninas
''Las Meninas'' (; ) is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist of the Spanish Golden Age. It has become one of the most widely analyzed works in Western painting, due to the way its complex and enigmatic composition raises questions about reality and illusion, and the uncertain relationship it creates between the viewer and the figures depicted. The painting is believed by F. J. Sánchez Cantón to depict a room in the Royal Alcazar of Madrid during the reign of King Philip IV of Spain, and presents several figures, most identifiable from the Spanish court, captured in a particular moment as if in a snapshot. Some of the figures look out of the canvas towards the viewer, while others interact among themselves. The five-year-old Infanta Margaret Theresa is surrounded by her entourage of maids of honour, chaperone, bodyguard, two dwarfs and a dog. Just behind them, Velázquez portrays himself working at a large canvas. Velázq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Creation Of Adam
'' Creation of Adam'' () is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508–1512. It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the first man. The fresco is part of a complex iconographic scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis. The painting has been reproduced in countless imitations and parodies. Michelangelo's ''Creation of Adam'' is one of the most replicated religious paintings of all time. History In 1505, Michelangelo was invited back to Rome by the newly elected Pope Julius II. He was commissioned to build the Pope's tomb, which was to include forty statues and be finished in five years. Under the patronage of the Pope, Michelangelo experienced constant interruptions to his work on the tomb in order to accomplish numerous other tasks. Although Michelangelo worked on the tomb for 40 ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunday Afternoon On The Island Of La Grande Jatte
''A Sunday Afternoon on the Island of La Grande Jatte'' (french: Un dimanche après-midi à l'Île de la Grande Jatte) was painted from 1884 to 1886 and is Georges Seurat's most famous work. A leading example of pointillist technique, executed on a large canvas, it is a founding work of the neo-impressionist movement. Seurat's composition includes a number of Parisians at a park on the banks of the River Seine. It is in the collection of the Art Institute of Chicago. Background In 1879, Georges Seurat enlisted as a soldier in the French army and arrived back home in 1880. Later, he ran a small painter's studio in Paris, and in 1883 showed his work publicly for the first time. The following year, Seurat began to work on ''La Grande Jatte'' and exhibited the painting in the spring of 1886 with the Impressionists. With ''La Grande Jatte'', Seurat was immediately acknowledged as the leader of a new and rebellious form of Impressionism called Neo-Impressionism. Seurat painted ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges-Pierre Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work ''A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863.Seurat: p. 16 His father, Antoine Chrysostome Seu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pastoral Concert
The ''Pastoral Concert'' or ''Le Concert Champêtre'' is an oil painting of c. 1509 attributed to the Italian Renaissance master Titian. It was previously attributed to his fellow Venetian and contemporary Giorgione. It is now in the Musée du Louvre in Paris. This painting was created between approximately 1509 and 1510; the exact date of its creation is unknown. This period also represents a turbulent period of history in Venice, specifically the League of Cambrai's War in 1509. Art historian Jonathan Unglaub suggests that this painting was painted in response to the war, providing an "idyllic refuge from the ravages of history." The term "Concert Champêtre" was first used in 1754 by Nicolas Bernard Lépicié, to describe this painting. But when it entered the Louvre in 1792 it was given the title of a Fête champêtre, a genre arguably based on this painting. It is believed to visually show the Renaissance admiration of classical poetry, an essential value of humanism. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liberty Leading The People
''Liberty Leading the People'' (french: La Liberté guidant le peuple ) is a painting by Eugène Delacroix commemorating the July Revolution of 1830, which toppled King Charles X. A woman of the people with a Phrygian cap personifying the concept of Liberty leads a varied group of people forward over a barricade and the bodies of the fallen, holding the flag of the French Revolution – the tricolour, which again became France's national flag after these events – in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne. The painting is sometimes wrongly thought to depict the French Revolution of 1789. ''Liberty Leading the People'' is exhibited in the Louvre in Paris. History By the time Delacroix painted ''Liberty Leading the People'', he was already the acknowledged leader of the Romantic school in French painting. Delacroix, who was born as the Age of Enlightenment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Delacroix
Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: British and French Painting in the Age of Romanticism'', p. 58, Tate Publishing, 2003. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Harvesters (painting)
''The Harvesters'' is an oil painting on wood completed by Pieter Bruegel the Elder in 1565. It depicts the harvest time, in the months of July and August or late summer. Nicolaes Jonghelinck, a merchant banker and art collector from Antwerp, commissioned this painting. Painting The painting is one in a series of six (or perhaps twelve) works, five of which are still extant, that depict different times of the year. As in many of his paintings, the focus is on peasants and their work and does not have the religious themes common in landscape works of the time. Notably, some of the peasants are shown eating while others are harvesting wheat, a (relating to phenomena such as ideas, language, or culture, as they occur or change over a period of time) depiction of both the production and consumption of food. Pears can be seen on the white cloth in front of the upright sitting woman who eats bread and cheese while a figure in the tree to the far right picks pears. The painting shows a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
