Bab Al-Barda'in
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Bab Al-Barda'in
Bab al-Barda'in or Bab Berdaïne is the northern gate of the historic ''medina'' of Meknes, Morocco. History Bab al-Barda'in existed as one of the original gates of the 11th-century city fortified by the Almoravids. This original medieval gate is partly preserved to the south of the present-day gate.El Khammar, Abdeltif (2005). "Mosquées et oratoires de Meknès (IXe-XVIIIe siècle) : géographie religieuse, architecture et problème de la Qibla". PhD Thesis. Université Lumière-Lyon 2. The current gate at the northern end of the medina was built under the Alaouite sultan Moulay Isma'il (ruled 1672–1727). Isma'il made Meknes his capital and refortified the city while building a new imperial palace complex to the southeast. According to Ibn Zaydan the new gate was completed in 1695, though other sources cite 1687 1720 as the completion date. Around the same period, the nearby Bab al-Barda'in Mosque, named after the gate, was completed in 1709. Moulay Isma'il also built a ...
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Meknes, Morocco
Meknes ( ar, مكناس, maknās, ; ber, ⴰⵎⴽⵏⴰⵙ, amknas; french: Meknès) is one of the four Imperial cities of Morocco, located in northern central Morocco and the sixth largest city by population in the kingdom. Founded in the 11th century by the Almoravids as a military settlement, Meknes became the capital of Morocco under the reign of Sultan Moulay Ismaïl (1672–1727), son of the founder of the Alaouite dynasty. Moulay Ismaïl created a massive imperial palace complex and endowed the city with extensive fortifications and monumental gates. The city recorded a population of 632,079 in the 2014 Moroccan census. It is the seat of Meknès Prefecture and an important economic pole in the region of Fès-Meknès. Etymology Meknes is named after a Berber tribe which, was known as '' Miknasa'' (native Berber name: Imeknasen) in the medieval North African documents. History Early history (8th–16th centuries) Volubilis, a major Roman-era settlement in Morocco ...
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Arabesque
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of ...
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Mohamed Ben Issa
Mohamed ben Issa or al-Hadi ben Issa (also nicknamed ''Sheikh al-Kamil'' ar, الشيخ الكامل محمد بن عيسى; 1467–1526) was a Moroccan Wali and founder of the Triqa Issawiya. He is considered the patron-saint of the city of Meknes. His Tariqa has found many followers outside his native region, and today has outposts throughout Morocco, Algeria, Tunisia, Libya and Egypt. A hagiography was done by 18th-century Moroccan historian Ahmed ibn al-Mahdi al-Ghazzal in his book ''an-Nour al-Shamil'' (). Life He originated from semlala a clan of the jazula or gzoula tribe in southern Morocco and may have been a descent of the jazulah of the awlad Abu siba, a saharawi tribe in southern Morocco who can trace their linage Idriss II idriss al azhar as the book nour al shamil from Ahmad al ghazali states As his father was a follower of Imam al-Jazuli, he was born in the region of Safi amongst the Mukhatar clan of the Shaym tribe and travelled as a youngster with his fathe ...
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Zawiya Of Sidi Ben Aissa
The Cheikh Al Kamel Mausoleum, also known as the Mausoleum of Sidi Mohammed Ben Aïssa (also spelled Muhammad ibn Isa), is a zawiya (funerary and religious monument) in Meknes, Morocco. It was founded in the 16th century as the burial place of Mohammed Ben Aïssa (also known as Al-Hadi Ben Aïssa) the great saint of the city of Meknes and founder of a famous Sufi brotherhood of the 16th century, the Aissaoua. It serves as both a mausoleum and a mosque, and is located within the boundaries of a cemetery just outside the walls of the medina (old city) in the district of Bab al-Jadid, south of Bab al-Barda'in Bab al-Barda'in or Bab Berdaïne is the northern gate of the historic ''medina'' of Meknes, Morocco. History Bab al-Barda'in existed as one of the original gates of the 11th-century city fortified by the Almoravids. This original medieval ga .... The mausoleum is the focal point of an annual ''moussem'' (religious festival) is one of the most intense and was historic ...
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Faqīh
A faqīh (plural ''fuqahā'', ar, فقيه, pl. ‏‎) is an Islamic jurist, an expert in ''fiqh'', or Islamic jurisprudence and Islamic Law. Definition Islamic jurisprudence or ''fiqh'' is the human understanding of the Sharia (believed by Muslims to represent divine law as revealed in the Quran and the ''Sunnah'' (the teachings and practices of the Islamic prophet Muhammad). Sharia expanded and developed by interpretation (''ijtihad'') of the Quran and ''Sunnah'' by Islamic jurists (''Ulema'') and implemented by the rulings (''Fatwa'') of jurists on questions presented to them. ''Fiqh'' deals with the observance of rituals, morals and social legislation in Islam. In the modern era there are four prominent schools (''madh'hab'') of ''fiqh'' within Sunni practice and two (or three) within Shi'a practice. The historian Ibn Khaldun describes ''fiqh'' as "knowledge of the rules of God which concern the actions of persons who own themselves bound to obey the law respect ...
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Almohad Caliphate
The Almohad Caliphate (; ar, خِلَافَةُ ٱلْمُوَحِّدِينَ or or from ar, ٱلْمُوَحِّدُونَ, translit=al-Muwaḥḥidūn, lit=those who profess the Tawhid, unity of God) was a North African Berbers, Berber Muslim empire founded in the 12th century. At its height, it controlled much of the Iberian Peninsula (Al Andalus) and North Africa (the Maghreb). The Almohad movement was founded by Ibn Tumart among the Berber Masmuda tribes, but the Almohad caliphate and its ruling dynasty were founded after his death by Abd al-Mu'min, Abd al-Mu'min al-Gumi. Around 1120, Ibn Tumart first established a Berber state in Tinmel in the Atlas Mountains. Under Abd al-Mu'min (r. 1130–1163) they succeeded in overthrowing the ruling Almoravid dynasty governing Morocco in 1147, when he conquered Marrakesh and declared himself caliph. They then extended their power over all of the Maghreb by 1159. Al-Andalus soon followed, and all of Muslim Iberia was under Almohad ...
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Merlon
A merlon is the solid upright section of a battlement (a crenellated parapet) in medieval architecture or fortifications.Friar, Stephen (2003). ''The Sutton Companion to Castles'', Sutton Publishing, Stroud, 2003, p. 202. Merlons are sometimes pierced by narrow, vertical embrasures or slits designed for observation and fire. The space between two merlons is called a crenel, and a succession of merlons and crenels is a crenellation. Crenels designed in later eras for use by cannons were also called embrasures. Etymology The term ''merlon'' comes from the French language, adapted from the Italian , possibly a shortened form of , connected to Latin (pitchfork), or from a diminutive , from or (a wall). An alternative etymology suggests that the medieval Latin (mentioned from the end of the 10th century) functioned as a diminutive of Latin , " blackbird", expressing an image of this bird sitting on a wall. As part of battlements As an essential part of battlements, merlons were ...
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Corbel
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure. A piece of timber projecting in the same way was called a "tassel" or a "bragger" in England. The technique of corbelling, where rows of corbels deeply keyed inside a wall support a projecting wall or parapet, has been used since Neolithic (New Stone Age) times. It is common in medieval architecture and in the Scottish baronial style as well as in the vocabulary of classical architecture, such as the modillions of a Corinthian cornice. The corbel arch and corbel vault use the technique systematically to make openings in walls and to form ceilings. These are found in the early architecture of most cultures, from Eurasia to Pre-Columbian architecture. A console is more specifically an "S"-shaped scroll bracket in the classic ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Islamic Geometric Patterns
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures. The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques (with which they are often combined), to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs. The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. Geometric patterns occur in a variety of forms in Islamic a ...
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Zellij
''Zellij'' ( ar, الزليج, translit=zillīj; also spelled zillij or zellige) is a style of mosaic tilework made from individually hand-chiseled tile pieces. The pieces were typically of different colours and fitted together to form various patterns on the basis of tessellations, most notably elaborate Islamic geometric motifs such as radiating star patterns. This form of Islamic art is one of the main characteristics of architecture in the western Islamic world. It is found in the architecture of Morocco, the architecture of Algeria, early Islamic sites in Tunisia, and in the historic monuments of al-Andalus (in the Iberian Peninsula). From the 14th century onwards, ''zellij'' became a standard decorative element along lower walls, in fountains and pools, on minarets, and for the paving of floors. After the 15th century the traditional mosaic ''zellij'' fell out of fashion in most countries except for Morocco, where it continues to be produced today. ''Zellij'' is found in ...
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Sebka
''Sebka'' () refers to a type of decorative motif used in western Islamic ("Moorish") architecture and Mudéjar architecture. History and description Various types of interlacing rhombus-like motifs are heavily featured on the surfaces of minarets and other architectural elements in Morocco and al-Andalus during the Almohad period (12th–13th centuries). They continued to spread to other decorative mediums such as carved stucco over the walls of various buildings in Marinid and Nasrid architecture, eventually becoming a standard feature in the western Islamic ornamental repertoire, often in combination with arabesque elements. George Marçais, an important 20th-century scholar on the architecture of the region, argues that this motif originated with the complex interlacing arches in the 10th-century extension of the Great Mosque of Cordoba by Caliph al-Hakam II. It was then miniaturized and widened into a repeating net-like pattern that can cover surfaces. This motif, ...
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