Ba Zaw
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Ba Zaw
Ba Zaw ( my, ဘဇော်; 18911942) was an early Burmese artist born in Thayet and raised in Mandalay who mastered western painting. He and his student, Saya Saung, are largely responsible for creating the foundations and identity of a Western-style painting circle within the Mandalay School. The Mandalay School, when examined as a whole, included diverse artistspainters who devoted themselves to Western-style painting as well as professional Traditional Burmese painters whose specialty and livelihood came from painting Buddhist works for temples and other religious buildings. Almost all the Traditional painters dabbled in or heavily experimented in Western-style painting from time to time. Early life and education Ba Zaw was born to a well-known silversmith by the name of U Kyin who was awarded a gold medal by a British viceroy of Burma. He attended St. Peter's High School in Mandalay and then entered Judson College in Rangoon in about 1911 or 1912. Judson College ...
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Thayet
Thayet (; pronounced ) is a capital city in Thayet District of Magway Region in central Myanmar. It is a port on the right (western) bank of the Irrawaddy River, across and just south of Allanmyo, between Pyay (Prome) and Magway. Thayet is the administrative seat of both Thayet District and Thayet Township. , the population was 20,251 in the city proper. Geography On the west are the Arakan Mountains The Arakan Mountains ( my, ရခိုင်ရိုးမ), also known as the Rakhine Yoma, are a mountain range in western Myanmar, between the coast of Rakhine State and the Central Myanmar Basin, in which flows the Irrawaddy River. It is th ..., and on the east the Pegu Range, and the face of the country is otherwise broken by low ranges of hills, many of which have no vegetation. The greater part of the district is wooded, and the ranges east and west are covered with forests. The chief river is the Irrawaddy, which traverses Thayet from north to south. Several salt an ...
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Asthenia
Weakness is a symptom of a number of different conditions. The causes are many and can be divided into conditions that have true or perceived muscle weakness. True muscle weakness is a primary symptom of a variety of skeletal muscle diseases, including muscular dystrophy and inflammatory myopathy. It occurs in neuromuscular junction disorders, such as myasthenia gravis. Pathophysiology Muscle cells work by detecting a flow of electrical impulses from the brain, which signals them to contract through the release of calcium by the sarcoplasmic reticulum. Fatigue (reduced ability to generate force) may occur due to the nerve, or within the muscle cells themselves. New research from scientists at Columbia University suggests that muscle fatigue is caused by calcium leaking out of the muscle cell. This makes less calcium available for the muscle cell. In addition, the Columbia researchers propose that an enzyme activated by this released calcium eats away at muscle fibers. Subs ...
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Maha Bandula
General Maha Bandula ( my, မဟာဗန္ဓုလ ; 6 November 1782 – 1 April 1825) was commander-in-chief of the Royal Burmese Armed Forces from 1821 until his death in 1825 in the First Anglo-Burmese War. Bandula was a key figure in the Konbaung dynasty's policy of expansionism in Manipur and Assam that ultimately resulted in the war and the beginning of the downfall of the dynasty. Nonetheless, the general, who died in action, is celebrated as a national hero by the Burmese for his resistance to the British. Today, some of the most prominent places in the country are named after him. Early life Maha Bandula was born Maung Yit ( ) on 6 November 1782 (Wednesday, 2nd waxing of Tazaungmon 1144 ME) in Dabayin, the firstborn son of a minor gentry family of Pauk Taw () and his wife, Nyein (, as in "calm"; not the more common as in "finality/completed").Myint-U 2006: 112 He had three siblings: brother Aye (), sister Dok (), and brother Myat Ne (). As customar ...
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National Museum Of Myanmar
The National Museum of Myanmar (Yangon), ( my, အမျိုးသား ပြတိုက်), located in Dagon, Yangon, is the major one of the two national museums for Burmese art, history and culture in Myanmar. Founded in 1952, the five-storey museum has an extensive collection of ancient artifacts, ornaments, work of art, inscriptions and historic memorabilia, related to history, culture and civilization of Burmese people. The main attraction of the museum is the only surviving original Lion Throne of the Burmese monarchs. There are more than 4000 permanent objects in the museum. Public museums in Myanmar are administered by the Ministry of Religious Affairs and Culture and can be classified as national museums, archaeological museums, regional cultural museums, and memorial museums. Furthermore, other kinds of museum are appearing under other ministries, like the Defense Services Museum in the capital Naypyidaw, or in the private sector. The museum is open from 9:30 ...
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Kin Maung
Khin Maung (Bank) ( ; 1910 – 20 December 1983) was a Burmese painter and sponsor of the arts who was influential in the art world of Mandalay, Myanmar. More importantly, however, he was the major force for the development of a modernistic movement in painting in Burma, which began in the early 1960s. In 1952, Khin Maung became a bank manager, and thus he is often referred to as Khin Maung (Bank) to differentiate him from another Burmese painter Khin Maung (Yangon). The names of both Khin Maung (Bank) and Khin Maung (Yangon) are sometimes spelled as "Khin Maung". Life Khin Maung (Bank) was born in 1910 at Tantse (), Shwebo District, the second son of a merchant, and became interested in painting at an early age. He began his formal training through a correspondence course from the London-based Press Art School in 1933. In 1934, he took further correspondence courses from (Pyinmana) U Hla and the London School of Fine Arts. He started drawing cartoons and commercial paintings ...
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Ba Thet
Ba Thet (1903–1972; my, ဘသက် ) was a Burmese painter who worked in Mandalay, Myanmar and who was known as an advocate of experimentation in the arts. He was an associate of Kin Maung, who is known commonly known in Burma as Kin Maung (Bank) to differentiate him from another painter of some renown, Kin Maung (Yangon). Kin Maung (Bank) is generally regarded as the "Father of Modernist Painting" in Burma. Early life The early stories about Ba Thet while he was an adolescent and teenager in training to become an artist are of a legendary quality. He was regarded as something of a prodigy of the arts in Burma because he never acquired his skills through formal training, rather by "seeing and doing." In addition, he had little taste for master-apprentice relations and no sooner had he mastered an art form than he was flouting the conventions of the genre. Some of the early stories about him are undoubtedly apocryphal but there are so many of them that they do clearly indica ...
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Expressionism
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Mat ...
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Impasto
''Impasto'' is a technique used in painting, where paint is laid on an area of the surface thickly, usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming ''out'' of the canvas. Origins The word ''impasto'' is Italian in origin; in which it means "dough" or "mixture"; related to the verb , "to knead", or "to paste". Italian usage of includes both a painting and a potting technique. According to Webster's ''New World College Dictionary'', the root noun of is , whose primary meaning in Italian is "paste". Mediums Oil paint is the traditional medium for impasto painting, due to its thick consistency and slow drying time. Acrylic paint can also be used for impasto by adding heavy body acrylic gels. Impasto is generally not used in watercolor or tempera without the addition of thickening agent due to the inherent thinness of these media. An artist ...
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Gouache
Gouache (; ), body color, or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a considerable history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work. Gouache is similar to watercolor in that it can be re-wetted and dried to a matte finish, and the paint can become infused into its paper support. It is similar to acrylic or oil paints in that it is normally used in an opaque painting style and it can form a superficial layer. Many manufacturers of watercolor paints also produce gouache, and the two can easily be used together. Description Gouache paint is similar to watercolor, but is modified to make it opaque. Just as in watercolor, the binding agent has traditionally been gum arabic but since t ...
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Royal Watercolour Society
The Royal Watercolour Society is a British institution of painters working in watercolours. The Society is a centre of excellence for water-based media on paper, which allows for a diverse and interesting range of approaches to the medium of watercolour. Its members, or associates, use the postnominal initials RWS. They are elected by the membership, with typically half a dozen new associates joining the Society each year. History The society was founded as the ''Society of Painters in Water Colours'' in 1804 by William Frederick Wells. Its original membership was William Sawrey Gilpin, Robert Hills, John Claude Nattes, John Varley, Cornelius Varley, Francis Nicholson, Samuel Shelley, William Henry Pyne and Nicholas Pocock. The members seceded from the Royal Academy where they felt that their work commanded insufficient respect and attention. In 1812, the Society reformed as the ''Society of Painters in Oil and Watercolours'', reverting to its original name in 1820. In ...
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William Russell Flint
Sir William Russell Flint (4 April 1880 – 30 December 1969) was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking. Biography Flint was born in Edinburgh on 4 April 1880 and was educated at Daniel Stewart's College and then Edinburgh Institution. From 1894 to 1900 Flint was apprenticed as a lithographic draughtsman while taking classes at the Royal Institute of Art, Edinburgh.Theo Cowdell"Flint, Sir William Russell"''Oxford Art Online'' From 1900 to 1902 he worked as a medical illustrator in London while studying part-time at the Heatherley School of Fine Art. He furthered his art education by studying independently at the British Museum. He was an artist for ''The Illustrated London News'' from 1903 to 1907, and produced illustrations for editions of several books, including H Rider Haggard's ''King Solomon's Mines'' (1907 edition), W. S. Gilbert's ''Savoy Operas'' (1909), Sir Tho ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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