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Averoldi Polyptych
The ''Averoldi Polyptych'', also known as the ''Averoldi Altarpiece'', is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy. It is signed "Ticianus Faciebat / MDXXII" on the column of the panel showing St. Sebastian. History The work was commissioned by Altobello Averoldi, papal legate to Venice, from Titian during the period when he was the official painter of the Republic of Venice. The work was delivered in 1522, as indicated by Titian's signature in the lower right panel. The large polyptych was placed behind the high altar of the church of Santi Nazaro e Celso of Brescia, replacing another altarpiece by Vincenzo Foppa (of which now a ''Nativity of Jesus'' remains in the church of Santa Maria Assunta at Chiesanuova, as well as two side panels in the Pinacoteca Tosio Martinengo). At this time Brescia formed part of Venice's mainland possessions. A first version of the ''S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Bonvicino
Alessandro Bonvicino (also Buonvicino) (possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive. He also painted a few portraits, but these are more influential. A full-length '' Portrait of a Man'' in the National Gallery, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though clearly a wealthy nobleman, shows no sign of being from a princely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sistine Chapel Ceiling
The Sistine Chapel ceiling ( it, Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance Renaissance art, art. The Sistine Chapel is the large papal chapel built within the Vatican City, Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created Raphael Cartoons, a set of large tapestries (1515–1516) to cover the lower portion of the wall. Michelangelo returned to the chapel to create ''The Last Judgment (Michelangelo), The Last Judgment'', a large wall fresco situated behind the altar. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Sebastian
Saint Sebastian (in Latin: ''Sebastianus''; Narbo, Gallia Narbonensis, Roman Empire c. AD 255 – Rome, Italia, Roman Empire c. AD 288) was an early Christian saint and martyr. According to traditional belief, he was killed during the Diocletianic Persecution of Christians. He was initially tied to a post or tree and shot with arrows, though this did not kill him. He was, according to tradition, rescued and healed by Saint Irene of Rome, which became a popular subject in 17th-century painting. In all versions of the story, shortly after his recovery he went to Diocletian to warn him about his sins, and as a result was clubbed to death. He is venerated in the Catholic Church and the Orthodox Church. The oldest record of the details of Sebastian's martyrdom is found in the ''Chronograph of 354'', which mentions him as a martyr, venerated on January 20. He is also mentioned in a sermon on Psalm 118 by 4th-century bishop Ambrose of Milan (Saint Ambrose): in his sermon, Ambrose st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian - Study For St
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian ( Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante's '' Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Of Foligno
The ''Madonna of Foligno'' is a painting by the Italian High Renaissance painter Raphael, executed . First painted on wood panel, it was later transferred to canvas. History The painting was executed for Sigismondo de' Conti, chamberlain to Pope Julius II. It was placed on the high altar of Santa Maria in Aracoeli on the Capitoline Hill in Rome, the church in which Sigismondo was buried in 1512. It was moved by Anna Conti, a descendant of Sigismondi de' Conti, to the monastery of St. Anne in Foligno in 1565, and remained there for more than two centuries, hence the name. In 1799 it was one of many paintings which Napoleon ordered moved to Paris. There, in 1802, the painting was transferred from panel to canvas by François-Toussaint Hacquin and restored by Mathias Barthélémy Röser of Heidelberg. A note was made by the restorer: "''Rapporto dei cittadini Guijon Vincent Tannay e Berthollet sul ristauro dei quadri di Raffaello conosciuto sotto il nome di Madonna di Foligno.' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazarius And Celsus
Nazarius and Celsus ( it, San Nazaro e San Celso) were two martyrs of whom little is known beyond the discovery of their bodies by Ambrose of Milan. According to Paulinus the Deacon's ''Vita Ambrosii'', Ambrose, at some time within the last three years of his life, after the death of the Emperor Theodosius (d. 395), discovered in a garden outside the walls of Milan the body of Nazarius, with severed head. Nazarius's blood was reportedly still liquid and red when his body was exhumed by Ambrose. Ambrose had it carried to the Basilica of the Apostles. In the same garden Ambrose likewise discovered the body of Celsus, which he had transported to the same place. The ''Catholic Encyclopedia'' states: "Obviously a tradition regarding these martyrs was extant in the Christian community of Milan which led to the finding of the two bodies." [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deliverance Of Saint Peter
The ''Liberation of Saint Peter'' is a fresco painting by the Italian High Renaissance artist Raphael.(Arnold NESSELRATH "RAPHAEL ET PINTURICCHIO" Louvre éditions page 177 "cette oeuvre peinte entièrement par l'artiste lui même") It was painted in 1514 as part of Raphael's commission to decorate with frescoes the rooms that are now known as the '' Stanze di Raffaello'', in the Apostolic Palace in the Vatican. It is located in the ''Stanza di Eliodoro'', which is named after ''The Expulsion of Heliodorus from the Temple''. The painting shows how Saint Peter was liberated from Herod's prison by an angel, as described in Acts 12. It is technically an overdoor An "overdoor" (or "Supraporte" as in German, or "sopraporte" as in Italian) is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, or was originally intend .... The fresco shows three scenes in symmetrical balance formed by the fei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transfiguration (Raphael)
''The Transfiguration'' is the last painting by the Italian High Renaissance master Raphael. Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. The painting exemplifies Raphael's development as an artist and the culmination of his career. Unusually for a depiction of the Transfiguration of Jesus in Christian art, the subject is combined with the next episode from the Gospels (the healing of a possessed boy) in the lower part of the painting. The work is now in the Pinacoteca Vaticana in the Vatican City. From the late 16th century until the early 20th century, various commentators regarded it as the most famous oil painting in the world. History of the painting By December 1517, the latest date of commission, Cardinal Giulio de Medici, cousin to Pope Leo X (1513–1521), was also the Pope' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
