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Asclepiad (poetry)
An Asclepiad (Latin: ''Asclepiadeus'') is a line of poetry following a particular metrical pattern. The form is attributed to Asclepiades of Samos and is one of the Aeolic metres. As with other Aeolic metrical lines, the asclepiad is built around a choriamb. The Asclepiad may be described as a glyconic that has been expanded with one (Lesser Asclepiad) or two (Greater Asclepiad) further choriambs. The pattern (using "-" for a long syllable, "u" for a short and "x" for an "anceps" or free syllable, which can be either - or u) is: x x - u u - - u u - u - (Lesser Asclepiad / ''Asclepiadeus minor'') x x - u u - - u u - - u u - u - (Greater Asclepiad / ''Asclepiadeus maior'') West (1982) designates the Asclepiad as a "choriambically expanded glyconic" with the notation ''glc'' (lesser) or ''gl2c'' (greater). Asclepiads were used in Latin by Horace in thirty-four of his odes, as well as by Catullus in Poem 30, and Seneca in six tragedies. Examples in English verse include p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asclepiades Of Samos
Asclepiades of Samos (Sicelidas) ( el, Ἀσκληπιάδης ὁ Σάμιος; born c. 320 BC) was an ancient Greek epigrammatist and lyric poet who flourished around 270 BC. He was a friend of Hedylus and possibly of Theocritus. He may have been honoured by the city of Histiaea in about 263 BC. Asclepiades was the earliest and most important of the convivial and erotic epigrammists. Only a few of his compositions were intended as actual inscriptions, if any. Other poems sing the praises of those poets whom he especially admired, but the majority of his work that has survived is love songs. It is doubtful whether he is the author of all the epigrams (some 40 in number) which bear his name in the '' Greek Anthology''. He has been credited with creating the metre which bears his name, the Asclepiad metre. The sole source for the known, unlacunaed epigrams of Asclepiades is the Greek Anthology. Most of Asclepiades's epigrams appear in both of the two principal Byzantine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolic Verse
Aeolic verse is a classification of Ancient Greek lyric poetry referring to the distinct verse forms characteristic of the two great poets of Archaic Lesbos, Sappho and Alcaeus, who composed in their native Aeolic dialect. These verse forms were taken up and developed by later Greek and Roman poets and some modern European poets. General description Essential features and origin Sappho and Alcaeus' verses differ from most other Greek lyric poetry in their metrical construction: * Verses consist of a fixed number of syllables (thus, for example, no resolution, contraction, or biceps elements). * Consecutive anceps syllables may occur, especially at the beginning of the verse (where two initial anceps syllables are called the aeolic base). (This forms an exception to the principle, otherwise observed in Greek verse, that two successive unmarked elements are not permitted. Lines beginning with multiple anceps syllables are also exceptional in not being classifiable as having r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choriamb
In Greek and Latin poetry, a choriamb is a metron (prosodic foot) consisting of four syllables in the pattern long-short-short-long (— ‿ ‿ —), that is, a trochee alternating with an iamb. Choriambs are one of the two basic metra that do not occur in spoken verse, as distinguished from true lyric or sung verse. The choriamb is sometimes regarded as the "nucleus" of Aeolic verse, because the pattern long-short-short-long pattern occurs, but to label this a "choriamb" is potentially misleading.Halporn ''et al.'', ''Meters'', pp. 29–31. In the prosody of English and other modern European languages, "choriamb" is sometimes used to describe four-syllable sequence of the pattern stressed-unstressed-unstressed-stressed (again, a trochee followed by an iamb): for example, "over the hill", "under the bridge", and "what a mistake!". English prosody In English, the choriamb is often found in the first four syllables of iambic pentameter verses, as here in Keats' ''To Autumn'': : ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyconic
Glyconic (from Glycon, a Greek lyric poet) is a form of meter in classical Greek and Latin poetry. The glyconic line is the most basic form of Aeolic verse, and it is often combined with others. The basic shape (often abbreviated as gl) is as follows: x x – u u – u – Here "x" indicates an anceps, "–" a longum, and "u" a brevis. "x x" is known as the Aeolic base, which can be a spondeus "– –", a trochee "– u", or an iamb "u –". The middle foot "– u u –" is a ''choriambus'', as a so-called choriambic nucleus is a defining element of Aeolic verse. As in all classical verse forms, the phenomenon of brevis in longo is observed, so although the last syllable can actually be short or long, it always "counts" as long. The acephalous ("headless") version (^gl), also known as the ''telesillean'' (Latin: ''telesilleus''), is: x – u u – u – Runs of glyconic lines are often ended by a pherecratean (a glyconic without the last brevis: x x – u u – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anceps
In languages with quantitative poetic metres, such as Ancient Greek, Latin, Arabic, Sanskrit, and classical Persian, an anceps (plural ''ancipitia'' or ''(syllabae) ancipites'') is a position in a metrical pattern which can be filled by either a long or a short syllable. In general, ''anceps'' syllables in words, such as the first syllable of the Greek words (the Greek god of war) or "bitter", which can be treated by poets as either long or short, can be distinguished from ''anceps'' elements or positions in a metrical pattern, which are positions where either a long syllable or a short syllable can be used. Another distinction can be made between the ordinary ''anceps'' positions at the beginning or middle of a line of verse and the phenomenon of ''brevis in longo'', which is when a short syllable at the end of a line counts as long because of the pause which follows. The word ''anceps'' comes from the Latin ''anceps, ancipitis'', meaning "two-headed, uncertain, unfixed". The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Litchfield West
Martin Litchfield West, (23 September 1937 – 13 July 2015) was a British philologist and classical scholar. In recognition of his contribution to scholarship, he was awarded the Order of Merit in 2014. West wrote on ancient Greek music, Greek tragedy, Greek lyric poetry, the relations between Greece and the ancient Near East, and the connection between shamanism and early ancient Greek religion, including the Orphic tradition. This work stems from material in Akkadian, Phoenician, Hebrew, Hittite, and Ugaritic, as well as Greek and Latin. West also studied the reconstitution of Indo-European mythology and poetry and its influence on Ancient Greece, notably in the 2007 book ''Indo-European Poetry and Myth'' (''IEPM''). In 2001, he produced an edition of Homer's ''Iliad'' for the Bibliotheca Teubneriana, accompanied by a study of its critical tradition and overall philology entitled ''Studies in the Text and Transmission of the Iliad.'' A further volume on ''The Making of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace
Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his ''Odes'' as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses (''Satires'' and '' Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catullus
Gaius Valerius Catullus (; 84 - 54 BCE), often referred to simply as Catullus (, ), was a Latin poet of the late Roman Republic who wrote chiefly in the neoteric style of poetry, focusing on personal life rather than classical heroes. His surviving works are still read widely and continue to influence poetry and other forms of art. Catullus's poems were widely appreciated by contemporary poets, significantly influencing Ovid and Virgil, among others. After his rediscovery in the Late Middle Ages, Catullus again found admirers such as Petrarch. The explicit sexual imagery which he uses in some of his poems has shocked many readers. Yet, at many instruction levels, Catullus is considered a resource for teachers of Latin. Catullus's style is highly personal, humorous, and emotional; he frequently uses hyperbole, anaphora, alliteration, and diminutives. In 25 of his poems he mentions his devotion to a woman he refers to as "Lesbia", who is widely believed to have been the Roma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seneca The Younger
Lucius Annaeus Seneca the Younger (; 65 AD), usually known mononymously as Seneca, was a Stoic philosopher of Ancient Rome, a statesman, dramatist, and, in one work, satirist, from the post-Augustan age of Latin literature. Seneca was born in Córdoba in Hispania, and raised in Rome, where he was trained in rhetoric and philosophy. His father was Seneca the Elder, his elder brother was Lucius Junius Gallio Annaeanus, and his nephew was the poet Lucan. In AD 41, Seneca was exiled to the island of Corsica under emperor Claudius, but was allowed to return in 49 to become a tutor to Nero. When Nero became emperor in 54, Seneca became his advisor and, together with the praetorian prefect Sextus Afranius Burrus, provided competent government for the first five years of Nero's reign. Seneca's influence over Nero declined with time, and in 65 Seneca was forced to take his own life for alleged complicity in the Pisonian conspiracy to assassinate Nero, in which he was probably innocen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Sidney
Philip, also Phillip, is a male given name, derived from the Greek language, Greek (''Philippos'', lit. "horse-loving" or "fond of horses"), from a compound of (''philos'', "dear", "loved", "loving") and (''hippos'', "horse"). Prominent Philips who popularized the name include List of kings of Macedonia, kings of Macedonia and one of the apostles of early Christianity. ''Philip'' has #Philip in other languages, many alternative spellings. One derivation often used as a surname is Phillips (surname), Phillips. It was also found during ancient Greek times with two Ps as Philippides (other), Philippides and Philippos. It has many diminutive (or even hypocorism, hypocoristic) forms including Phil, Philly (other)#People, Philly, Lip (other), Lip, Pip (other), Pip, Pep (other), Pep or Peps. There are also feminine forms such as Philippine de Rothschild, Philippine and Philippa. Antiquity Kings of Macedon * Philip I of Macedon * Philip II ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countess Of Pembroke's Arcadia
''The Countess of Pembroke's Arcadia'', also known simply as the ''Arcadia'', is a long prose pastoral romance by Sir Philip Sidney written towards the end of the 16th century. Having finished one version of his text, Sidney later significantly expanded and revised his work. Scholars today often refer to these two major versions as the ''Old Arcadia'' and the ''New Arcadia''. The ''Arcadia'' is Sidney's most ambitious literary work by far, and as significant in its own way as his sonnets. Composition and publication Sidney's ''Arcadia'' has a history that is unusually complex even for its time. The ''Old Arcadia'' Sidney may have begun an early draft in the late 1570s, when he was in his twenties. His own comments indicate that his purpose was humble; he asserts that he intended only to entertain his sister, Mary Herbert, from 1577 Countess of Pembroke. This version is narrated in chronological order, with sets of poems separating the books from each other. It seems likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
