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Arthur De Beauplan
Arthur de Beauplan (20 June 1823 – 11 May 1890 Bibliography * Louis Gustave Vapereau, ''Dictionnaire universel des littératures'', Paris, Hachette, 1893, Read on line ''Gallica'') * Christian Goubault, « Arthur de Beauplan » ''in'' Joël-Marie Fauquet (dir.), ''Dictionnaire de la musique en France au XIXe siècle'', Fayard Fayard (complete name: ''Librairie Arthème Fayard'') is a French Paris-based publishing house established in 1857. Fayard is controlled by Hachette Livre. In 1999, Éditions Pauvert became part of Fayard. Claude Durand was director of Fayard ..., Paris, 2003 References {{DEFAULTSORT:Beauplan, Arthur de 19th-century French dramatists and playwrights French librettists Knights of the Legion of Honour Writers from Paris 1823 births 1890 deaths ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Des Beaux-Arts
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Michel
Marc-Antoine-Amédée Michel, known as Marc-Michel (22 July 1812 in Marseille – 12 March 1868 in Paris) was a French poet, playwright and journalist. He is perhaps best known today for the 1851 farce he co-wrote with Eugène Marin Labiche, ''The Italian Straw Hat (play), The Italian Straw Hat'', since then adapted many times to stage and screen. Life He began his studies in Aix-en-Provence in 1821 at the collège Saint-Louis, run by the Jesuits. References External links *http://viaf.org/viaf/61566488 *http://data.bnf.fr/ark:/12148/cb12057064d {{authority control Writers from Marseille 1812 births 1868 deaths 19th-century French dramatists and playwrights 19th-century French journalists French male journalists 19th-century French poets 19th-century French male writers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Labiche
Eugene is a common male given name that comes from the Greek εὐγενής (''eugenēs''), "noble", literally "well-born", from εὖ (''eu''), "well" and γένος (''genos''), "race, stock, kin". Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus Gene is a common shortened form. The feminine variant is or Eugenie. , a common given name in parts of central and northern Europe, is also a variant of Eugene / Eugine. Other male foreign-language variants in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Siraudin
Pierre-Paul-Désiré Siraudin (18 December 1812 – 8 September 1883) was a French playwright and librettist. He also used the pen names Paul de Siraudin de Sancy, Paul Siraudin de Sancy and M. Malperché. Biography He wrote many plays, mainly comedies and vaudevilles written in collaboration, notably with Alfred Delacour and Lambert-Thiboust. He also authored librettos for successful operettas and opéras-comiques, including ''La fille de Madame Angot'' (1872) in collaboration with Clairville and Victor Koning with music by Charles Lecocq. In 1860, Siraudin opened a confectionery shop — the Maison Siraudin — at the corner of the Rue de la Paix and the Place Vendôme. Siraudin's sweets were "renowned all the world over"; for example, Siraudin's ''Perles des Pyrénées'' ("Pearls of the Pyrenees"), consisting of perfumed sugar, are mentioned in Joris-Karl Huysmans' novel ''À rebours'' (1884). Works * 1842: ''La Vendetta'' with Dumanoir, Théâtre des Variétés ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Bayard
Jean-François Alfred Bayard (17 March 1796, Charolles, Saône-et-Loire – 20 February 1853, Paris) was a French playwright. He was the nephew of fellow playwright Eugène Scribe. Life As a law student and a lawyer's clerk, Bayard wrote with passion for the theatre and, after several attempts, had a great success at the Gymnase theatre, with ''la Reine de seize ans'' (1828, in-8°). One of the most fertile-minded and skilful vaudeville writers of his era, he made a close friendship with Eugène Scribe, often collaborating with him on plays and marrying his niece. Belonging to the school of Dancourt and Picard, he wrote with extreme ease, producing more than 200 plays for several theatres, sometimes alone, sometimes in collaboration. Many of his plays were remarked upon for their witty cheerfulness, and for not excluding sensitivity and everything else that was in vogue in the 19th century. He most often wrote vaudevilles, though he also had success with drama and even high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Barbier
Paul Jules Barbier (8 March 182516 January 1901) was a French poet, writer and opera librettist who often wrote in collaboration with Michel Carré. He was a noted Parisian bon vivant and man of letters. Works His libretti for extant operas (those co-written with Carré are shown with an asterisk) include: *: **''La Colombe'', '''' (*), '' |
Michel Carré
Michel Carré (20 October 1821, Besançon – 27 June 1872, Argenteuil) was a prolific French librettist. He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing libretti. He wrote the text for Charles Gounod's ''Mireille'' (1864) on his own, and collaborated with Eugène Cormon on Bizet's ''Les pêcheurs de perles''. However, the majority of his libretti were completed in tandem with Jules Barbier, with whom he wrote the libretti for numerous operas, including Camille Saint-Saëns's ''Le timbre d'argent'' (libretto written in 1864, first performed in 1877), Gounod's ''Faust'' (1859), '' Roméo et Juliette'' (1867), and Offenbach's ''Les contes d'Hoffmann'' (1881). As with the other libretti by Barbier and himself, these were adaptations of existing literary masterworks. His son, Michel-Antoine (1865–1945), followed in his father's footsteps, also writing libretti, and later directing silent films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélesville
Baron Anne-Honoré-Joseph Duveyrier, pen-name Mélesville (13 December 1787 in Paris – 7 November 1865 in Marly-le-Roi) was a French dramatist. The playwright Mélesville fils was his son. Life The son of Honoré-Nicolas-Marie Duveyrier, Mélesville initially had success at the bar and as a magistrate. He left the legal profession in 1814 to dedicate himself to the theatre, though he had first gained praise in that area in 1811 for his comedy ''l'Oncle rival''. Out of consideration for his father's position, he wrote under the pseudonym Mélesville, by which he is still known. He wrote in all genres - dramas, melodramas, comedies, vaudevilles, opera librettos - and is the sole or collaborative author of more than 340 plays. His collaborators included Eugène Scribe and Delestre-Poirson, with the collective pseudonym of Amédée de Saint-Marc. He collaborated with the more famous authors Brazier, Carmouche, Bayard, Scribe, Léon Laya on over 500 plays, some of which enjoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Varin
Charles Voirin, called Varin, (20 January 1798 (1er pluviôse an VI) – 24 April 1869) was a 19th-century French playwright. He also wrote under the pen names V. Warin and Victor. Biography Destined by his father to the profession of notary, Varin spent ten years at the bottom of a study, where he once came to Paris without money. Interested in writing plays, he spent a long time to break the circle of obstacles which opposed its inception. When the first success came, around 1825, he called himself Victor first, then took the pseudonym Varin, so that his father kept in ignorance of its gains, would not suppress his student pension. After he made his way to the stage, it provided very regularly plays, usually vaudevilles, full of gaiety and movement. He wrote mostly in company with various authors. To cite only a few: Bayard, Clairville, Desvergers, Paul de Kock, Duvert, Labiche, Auguste Lefranc, Henri Rochefort, Étienne and Jacques Arago. In August 1864 he was awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Gymnase Marie Bell
The Théâtre du Gymnase or Théâtre du Gymnase Marie Bell, is a theatre in Paris, at 38 Boulevard Bonne-Nouvelle in the 10th arrondissement of Paris, 10th arrondissement (métro : Bonne Nouvelle (Paris Métro), Bonne Nouvelle). History Inaugurated on December 23, 1820 by Charles-Gaspard Delestre-Poirson, Delestre-Poirson, the théâtre du Gymnase came to serve as a training-theatre for students of the conservatoire national supérieur d'art dramatique, conservatoire, where they could appear solely in one-act plays or adaptations of longer plays into one-act plays. Poirson quickly added two-act plays to the theatre's repertoire, then 3-act plays, and drew up an exclusive contract with Eugène Scribe to supply them. He installed gas lighting in 1823 and in the following year, with the permission of the Caroline Ferdinande Louise, duchesse de Berry, duchesse de Berry, the theatre was granted the title of ''théâtre de Madame''. Closed for renovation in 1830, the theatre reopen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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