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Arthur Cecil
Arthur Cecil Blunt (1 June 1843 – 16 April 1896), better known as Arthur Cecil, was an English actor, comedian, playwright and theatre manager. He is probably best remembered for playing the role of Box in the long-running production of ''Cox and Box'', by Arthur Sullivan and F. C. Burnand, at the Royal Gallery of Illustration. Born in London, Cecil took up amateur dramatics at an early age. In 1869, he made his professional debut in the one-act comic opera ''Cox and Box'' at the Gallery of Illustration in the role of Mr. Box, a part that became his signature role. There Cecil started a successful association with the German Reed Entertainments, appearing in numerous comedies, farces, operettas and burlesques, such as ''Beggar My Neighbour: A Blind Man's Bouffe'' and ''Charity Begins at Home'' in 1872. He remained with the company for five years. Cecil appeared at many London theatres during his career including the Globe, the Gaiety, and Prince of Wales's Theatre. He app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Cecil
Arthur Cecil Blunt (1 June 1843 – 16 April 1896), better known as Arthur Cecil, was an English actor, comedian, playwright and theatre manager. He is probably best remembered for playing the role of Box in the long-running production of ''Cox and Box'', by Arthur Sullivan and F. C. Burnand, at the Royal Gallery of Illustration. Born in London, Cecil took up amateur dramatics at an early age. In 1869, he made his professional debut in the one-act comic opera ''Cox and Box'' at the Gallery of Illustration in the role of Mr. Box, a part that became his signature role. There Cecil started a successful association with the German Reed Entertainments, appearing in numerous comedies, farces, operettas and burlesques, such as ''Beggar My Neighbour: A Blind Man's Bouffe'' and ''Charity Begins at Home'' in 1872. He remained with the company for five years. Cecil appeared at many London theatres during his career including the Globe, the Gaiety, and Prince of Wales's Theatre. He app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayfair
Mayfair is an affluent area in the West End of London towards the eastern edge of Hyde Park, in the City of Westminster, between Oxford Street, Regent Street, Piccadilly and Park Lane. It is one of the most expensive districts in the world. The area was originally part of the manor of Eia and remained largely rural until the early 18th century. It became well known for the annual "May Fair" that took place from 1686 to 1764 in what is now Shepherd Market. Over the years, the fair grew increasingly downmarket and unpleasant, and it became a public nuisance. The Grosvenor family (who became Dukes of Westminster) acquired the land through marriage and began to develop it under the direction of Thomas Barlow. The work included Hanover Square, Berkeley Square and Grosvenor Square, which were surrounded by high-quality houses, and St George's Hanover Square Church. By the end of the 18th century, most of Mayfair was built on with upper-class housing; unlike some nearby areas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happy Arcadia
''Happy Arcadia'' is a musical entertainment with a libretto by W. S. Gilbert and music originally by Frederic Clay that premiered on 28 October 1872 at the Royal Gallery of Illustration. It was one of four collaborations between Gilbert and Clay between 1869 and 1876. The music is lost. The piece is a satire on the genre of pastoral plays in which the characters, who each wish that they could be someone else, have their wish granted, with unhappy results. Gilbert and Sullivan later produced a popular comic opera, '' Iolanthe'' in which two of the characters, Strephon and Phyllis, are "Arcadian" shepherds. Phyllis, like Chloe, is torn between two suitors. The character of Lycidas also anticipates the character of Archibald Grosvenor in ''Patience'', who is cursed with perfect beauty. Background This work is the fifth in a series of six one-act musical plays written by Gilbert for Thomas German Reed and his wife Priscilla between 1869 and 1875. The German Reeds presented respe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Sensation Novel
''A Sensation Novel'' is a comic musical play in three acts (or volumes) written by the dramatist W. S. Gilbert, with music composed by Thomas German Reed. It was first performed on 31 January 1871 at the Royal Gallery of Illustration. Only four of German Reed's songs survive. Nearly 25 years later, the music was rewritten and published by Florian Pascal (Joseph Williams, Jr).Smith, Donald JInformation "''A Sensation Novel'' (1871)" The Gilbert and Sullivan Discography, Marc Shepherd (ed.), accessed 16 October 2016 The story concerns an author suffering from writer's block who finds that the characters in his novel are dissatisfied. The piece satirises the sensation novels popular as pulp detective fiction in the Victorian era. Later in his career, when Gilbert wrote the famous series of Savoy operas with Arthur Sullivan, he reused elements of ''A Sensation Novel'' in their opera ''Ruddigore''. Background ''A Sensation Novel'' is the fourth in a series of six short musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Island Home
''Our Island Home'' is a one-act musical entertainment with a libretto by W. S. Gilbert and music by Thomas German Reed that premiered on 20 June 1870 at the Royal Gallery of Illustration. The piece has five characters and is "biographical", in that the characters in the original production played themselves, except that they were given personalities opposite to their actual personalities. Background This work is the third in a series of six one-act musical plays written by Gilbert for Thomas German Reed and his wife Priscilla between 1869 and 1875. The German Reeds presented respectable, family-friendly musical entertainments at their Gallery of Illustration beginning in 1855, at a time when the theatre in Britain had gained a poor reputation as an unsavory institution and was not attended by much of the middle class. Shakespeare was played, but most of the entertainments consisted of poorly translated French operettas, risque Victorian burlesques and incomprehensible bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ages Ago
''Ages Ago'', sometimes stylised as ''Ages Ago!'' or ''Ages Ago!!'', is a musical entertainment with a libretto by W. S. Gilbert and music by Frederic Clay that premiered on 22 November 1869 at the Royal Gallery of Illustration. It marked the beginning of a seven-year collaboration between Gilbert and Clay. The piece was a critical and popular success and was revived many times, including at St. George's Hall, London in 1870 and 1874, and in New York in 1880. Background By the 1850s, the London stage had fallen into disrepute. Shakespeare's plays were staged, but most of the entertainments consisted of poorly translated French operettas, risque Victorian burlesques and vulgar broad farces. To bring family-friendly entertainment back to the theatre, Thomas German Reed and his wife Priscilla opened their Gallery of Illustration in 1855 and brought in Gilbert in 1869 as one of their many playwrights. The Gallery of Illustration was a 500-seat theatre with a small stage that onl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Cellier
Alfred Cellier (1 December 184428 December 1891) was an English composer, orchestrator and conductor. In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and on tour in Britain, America and Australia. He composed over a dozen operas and other works for the theatre, as well as for orchestra, but his 1886 comic opera, '' Dorothy'', was by far his most successful work. It became the longest-running piece of musical theatre in the nineteenth century. Biography Cellier was born in South Hackney, London, the second child and eldest son of Arsène Cellier, a language teacher from France, and his wife Mary Ann Peterine, formerly Peacock, ''née'' Thomsett. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera '' The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Deux Aveugles
''Les deux aveugles'' (, ''The Two Blind Men'' or ''The Blind Beggars'') is an 1855 one-act French ''bouffonerie musicale'' (operetta) by Jacques Offenbach.Lamb 1992, p. 1143. The libretto was written by Jules Moinaux and was a condensation of his 3-act ''Les musiciens ambulants''. The half-hour long piece is a comic sketch about two (supposedly) blind beggars, consisting of an overture and four numbers. Offenbach was bold in making light of the disabled poor, but he believed that his patrons would see the humour of the piece. Most Parisians had been pestered by beggars on Parisian street corners, and Offenbach's blind beggars were con men, rather than deserving outcasts of society. The little piece was an instant hit, praised for its catchy dance tunes, and it soon spread Offenbach's name and music around the world. Performance history ''Les deux aveugles'' premiered on the opening night of the Bouffes-Parisiens on 5 July 1855 at the company's first theatre, the tiny Salle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas German Reed
Thomas German Reed (27 June 1817 – 21 March 1888), known after 1844 as simply German Reed was an English composer, musical director, actor, singer and theatrical manager of the Victorian era. He was best known for creating the German Reed Entertainments, together with his actress wife, a genre of musical plays that made theatre-going respectable at a time when the stage was considered disreputable. While acting as organist and chapel-master at chapels in London, and also as musical director and performer at West End theatres in the 1830s and 1840s, Reed tried his hand at producing opera. He married Priscilla Horton, a noted singer, actress and dancer, in 1844. By 1851, he was managing opera productions at various theatres in London and on tour. In 1855, Reed and his wife began to present and perform in "Mr. and Mrs. German Reed's Entertainments", consisting of brief, small-scale, family-friendly comic operas. In the early and mid-Victorian era, the respectable middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Cards
''No Cards'' is a "musical piece in one act" for four characters, written by W. S. Gilbert, with music composed and arranged by German Reed. It was first produced at the Royal Gallery of Illustration, Lower Regent Street, London, under the management of German Reed, opening on 29 March 1869 and closing on 21 November 1869. The work is a domestic farce of mistaken identities and inept disguises, as two men desperately compete to marry a wealthy young lady. One is young and poor, and the other is a rich miser. Each disguises himself as her guardian. ''No Cards'' was the first of Gilbert's six pieces for the Gallery of Illustration. It was also Gilbert's first libretto with prose dialogue and the first stage work for which he wrote lyrics to be set to music, rather than lyrics to pre-existing music. ''No Cards'' was played on a double bill with Arthur Sullivan and F. C. Burnand's ''Cox and Box'', although Gilbert and Sullivan did not meet until later that year. After a successfu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallery Of Illustration
The Royal Gallery of Illustration was a 19th-century performance venue located at 14 Regent Street in London. It was in use between 1850 and 1873. The gallery was built in the 1820s by the architect John Nash as part of his own house, to display his considerable collection of paintings. In 1850 the building was named the Gallery of Illustration, and between then and 1855 it housed a diorama created and run by the theatrical scene-painters Thomas Grieve and William Telbin. From 1856 to 1873 the gallery was in the hands of the singer and actress Priscilla Horton and her husband German Reed. Their entertainments developed from songs and comedy with piano accompaniment to programmes of short plays and operettas. In deference to respectable mid-Victorian doubts about the propriety of theatres, the Reeds called their productions "entertainments", and avoided the use of the words "theatre", "play" and other theatrical terms. Under the Reeds the gallery played an important part in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
